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About Amy Reed
Amy Reed was born and raised in and around Seattle, where she attended a total of eight schools by the time she was eighteen. Constant moving taught her to be restless, and being an only child made her imagination do funny things. After a brief stint at Reed College (no relation), she moved to San Francisco and spent the next several years serving coffee and getting into trouble. She eventually graduated from film school, promptly decided she wanted nothing to do with filmmaking, returned to her original and impractical love of writing, and earned her MFA from New College of California. After thirteen years in the Bay Area, she now resides in Asheville, North Carolina.
Amy is the award-winning author of BEAUTIFUL (2009), CLEAN (2011), CRAZY (2012), OVER YOU (2013), and DAMAGED (2014), all with Simon Pulse/Simon & Schuster. Her two-book series, INVINCIBLE (2015) and UNFORGIVABLE (2016) were published by Katherine Tegen/Harper Collins. She then returned to Simon Pulse for THE THE NOWHERE GIRLS (2017), the anthology OUR STORIES, OUR VOICES (2018), and THE BOY AND GIRL WHO BROKE THE WORLD (July 2019). TELL ME MY NAME, her feminist, gender-swapped Great Gatsby adaptation and psychological thriller (2021) is published by Dial/Penguin-Random House.
Amy is a feminist, mother, and Virgo who enjoys running, making lists, and wandering around the mountains of western North Carolina where she lives. You can find her online at amyreedfiction.com and on social media @amyreedfiction.
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Books By Amy Reed
“Scandal, justice, romance, sex positivity, subversive anti-sexism—just try to put it down.” —Kirkus Reviews (starred review)
“Cuts straight to the core of rape culture—masterfully fierce, stirring, and deeply empowering.” —Amber Smith, New York Times bestselling author of The Way I Used to Be
Three misfits come together to avenge the rape of a fellow classmate and trigger a change in the misogynist culture at their high school transforming the lives of everyone around them in this searing and timely story.
Who are the Nowhere Girls?
They’re everygirl. But they start with just three:
Grace Salter is the new girl in town, whose family was run out of their former community after her southern Baptist preacher mom turned into a radical liberal after falling off a horse and bumping her head.
Rosina Suarez is the queer punk girl in a conservative Mexican immigrant family, who dreams of a life playing music instead of babysitting her gaggle of cousins and waitressing at her uncle’s restaurant.
Erin Delillo is obsessed with two things: marine biology and Star Trek: The Next Generation, but they aren’t enough to distract her from her suspicion that she may in fact be an android.
When Grace learns that Lucy Moynihan, the former occupant of her new home, was run out of town for having accused the popular guys at school of gang rape, she’s incensed that Lucy never had justice. For their own personal reasons, Rosina and Erin feel equally deeply about Lucy’s tragedy, so they form an anonymous group of girls at Prescott High to resist the sexist culture at their school, which includes boycotting sex of any kind with the male students.
Told in alternating perspectives, this groundbreaking novel is an indictment of rape culture and explores with bold honesty the deepest questions about teen girls and sexuality.
On wealthy Commodore Island, Fern is watching and waiting—for summer, for college, for her childhood best friend to decide he loves her. Then Ivy Avila lands on the island like a falling star. When Ivy shines on her, Fern feels seen. When they're together, Fern has purpose. She glimpses the secrets Ivy hides behind her fame, her fortune, the lavish parties she throws at her great glass house, and understands that Ivy hurts in ways Fern can't fathom. And soon, it's clear Ivy wants someone Fern can help her get. But as the two pull closer, Fern's cozy life on Commodore unravels: drought descends, fires burn, and a reckless night spins out of control. Everything Fern thought she understood—about her home, herself, the boy she loved, about Ivy Avila—twists and bends into something new. And Fern won't emerge the same person she was.
An enthralling, mind-altering fever dream, Tell Me My Name is about the cost of being a girl in a world that takes so much, and the enormity of what is regained when we take it back.
New York Times: "13 Y.A. Books to Add to Your Reading List This Spring"
"A lush, gorgeously crafted page-turner." —Jennifer Mathieu, author of Moxie
“Absolutely took my breath away.” —Geek Mom
★ "As much Hitchcockian suspense as Fitzgerald’s tarnished glitz." —BCCB (starred review)
“A kaleidoscope of light and shadow that will keep you flipping page after page.” —Amber Smith, author of The Way We Used to Be
“Only Amy Reed could write a novel this dark, this gorgeous, this forward-looking while speaking to our present moment.” —Wiley Cash, author of A Land More Kind Than Home
"The best kind of literary thriller—one with as much conscience as pulse." —Brendan Kiely, co-author of All American Boys
“I haven’t felt this way since reading We Were Liars—mind blown.” —Jaye Robin Brown, author of Georgia Peaches and Other Forbidden Fruit
★ "Immersive [and] smartly written.” —SLJ (starred review)
"This novel is amazing . . . A pulsating, hypnotic retelling.” —Lilliam Rivera, author of The Education of Margot Sanchez
“Relentlessly compelling . . . Reed's latest is a literary thrill ride.” —Kelly Jensen, author of (Don’t) Call Me Crazy and editor at BookRiot
"Takes the unreliable narrator to new levels . . . Mesmerizing." —SLC
“[A] harrowing tale of personal trauma in a violently polarized society.” —Kirkus
“A compelling and propulsive thriller.
