
The Midcoast: A Novel
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NATIONAL BESTSELLER “Propulsive . . . An absorbing look at small-town Maine and the thwarted dreams of a family trying to transcend it.”—Lee Cole, The New York Times (Editors’ Choice)
“I tore through the saga of the Thatch family in two nights. The Midcoast is a reader’s dream—tense, ominous, and deeply wise.”—David Benioff, co-creator of Game of Thrones
It’s spring in the tiny town of Damariscotta, a tourist haven on the coast of Maine known for its oysters and antiques. Andrew, a high school English teacher recently returned to the area, has brought his family to Ed and Steph Thatch’s sprawling riverside estate to attend a reception for the Amherst women’s lacrosse team. Back when they were all teenagers, Andrew never could have predicted that Ed, descended from a long line of lobstermen, or Steph, a decent student until she dropped out to start a family, would ever send a daughter to a place like Amherst. But so the tides have turned, and Andrew’s trying hard to admire, more than envy, the view from Ed’s rolling backyard meadow.
As Andrew wanders through the Thatches’ house, he stumbles upon a file he’s not supposed to see: photos of a torched body in a burned-out sedan. And when a line of state police cruisers crashes the Thatches’ reception an hour later, Andrew and his neighbors finally begin to see the truth behind Ed and Steph’s remarkable rise. Soon the newspapers are running headlines about the Thatches, and Andrew’s poring over his memories, trying to piece together the story of a family he thought he knew.
A propulsive drama that cares as deeply about its characters as it does about the crimes they commit, The Midcoast explores the machinations of privilege, the dark recesses of the American dream, and the lies we tell as we try, at all costs, to protect the ones we love.
- Listening Length9 hours and 47 minutes
- Audible release dateJune 7 2022
- LanguageEnglish
- ASINB09HVFWYGK
- VersionUnabridged
- Program TypeAudiobook
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Product details
Listening Length | 9 hours and 47 minutes |
---|---|
Author | Adam White |
Narrator | George Newbern |
Audible.ca Release Date | June 07 2022 |
Publisher | Random House Audio |
Program Type | Audiobook |
Version | Unabridged |
Language | English |
ASIN | B09HVFWYGK |
Best Sellers Rank | #86,451 in Audible Books & Originals (See Top 100 in Audible Books & Originals) #844 in Psychological Fiction (Audible Books & Originals) #1,853 in Psychological Thrillers (Audible Books & Originals) #3,843 in Literary Fiction (Audible Books & Originals) |
Customer reviews

Reviewed in Canada on June 12, 2022
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The cadence of this novel was discomforting. As I turned the pages, I came to know these characters better, but although there was no dramatic event for most of the book, you felt one coming. An unsettling feeling that things would come to a head and that someone was going to get hurt.
The book shows the detrimental effect that all-consuming love can have on a family. Ed Thatch wanted it all – not for himself, but for his wife Steph. A lobsterman and a high-school dropout, he always felt she was too good for him. In order to keep her, he felt he had to give her everything she ever wanted, everything he thought she deserved. The only thing was, he never asked her what that was, he assumed…
The novel speaks to the phrase “a big fish in a small pond“. The Thatch family were definitely the big fish in their Maine town. How they got that way is the crux of the book.
“the kind of quiet you were only supposed to hear in outer space”.
The writing was skilled, as can be expected from a man who teaches writing. I was impressed by this debut novel and have great expectations for his writing career. The somewhat ambiguous ending worked well here. “The Midcoast” was an accomplished debut literary novel that I can readily recommend.

Reviewed in Canada 🇨🇦 on June 12, 2022
The cadence of this novel was discomforting. As I turned the pages, I came to know these characters better, but although there was no dramatic event for most of the book, you felt one coming. An unsettling feeling that things would come to a head and that someone was going to get hurt.
The book shows the detrimental effect that all-consuming love can have on a family. Ed Thatch wanted it all – not for himself, but for his wife Steph. A lobsterman and a high-school dropout, he always felt she was too good for him. In order to keep her, he felt he had to give her everything she ever wanted, everything he thought she deserved. The only thing was, he never asked her what that was, he assumed…
The novel speaks to the phrase “a big fish in a small pond“. The Thatch family were definitely the big fish in their Maine town. How they got that way is the crux of the book.
“the kind of quiet you were only supposed to hear in outer space”.
The writing was skilled, as can be expected from a man who teaches writing. I was impressed by this debut novel and have great expectations for his writing career. The somewhat ambiguous ending worked well here. “The Midcoast” was an accomplished debut literary novel that I can readily recommend.

