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The Actor and the Target Kindle Edition
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A fresh and radical approach to acting by a world-famous director.
'This new "Advice to the Players" cuts open every generalisation about acting and draws out gleamingly fresh specifics. Behind the joy and humour of the writing, Declan Donnellan is subtly leading young actors to an awareness of the living processes behind their work. He brings as evidence the rich field of thought and intuition that direct experience has made his own.' - Peter Brook
- LanguageEnglish
- PublisherNick Hern Books
- Publication dateFeb. 21 2013
- File size2600 KB
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Product details
- ASIN : B00BHOSEQ0
- Publisher : Nick Hern Books; New Ed edition (Feb. 21 2013)
- Language : English
- File size : 2600 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 305 pages
- Best Sellers Rank: #347,497 in Kindle Store (See Top 100 in Kindle Store)
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Simple ways to unravel complicated characters(Juliet from Romeo and Juliet) is the main example he uses.
So before you read this book read Romeo and Juliet and it’ll be that much better.
My favourite line in the book is “what does your character want to be and what does your character afraid s/he’ll become”
Very simple but we all ask ourselves that question and it thrusts us into action!
Top reviews from other countries

According to Declan Donnellan, the "target" is the objective of the character in that specific moment, or something that the character places all of their focus and energy towards - but the catch is that if you think about the "target" then you have failed, as apparently you can't be truly focused on the target as a specific thing, but he also claims that the "target" is something that is ever changing and is never static, thus your focus must constantly be moving with it, yet you can't know where the "target" is moving, because if you did then you would lose focus, and thus according to Declan, lose sight of the "target" all together. Confused? Me too.
His acting method plays a complete 'Catch 22' on itself. To be a good actor you must apparently focus on the target, but the target is ever changing and moving - so if you ever identify the target, it means you have ultimately lost sight of the target. What a load of convoluted rubbish.
I put this book down half-way-through. Stick to Michael Chekhov if you are looking for inspiration and an actually worthy method of acting.