Billy Sloat and Lydia Lemon don’t have much in common, unless you count growing up on the same (wrong) side of the tracks, the lack of a mother, and a persistent loneliness that has inspired creative coping mechanisms.
When the lives of these two loners are thrust together, Lydia’s cynicism is met with Billy’s sincere optimism, and both begin to question their own outlook on life. On top of that, weird happenings including an impossible tornado and an all-consuming fog are cropping up around them—maybe even because of them. And as the two grow closer and confront bigger truths about their pasts, they must also deal with such inconveniences as a narcissistic rock star, a war between unicorns and dragons, and eventually, of course, the apocalypse.
With a unique mix of raw emotion, humor, and heart, the surreal plotline pulls readers through an epic exploration of how caring for others makes us vulnerable—and how utterly pointless life would be if we didn’t.
From Amy Reed, Ellen Hopkins, Amber Smith, Nina LaCour, Sandhya Menon, and more of your favorite YA authors comes an “outstanding anthology” (School Library Connection) of essays that explore the diverse experiences of injustice, empowerment, and growing up female in America.
This collection of twenty-one essays from major YA authors—including award-winning and bestselling writers—touches on a powerful range of topics related to growing up female in today’s America, and the intersection with race, religion, and ethnicity. Sure to inspire hope and solidarity to anyone who reads it, Our Stories, Our Voices belongs on every young woman’s shelf.
This anthology features essays from Martha Brockenbrough, Jaye Robin Brown, Sona Charaipotra, Brandy Colbert, Somaiya Daud, Christine Day, Alexandra Duncan, Ilene Wong (I.W.) Gregorio, Maurene Goo. Ellen Hopkins, Stephanie Kuehnert, Nina LaCour, Anna-Marie LcLemore, Sandhya Menon, Hannah Moskowitz, Julie Murphy, Aisha Saeed, Jenny Torres Sanchez, Amber Smith, and Tracy Walker.
Olivia, Kelly, Christopher, Jason, and Eva have one thing in common: They’re addicts. Addicts who have hit rock bottom and been stuck together in rehab to face their problems, face sobriety, and face themselves. None of them wants to be there. None of them wants to confront the truths about their pasts. And they certainly don’t want to share their darkest secrets and most desperate fears with a room of strangers. But they’ll all have to deal with themselves—and one another—if they want to learn how to live. Because when you get that high, there’s nowhere to go but down, down, down.
Cassie's new existence both thrills and terrifies her. She embraces the numbness she feels from the drugs, starts sleeping with an older boy, and gets pulled into a twisted friendship triangle that is tinged with violence and abuse. Cassie is trapped in a swift downward spiral, and there's no turning back.
Billy et Lydia n'ont pas grand-chose en commun si ce n'est leur ville oubliée du monde et l'absence d'une mère.
Et pourtant, c'est ensemble qu'ils vont faire vaciller le monde. Alors que l'optimisme sincère et souvent naïf de Billy se heurte au cynisme de Lydia, leur amitié grandit. Pendant ce temps, les événements étranges se mutliplient : un brouillard épais enveloppe la ville, la maison de Billy semble se réveiller d'un long sommeil... Et Lydia recommence à danser, à vivre, à voler.
Amy Reed signe un roman magistral, peinture sans concession de l'Amérique de Donald Trump, avec des accents de réalisme magique qui rappellent aussi bien Laura Kasischke que Garcia Marquez.
À partir de 13 ans
ROSINA SUAREZ, queer punk, pertence a uma família mexicana imigrante e muito conservadora. Seu maior sonho é viver de música em vez de trabalhar como babá dos seus primos e servir mesas no restaurante do seu tio.
ERIN DELILLO é obcecada por duas coisas: biologia marinha e Jornada nas estrelas. Mas, essas duas coisas não são o suficiente para distraí-la da sua real suspeita: ela poderia ser, de fato, um androide.
