Aliette de Bodard

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About Aliette de Bodard
Aliette de Bodard lives and works in Paris. She is the author of the critically acclaimed Obsidian and Blood trilogy of Aztec noir fantasies, as well as numerous short stories which have garnered her two Nebula Awards, a Locus Award and two British Science Fiction Association Awards. Her space opera books include The Tea Master and the Detective, a murder mystery set on a space station in a Vietnamese Galactic empire, inspired by the characters of Sherlock Holmes and Dr. Watson. Recent works include the Dominion of the Fallen series, set in a turn-of-the-century Paris devastated by a magical war, which comprises The House of Shattered Wings (Roc/Gollancz, 2015 British Science Fiction Association Award, Locus Award finalist), and its standalone sequel The House of Binding Thorns (Ace, Gollancz).
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Books By Aliette de Bodard
In the late twentieth century, the streets of Paris are lined with haunted ruins, the aftermath of a Great War between arcane powers. The Grand Magasins have been reduced to piles of debris, Notre-Dame is a burnt-out shell, and the Seine has turned black with ashes and rubble and the remnants of the spells that tore the city apart. But those that survived still retain their irrepressible appetite for novelty and distraction, and The Great Houses still vie for dominion over France’s once grand capital.
Once the most powerful and formidable, House Silverspires now lies in disarray. Its magic is ailing; its founder, Morningstar, has been missing for decades; and now something from the shadows stalks its people inside their very own walls.
Within the House, three very different people must come together: a naive but powerful Fallen angel; an alchemist with a self-destructive addiction; and a resentful young man wielding spells of unknown origin. They may be Silverspires’ salvation—or the architects of its last, irreversible fall. And if Silverspires falls, so may the city itself.
In a ruined, devastated world, where the earth is poisoned and beings of nightmares roam the land...
A woman, betrayed, terrified, sold into indenture to pay her village's debts and struggling to survive in a spirit world.
A dragon, among the last of her kind, cold and aloof but desperately trying to make a difference.
When failed scholar Yên is sold to Vu Côn, one of the last dragons walking the earth, she expects to be tortured or killed for Vu Côn's amusement.
But Vu Côn, it turns out, has a use for Yên: she needs a scholar to tutor her two unruly children. She takes Yên back to her home, a vast, vertiginous palace-prison where every door can lead to death. Vu Côn seems stern and unbending, but as the days pass Yên comes to see her kinder and caring side. She finds herself dangerously attracted to the dragon who is her master and jailer. In the end, Yên will have to decide where her own happiness lies—and whether it will survive the revelation of Vu Côn’s dark, unspeakable secrets...
Advance praise for In the Vanishers’ Palace
“Another stellar offering by Bodard. Her signature intensity is on display in this tale of people (and dragons) struggling to survive in the ruins of an alien conquest. Emotionally complex relationships interweave with richly drawn and deftly nuanced world-building.” —Kate Elliott, author of the Court of Fives series
“A transformative experience. With dragons.” —Fran Wilde, Hugo and Nebula nominated author of The Bone Universe and The Gemworld series
Award-winning author Aliette de Bodard returns with Fireheart Tiger, a powerful romantic fantasy that reads like The Goblin Emperor meets Howl's Moving Castle in a pre-colonial Vietnamese-esque world.
A British Science Fiction Award winner! A finalist for the Hugo, Nebula, Locus, and Ignyte Awards!
A Most Anticipated Pick for Buzzfeed | Mary Sue | Nerd Daily | FanFi Addict
Fire burns bright and has a long memory….
Quiet, thoughtful princess Thanh was sent away as a hostage to the powerful faraway country of Ephteria as a child. Now she’s returned to her mother's imperial court, haunted not only by memories of her first romance, but by worrying magical echoes of a fire that devastated Ephteria’s royal palace.
Thanh's new role as a diplomat places her once again in the path of her first love, the powerful and magnetic Eldris of Ephteria, who knows exactly what she wants: romance from Thanh and much more from Thanh’s home. Eldris won't take no for an answer, on either front. But the fire that burned down one palace is tempting Thanh with the possibility of making her own dangerous decisions.
Can Thanh find the freedom to shape her country’s fate—and her own?
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Year One-Knife, Tenochtitlan the capital of the Aztecs. Human sacrifice and the magic of the living blood are the only things keeping the sun in the sky and the earth fertile.
