
Children of Time
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– Unabridged
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Adrian Tchaikovksy's critically acclaimed stand-alone novel Children of Time is the epic story of humanity's battle for survival on a terraformed planet.
Who will inherit this new Earth?
The last remnants of the human race left a dying Earth, desperate to find a new home among the stars. Following in the footsteps of their ancestors, they discover the greatest treasure of the past age - a world terraformed and prepared for human life.
But all is not right in this new Eden. In the long years since the planet was abandoned, the work of its architects has borne disastrous fruit. The planet is not waiting for them pristine and unoccupied. New masters have turned it from a refuge into mankind's worst nightmare.
Now two civilizations are on a collision course, both testing the boundaries of what they will do to survive. As the fate of humanity hangs in the balance, who are the true heirs of this new Earth?
- Listening Length16 hours and 31 minutes
- Audible release dateMay 2 2017
- LanguageEnglish
- ASINB075ZR3GDH
- VersionUnabridged
- Program TypeAudiobook
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Product details
Listening Length | 16 hours and 31 minutes |
---|---|
Author | Adrian Tchaikovsky |
Narrator | Mel Hudson |
Audible.ca Release Date | May 02 2017 |
Publisher | Audible Studios |
Program Type | Audiobook |
Version | Unabridged |
Language | English |
ASIN | B075ZR3GDH |
Best Sellers Rank | #406 in Audible Books & Originals (See Top 100 in Audible Books & Originals) #2 in Space Exploration Science Fiction #4 in First Contact Science Fiction (Audible Books & Originals) #5 in Space Opera Science Fiction (Audible Books & Originals) |
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Tchaikovsky has done the impossible and made me empathize with spiders. It's beautifully written and well paced considering that the plot takes thousands of years to unfold. If you love science fiction that actually makes you think then you will love this series.
To his credit, the author initially tackles deep future sci-fi, a genre that typically deteriorates into fantasy. But after the first few pages, the engrossing depiction of deep future goes away, and we end up with stuff that could be pretty much any time, suspended animation notwithstanding.
The characters are predictable, with little development. The tech, after the striking opening, becomes more of the same stuff we've heard many times before.
[SLIGHT SPOILER] The depiction of the spiders' world demonstrates some research on the author's part, but despite his best efforts to reinforce how alien they are to us, it would be easy to substitute pretty much any species, including humans, into their roles. [END]
It's well-written, though, and I admit, entertaining for about 3/4 of the book. The book is too long, and the ending is just stupid.
I'm not going to read the two follow-up books.
If you're interest in deep future and humans-seeking-new-home, and haven't yet read Kim Stanley Robinson's "Aurora", don't get this book, get "Aurora". No silly spiders, just solid, well-written, genuinely provocative sci-fi.
What I especially enjoyed about COT is how it made me care about the spider civilization - even though the individuals changed from century to century as the story progressed. Tchaikovsky's use of archetypal characters (sharing the same names) spanning the millennia of spider civilization was a clever, innovative approach that helped me care about the characters in an overall sense, even if they were technically not the same "individuals" in each episode.
That said the greatest achievement of COT, in my view, is its ending, which is nothing short of a tour de force. I was positively stunned, and nearly moved to tears by it. The spiders declare in the conclusion "we'll show them" and what you realize in retrospect is that the comment is as much for the reader as for the humans in the story. What follows is an extraordinary payoff in storytelling. Others might have predicted it (in retrospect, the clues were there throughout the spider narrative for those paying attention) but I certainly did not.
For a book that sees the end of Earth and the near extinction of the human species, this is an ending that uplifts. I'd call its message Trekkian in its optimism, but not saccharine or naive in the slightest. Truly excellent. I cannot recommend this book enough.
SPOILERS:
The only reason I slap a star out of this book is because of how the spiders end up with such a rapid evolution. The most basic of scientists would have ensured that the nano-virus in question cannot interact with any living being that they themselves implanted on the planet outside of the one it was designed for. I found this to be quite a big flaw, but omitting this part, everything else is lovely.

SPOILERS:
The only reason I slap a star out of this book is because of how the spiders end up with such a rapid evolution. The most basic of scientists would have ensured that the nano-virus in question cannot interact with any living being that they themselves implanted on the planet outside of the one it was designed for. I found this to be quite a big flaw, but omitting this part, everything else is lovely.



Top reviews from other countries

1- Just because Amazon has been recommending this book to me for several months does not make it a good book.
2- Having an award mentioning Arthur C Clarke does not make it a good book.
3- Viewer ratings mean nothing, including mine.
This book is boring, repetitive and ultimately unimaginative. I've managed to persist to the end but even so I can't bring myself to give it more than one star. In the future I'll stick to my normal methods of choosing books and write this one off.


Who'd have thought it possible to conceive of a civilisation of spiders that feels entirely realistic in its construction and how it evolves over time? By sensitive, imaginative writing and the clever trick of reusing names, the author allows the reader to identify with arachnid characters across the centuries. In the counterpoint story, we follow a human "classicist" who is periodically awakened from suspended animation and who acts as our witness to the unravelling of society on the ark ship.
Absolutely superb from first to last with (to me) a surprising ending that was pretty satisfying. Well played indeed, Adrian.

The idea frankly is fantastic and the developing spider culture is pretty interesting. The problem is that the book is so incredibly slow yet manages to barely develop any of it's characters which is a remarkable feat to me. It spends it's time jumping between a family line of spiders all with the same name through time and a group of human refugees looking for a new home but I found it difficult to summon any interest in them. The humans never get any real development beyond superficial descriptions and interests and while the spider narrative is really interesting it never sticks with any of them long enough to form any attachments to any of them. I want a cast I can either root for or maybe even hate but Children of Time manages to make me just not care.
I got 33% of the way through and realised two things, nothing had really happened in 200 pages and that I was intentionally finding excuses not to read it. All in all I can see why people would enjoy it, the idea is excellent but it's just too slow and the characters are far too under developed for my taste. Perhaps it gets much better and I have given up prematurely but I didn't want to force myself through when I have so many other books to read.
+ Fantastic premise.
+ Spider culture is interesting.
- Characters are forgettable or don't have enough focus.
- Takes too long to actually get anywhere.

It’s a story of genetics and modification and evolution, but it’s also characters. It’s humanity’s last rag-bag of peoples who have clawed their way up through the ruins of our civilisation, and done the best they can with the remnants of technology to leave a dying Earth. But when the ship Gilgamesh, carrying its cargo of humanity, reaches their best hope, they find it’s occupied – and the sentinel does not want them to land.
And down on the terraformed planet, the experiment to produce a new space-faring race is progressing – species rise and clash, adapting and moulding to their environment, facing challenges that are both similar and unexpected to humanity’s journey. But over two thousand years, what rises to meets its test isn’t what the sentinel expected.
The two strands wind nicely; the evolution of life on the planet jumps forward, generation by generation, but I loved that the names stay the same to keep a sense of continuity. And up on the Gilgamesh, it’s the same names, coming in and out of deep-sleep over the course of time. The character’s stories are as fascinating and enthralling as the technology is, and I absolutely love the part-alien, part-familiar mindset of the planetside civilisation.
And that mindset, for me, is what makes this book absolutely worthwhile – the final twist is brilliant. It’s a story of challenge and technology and people and civilisations, and it’s definitely worth reading.