Quando Grace descobre que Lucy Moynihan, antiga ocupante de sua nova casa, foi expulsa da cidade por ter acusado os garotos mais populares do colégio de estupro coletivo, fica indignada pela garota nunca ter conseguido se vingar – e ela não é a única.
Grace está determinada a fazer algo a respeito do que aconteceu com Lucy. Ela, Rosina e Erin formam um grupo no colégio para resistir à cultura do sexismo e boicotar o sexo de qualquer gênero com os meninos.
Contada em diferentes perspectivas, essa história empolgante é não só uma acusação contra a cultura do estupro, como também explora, com honestidade, as mais profundas perguntas sobre adolescência e sexualidade.
SOBRE A AUTORA
Amy Reed nasceu e cresceu em Seattle, onde frequentou oito escolas até seus dezoito anos. Mudar o tempo todo ensinou-a a ser inquieta, e ser filha única fez sua imaginação criar coisas engraçadas. Em São Francisco, passou alguns anos servindo café e se metendo em encrenca. Formou-se em cinema, mas decidiu que não queria nada com o tema e retornou ao seu amor original pela escrita.
Depois de treze anos morando em São Francisco, ela agora está nas montanhas do oeste da Carolina do Norte com o marido, a filha e o cachorro.
Em seu tempo livre, Amy gosta de ler (obviamente), correr, cozinhar, comer, fazer listas e sair com seu marido Brian e sua filha Elouise, que é oficialmente a pessoa mais legal do mundo.
Was die krebskranke Evie noch will, ist eine letzte Reise. Noch einmal das Adrenalin in den Adern spüren. Noch einmal auf den Rat ihrer Freundin Stella hören: Lebe wagemutig. Aber die Flucht aus der Klinik wird alles verändern …
Evie fällt es unsagbar schwer, in die Welt der Gesunden zurückzufinden. Bis sie Marcus trifft. In seiner Nähe fühlt sie sich lebendig. In seinen Exzessen, seinen fantastischen Höhenflügen. Nur ahnt sie nicht, dass sie nur einen Schritt vor dem Abgrund steht …
"Mal im Ernst, Evie, was haben wir schon zu verlieren?"
The Fault in Our Stars meets Go Ask Alice in this dramatic romance about a teenage girl who survives a terminal cancer diagnosis, only to get trapped in the deadly spiral of addiction. Fans of Gayle Forman and Sara Zarr will be swept away by this gritty romance, the first in a duology.
Evie is living on borrowed time. She was diagnosed with terminal cancer several months ago and told that by now she’d be dead. Evie is grateful for every extra day she gets, but she knows that soon this disease will kill her. Until, miraculously, she may have a second chance to live.
All Evie had wanted was her life back, but now that she has it, she feels like there’s no place for her in it—at least, not for the girl she is now. Her friends and her parents still see her as Cancer Girl, and her boyfriend’s constant, doting attention is suddenly nothing short of suffocating.
Then Evie meets Marcus. She knows that he’s trouble, but she can’t help falling for him. Being near him makes her feel truly, fully alive. It’s better than a drug. His kiss makes her feel invincible—but she may be at the beginning of the biggest free fall of her life.
When Kinsey’s best friend Camille dies in a car accident while Kinsey is behind the wheel, she shuts down completely, deciding that numbness is far better than mourning. She wants to be left alone during the last few weeks of high school, but Camille’s mysterious boyfriend Hunter, who was also in the car that night, has a different idea.
Despite all of Kinsey’s efforts, she can’t shake Camille, who has been haunting her dreams. Consumed by survivor’s guilt, sleep deprived, and on the verge of losing it, she agrees to run away with Hunter to San Francisco. As the pair tries to escape both the ghost of Camille and their own deep fears, Kinsey questions how real her perception of her friendship with Camille was, and whether her former friend’s ghost is actually now haunting her. Hunter, meanwhile, falls into a spiral of alcoholism, anger, and self-loathing.
Ultimately, Kinsey and Hunter must come to terms with what they’ve lost and accept that they can’t outrun pain.
Max would follow Sadie anywhere, so when Sadie decides to ditch her problems and escape to Nebraska for the summer, it’s only natural for Max to go along. Max is Sadie’s confidante, her protector, and her best friend. This summer will be all about them. This summer will be perfect.
And then they meet Dylan. Dylan is dark, dangerous, and intoxicating, and he awakens something in Max that she never knew existed. No matter how much she wants to, she can’t back away from him.
But Sadie has her own intensity, and has never allowed Max to become close with anyone else. Max doesn’t know who she is without Sadie, but she’d better start learning. Because if she doesn’t make a decision—about Dylan, about Sadie, about herself—it’s going to be made for her. Because there are some problems you just can’t escape.