A Priestess disappears from an empty room drenched in blood. It should be a usual investigation for Acatl, High Priest of the Dead--except that his estranged brother is involved, and the the more he digs, the deeper he is drawn into the political and magical intrigues of noblemen, soldiers, and priests-and of the gods themselves...
REVIEWS:
‘ gripping mystery steeped in blood and ancient Aztec magic. I was enthralled.’ — Sean Williams
‘An Aztec priest of the dead tries to solve a murder mystery, and finds that politics may be even more powerful than magic. A vivid portrayal of an interesting culture in a truly fresh fantasy novel.’ — Kevin J. Anderson
‘Amid the mud and maize of the Mexica empire, Aliette de Bodard has composed a riveting story of murder, magic and sibling rivalry.’ — Elizabeth Bear
‘The world-building is exquisite and we *believe* we are transported to the 15th century Tenotichtlan and together with the superb voice they formed the main reason I enjoyed this book so much… Highly recommended… Ms. de Bodard is a writer to watch.’ — Fantasy Book Critic
The year is Three Rabbit, and the storm is coming.
The Mexica Empire now has a new Emperor, but his coronation war has just ended in a failure: the armies have retreated with a paltry forty prisoners of war, not near enough sacrifices to satisfy the gods. Acatl, High Priest for the Dead, has no desire to involve himself yet again in the intrigues of the powerful. However, when one of the prisoners dies of a magical illness, he has little choice but to investigate. For it is only one death, but it will not be the last.
As the bodies pile up and the imperial court tears itself apart, dragging Teomitl, Acatl's beloved student, into the eye of the storm, the High Priest for the Dead is going to have to choose whom he can afford to trust; and where, in the end, his loyalties ultimately lie...
REVIEWS:
‘Like the previous books, the third in the Obsidian and Blood series abounds with suspects and red herrings. It’s a twisty and colourful tale filled with strange gods who demand sacrifices and pain for the least favour. I liked the way Acatl is beginning to question the way things are, and the first stirrings of doubt are awakening in him. He’s always had misgivings about his own suitability as High Priest, but in this novel his eyes are opened to some of the deeper wrongs done in the name of the empire, and in the name of people’s unswerving loyalty to the gods.’ —WarpCore SF
‘I found this to be the best book of a very good series. The same positives from the first two books are still present, a very easy-to-read writing style (easy to read but not simple or dumbed down), a quick pace, and some incredible world building, incredible accessibility despite the lesser know pantheon and names. Even though the second book dealt with a possible end to the world, MASTER OF THE HOUSE OF DARTS took a similar fate and did it better. Perhaps this was because in many ways it felt more like a fantasy book than a mystery book, which lends itself better to the “save the world” type story. The magic felt more organic here, it was never used as a crutch, or perhaps it was just better explained. There was a bit less travelling this time around, which also led to a tighter story. The ending involved several confrontations that were tense and believable, including some between people who are supposed to be allies… a great end to the series.’ —Fantasy Review Barn
‘Whether you take it as historical noir or as a highly accurate fantasy, it’s hard not to enjoy the Obsidian and Blood books—it’s a perfect fit for those looking for something different from their usual fare, but still exciting in ways they’re used to.’ —Guys Lit Wire
‘Acatl, is very much at the heart of the story, more so perhaps than the plot. He slowly grows into his position as the High Priest of the Dead throughout the trilogy, while the author moves along a parallel path, her narrative growing into its teller and inhabiting his mind with increasing comfort and self-assurance. Acatl is both the hero and the author’s avatar as she explores her ideas of what a hero can and should be. Perceptive readers will find Acatl to be a very different kind of hero than we are accustomed to reading about, but the action and the mystery proceed so smoothly that some may never notice the gleeful contrariness that lurks below the surface… Acatl is not, and this is apparent from much earlier in the trilogy, a typical action hero. He is not even a typical mystery solver, at least not in the Western idiom… The entirety of the Obsidian & Blood trilogy gets high marks… for creativity, execution, and gentle subvers
The year is Two House, and the Emperor of the Mexica has just died. The protections he afforded the Empire are crumbling, and the way lies wide open to the flesh-eating star-demons--and to the return of their creator, a malevolent goddess only held in check by the War God's power.
The council should convene to choose a new Emperor, but they are too busy plotting against each other. And then someone starts summoning star-demons within the palace, to kill councilmen...