Top reviews from other countries


First, this book is a great read that I couldn't put down, but it covers a lot of topics I think about a lot, primarily class, and relatedly, economic development. The Cape I grew up on, as I remember it, was basically rural and blue collar. When I moved away around 1990, unemployment in the fishing fleet around Buzzards Bay was something like 1/3, and I had heard guys were running drugs because they had nothing else to do with their boats. But when I went to Nantucket (not where I grew up) a few years ago, it was essentially an international resort. The change in a few generations is immense.
The book includes crime, and probably reads like a good true crime novel, but the way I read some of the reviews, people looking for a pure thriller might be disappointed. This is more about a guy, Ed, who is a lot smarter than his opportunities. What options do people like that have? Try to get out legitimately. Take the opportunities available that aren't legitimate. Self-destruct with drugs and alcohol. Get really angry. This story is set on the coast of Maine, but I think the same story plays out all over the country. Ed falls in love with a woman, Steph, and he wants to provide everything she wants, so he takes the available opportunities.
One way the book is structured is as a Greek tragedy. There is an inevitability to the fall. There is a chorus, Andrew, the narrator, commenting on the action. And there is hubris, although it may be greater in Steph than Ed. Steph is almost described as a force of nature. She gets what she wants. But she also expects that she will, and so may turn a blind eye to the cost, and we are repeatedly shown that she doesn't always consider the consequences of her own actions. But Ed and Steph are human, which is part of what makes this book so compelling. They do bad things, in part because they are trying to achieve understandable goals, taking care of the people they love, giving their kids a better future, taking care of their community.
I see some reviewers complain about the use of multiple voices as possibly choppy or the focus at times on other characters, like the daughter, Allie, as digressive. Again, I found the narrative riveting, but if you are looking for a purely linear thriller plot, maybe you will be disappointed. If one of the themes, or the main theme, is class and trying to move between classes in this country, then those different voices are a way to provide all different perspectives on the plot. Andrew is well placed to be the narrator because he has feet in both worlds. To me, two of the most interesting characters are Chip, the old money New England blue blood, and the way he reacts to Ed, and especially Allie, who, as a young woman and lobsterman's daughter, is trying to figure out how to fit in on the lacrosse team at Amherst. Her father propelled her up the ladder, but she had no one to teach her the rules. I also think about Allie the most in terms of what may have happened to her after the end of the novel.
If I have one criticism, and I only mention it because it really does kind of bug me and I wish it didn't because I think everything else works so well in the book, it is purely plot related, but I don't want to give any spoilers. We know the ending is going to be tragic, and I can see the artistic appeal of the symmetry, but I don't really understand how they knew where he was. I get how the plot worked so they learned his last known location, but he could have gone a lot of directions from there. Maybe I was getting bleary from trying to finish the book and missed it and will see it when I read it again, which I will.
The main criticism that I see on Amazon about any book is that the book the reviewer read is not the book they wanted to read (or would have written!), which I don't usually find that useful. So, if you are looking for a pure thriller, or crime, or true crime novel, this may not be for you. If you are looking for a great read, an incredibly strong narrative that leaves you a lot to chew on, this is a great choice. If you grew up in New England, if you grew up living year round in a resort area, if you can't afford the area you grew up in, or if the area you grew up has since crashed, if your parents wanted you to make more money than them and go to better schools and live in a nicer house, and you do, or you don't, or you want your kids to, a lot in this book may also resonate with you. As I write this, I realize that, really, we are talking about the American Dream. A big subject packaged in a great read. It was worth my time, and, if you are interested, I think it is probably worth yours. Hope this helps.

Summer People vs “real Mainers” vs people like me who just feel drawn there. My year in Maine was the purest of my life, meaning I saw the blue collar pride mixed with the Summer People resentment, shaken and stirred with economic dependency and aspiration to hold rank with the very people who call their 10,000 sq feet summer homes “cottages” and “little camps.” It’s a fascinating dynamic in which people try hard to appear as un-rich as possible, almost in sacred tribute to the year-rounders who keep the lobsters coming in.
Lewiston described to a perfect tee. Listen to Ed…beware of sending your girls to Bates. Yikes.
If you feel that mystical pull to Maine, go there! So much natural beauty, so many wonderful, hardworking, kind and humble people. Acadia at sunrise is a hard yes. Stalking Stephen King’s home in Bangor is just dumb. And don’t just think about the coast. Go explore the inland forests and lakes and quirky little towns that aren’t Bah Hahbah.
As this book so acutely illustrates, so much of what’s interesting about Maine lies in its people. Get to know them. And God Bless former Sen. Olympia Snowe, one of my personal heroes. She was a fearless badass, a compassionate genius, someone everyone respected on both sides of the aisle. I thought about her a lot reading this book, how she truly saw the layers, the dichotomy of her constituents, and how she met them all where they were with the dignity they’ve earned.
Thank you for this book, Mr. White. Brilliantly done and took me back to a time and place where I immediately fit in, yet stood out, yet loved all the more because of both scenarios.


I am puzzled by the flooding of 5 star reviews for this novel. Have these people not read great literature? Have they not seen what a beautiful sentence looks like? There is nothing intriguing here.
Even an empty vessel has an interesting echo. This is more like a toxic turd on the ground, getting smellier and smellier as it melts in the sun.
There is no style, no substance, no energy here. And definitely no storytelling. What were the editors thinking? Perhaps the author photographs well? A book about Maine for the New England folk who read 1 book a year? Maybe. But I don't think so. This is nepotism at its finest, and a reflection of the complete degradation of mainstream publishing.
It seems the writing has been re-written so many times it has lost any semblance of a coherent narrative. This novel is a reflection of what the mainstream considers literary fiction. Ugh.