Acatl, High Priest of the Dead, must find the culprit before everything is torn apart.
REVIEWS:
‘Political intrigue and rivalry among a complex pantheon of divinities drive this well-paced murder mystery set at the height of the Aztec Empire in the late 15th century. De Bodard reintroduces the series hero Acatl, high priest of the dead, immediately following the death of the Tenochtitlan leader. One of the council members in charge of choosing a successor has been brutally murdered in what looks like an attempt to influence the decision. But the deaths continue and the political situation grows more complex, while the empire looks to be increasingly at risk of invasion by malignant powers. Acatl must go face-to-face with the most powerful god in his world and put the good of the empire above his antipathy for is rivals to achieve the uneasy succession. De Bodard incorporates historical fact with great ease and manages the rare feat of explaining complex culture and political system without lecturing or boring the reader.’ —Publishers Weekly
‘Another thing that intrigues me here is the whole fact that historically we know that the real empire died out mysteriously and completely and as such there is always that thought in the back of my mind that the author could choose to bring about the end of days. That highlighted sense of possible doom is something that is missing from too many novels. The way the story is told in this book is very impressive, the plot is both mature and seductive, twisting and turning like a weather vane in a force 9 gale while the action is both bloodthirsty and imaginative. The world building is fantastic and we get to learn even more of this rich culture and the many gods and creatures of the dark. I really can’t fault this book at all and recommend it to one and all but if you haven’t yet read Servant of the Underworld I suggest that you get them both and read them in order, you won’t be disappointed.’ —SF Book Reviews
‘Bodard’s writing is polished and striking, as she convincingly fills in the colorful elements of the Aztec culture–even if those colors tend to be of blood and bile as well as flowers and hummingbirds… beautiful, grimy, breathtaking, and morbid. 5*’ —Examiner
‘Aliette de Bodard has done it again. Harbinger of the Storm is an action packed Aztec mystery opera with magic, interventions from the gods and more twists and turns than the first book. It even has a love story with amusing snippets here and there… The story is self contained and can be enjoyed standalone, but you will not want to miss out on the first. I wish it was 2012 already even if the world is going under while I read the final Obsidian & Blood.’ —Cybermage
From the author of the critically acclaimed Dominion of the Fallen trilogy comes a sparkling new romantic adventure full of kissing, sarcasm and stabbing.
It was supposed to be a holiday, with nothing more challenging than babysitting, navigating familial politics and arguing about the proper way to brew tea.
But when dragon prince Thuan and his ruthless husband Asmodeus find a corpse in a ruined shrine and a hungry ghost who is the only witness to the crime, their holiday goes from restful to high-pressure. Someone is trying to silence the ghost and everyone involved. Asmodeus wants revenge for the murder; Thuan would like everyone, including Asmodeus, to stay alive.
Chased by bloodthirsty paper charms and struggling to protect their family, Thuan and Asmodeus are going to need all the allies they can—and, as the cracks in their relationship widen, they’ll have to face the scariest challenge of all: how to bring together their two vastly different ideas of their future…
A heartwarming standalone book set in a world of dark intrigue.
A Note on Chronology
Spinning off from the Dominion of the Fallen series, which features political intrigue in Gothic devastated Paris, this book stands alone, but chronologically follows The House of Sundering Flames. It’s High Gothic meets C-drama in a Vietnamese inspired world–perfect for fans of Mo Xiang Tong Xiu’s Heaven Official’s Blessing, KJ Charles, and Roshani Chokshi’s The Gilded Wolves.
Advance praise:
“A darkly delicious romp full of ghosts, murder, dragons, and romance, with a couple that just keeps getting better and better as they push each other to new limits.” — Stephanie Burgis, author of Snowspelled and Scales and Sensibility
“Beautifully described, deeply caring, and satisfyingly murderous, it’s an immersive delight.” — KJ Charles, author of the Will Darling Adventures
From the author of the critically acclaimed Dominion of the Fallen trilogy comes a tale of dragons, and Fallen angels—and also kissing, sarcasm and stabbing.
Lunar New Year should be a time for familial reunions, ancestor worship, and consumption of an unhealthy amount of candied fruit.
But when dragon prince Thuan brings home his brooding and ruthless husband Asmodeus for the New Year, they find not interminable family gatherings, but a corpse outside their quarters. Asmodeus is thrilled by the murder investigation; Thuan, who gets dragged into the political plotting he’d sworn off when he left, is less enthusiastic.
It’ll take all of Asmodeus’s skill with knives, and all of Thuan’s diplomacy, to navigate this one—as well as the troubled waters of their own relationship….
A sparkling standalone book set in a world of dark intrigue.
A Note on Chronology
Spinning off from the Dominion of the Fallen series, which features political intrigue in Gothic devastated Paris, this book stands alone, but chronologically follows The House of Sundering Flames. It’s High Gothic meets C-drama in a Vietnamese inspired world—perfect for fans of Mo Xiang Tong Xiu's Heaven Official's Blessing, KJ Charles, and Roshani Chokshi’s The Gilded Wolves.
The Citadel of Weeping Pearls was a great wonder; a perfect meld between cutting-edge technology and esoteric sciences—its inhabitants capable of teleporting themselves anywhere, its weapons small and undetectable and deadly.
Thirty years ago, threatened by an invading fleet from the Dai Viet Empire, the Citadel disappeared and was never seen again.
But now the empire itself is under siege, on the verge of a war against an enemy that turns their own mindships against them; and the Empress, who once gave the order to raze the Citadel, is in desperate need of its weapons. Meanwhile, on a small isolated space station, an engineer obsessed with the past works on a machine that will send her thirty years back, to the height of the Citadel’s power.
But the Citadel’s disappearance still extends chains of grief and regret all the way into the fraught atmosphere of the Imperial Court; and this casual summoning of the past might have world-shattering consequences . . .
A new book set in the award-winning, critically acclaimed Xuya universe.
Praise for Aliette de Bodard
“Startlingly original.” —The Guardian
“A writer who deserves attention.” —SF Signal
In de Bodard's first collection come discover the breadth and endless invention of her universes, ranging from a dark Gothic Paris devastated by a magical war; to the multiple award-winning Xuya, a far-future space opera inspired by Vietnamese culture where scholars administrate planets and sentient spaceships are part of families.
In the Nebula award and Locus award winning "Immersion", a young girl working in a restaurant on a colonized space station crosses paths with an older woman who has cast off her own identity. In the novelette "Children of Thorns, Children of Water", a shapeshifting dragon infiltrating a ruined mansion finds more than he's bargained for when his partner is snatched by eerie, child-like creatures. And in the award-winning "Three Cups of Grief, by Starlight", three very different people—a scholar, an engineer, and a spaceship—all must deal with the loss of a woman who was the cornerstone of their world.
This collection includes a never-before-seen 20,000-word novella, "Of Birthdays, and Fungus, and Kindness", set in Bodard's alternative dark Paris.
Welcome to the Scattered Pearls Belt, a collection of ring habitats and orbitals ruled by exiled human scholars and powerful families, and held together by living mindships who carry people and freight between the stars. In this fluid society, human and mindship avatars mingle in corridors and in function rooms, and physical and virtual realities overlap, the appearance of environments easily modified and adapted to interlocutors or current mood.
A transport ship discharged from military service after a traumatic injury, The Shadow's Child now ekes out a precarious living as a brewer of mind-altering drugs for the comfort of space-travellers. Meanwhile, abrasive and eccentric scholar Long Chau wants to find a corpse for a scientific study. When Long Chau walks into her office, The Shadow's Child expects an unpleasant but easy assignment. When the corpse turns out to have been murdered, Long Chau feels compelled to investigate, dragging The Shadow's Child with her.
As they dig deep into the victim's past, The Shadow's Child realises that the investigation points to Long Chau's own murky past—and, ultimately, to the dark and unbearable void that lies between the stars…
For generations Prosper Station has thrived under the guidance of its Honoured Ancestress: born of a human womb, the station’s artificial intelligence has offered guidance and protection to its human relatives.
But war has come to the Dai Viet Empire. Prosper’s brightest minds have been called away to defend the Emperor; and a flood of disorientated refugees strain the station’s resources. As deprivations cause the station’s ordinary life to unravel, uncovering old grudges and tearing apart the decimated family, Station Mistress Quyen and the Honoured Ancestress struggle to keep their relatives united and safe. What Quyen does not know is that the Honoured Ancestress herself is faltering, her mind eaten away by a disease that seems to have no cure; and that the future of the station itself might hang in the balance…
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