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The Craftsman Paperback – Illustrated, March 31 2009
by
Richard Sennett
(Author)
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This text presents a philosophically-minded enquiry into the idea of craftsmanship. It is divided into three parts: addressing the craftsman at work; the development of skill; and whether motivation counts for more than talent.
- ISBN-100300151195
- ISBN-13978-0300151190
- PublisherYale University Press
- Publication dateMarch 31 2009
- LanguageEnglish
- Dimensions23.22 x 15.7 x 2.18 cm
- Print length326 pages
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Review
“[Sennett] compellingly explores the universe of skilled work, where ‘the desire to do a job well done for its own sake’ still flourishes.”—Brian C. Anderson, Wall Street Journal
“A powerful meditation on the ‘skill of making things well.’”—New Yorker
“Sennett’s ‘guiding intuition’ in The Craftsman is that ‘making is thinking.’ . . . [The] book gathers case after case in which we see how the work of the hand can inform the work of the mind.”—Lewis Hyde, New York Times Book Review
“Sennett looks at the evolution of craftsmanship and the historical forces which have stultified it, how it’s learned in the areas it still thrives, and issues of quality and ability. Sennett’s learned but inclusive prose proves entirely readable, and the breadth of his curiosity . . . take him in a number of fascinating directions.”—Publishers Weekly
“The Craftsman is [an] ambitious, thought-provoking look at how we humans connect with, relate to, and understand the world around us. . . . Sennett examines the making of things through the lenses of three different focal lengths—craftsmen, craft, and craftsmanship—each of which merits its own section. Within these overlapping perspectives, the view of the landscape slides from hand to human to humankind.”—Wayne Curtis, American Scholar
“Eloquent and persuasive.”—Scott Nesbit, Culture
“Craftsman is a fairly concrete, unvarnished word that Mr. Sennett gilds and bejewels with virtue and history. For Mr. Sennett, craftsmanship ‘represents the special human condition of being engaged,’ and ideal marriage of ‘hand to head’ that crowns technical mastery with a person’s sincerest efforts to make something well for its own sake. This would be dizzily heady stuff if Mr. Sennett’s book weren’t so prodigiously grounded in stuff itself as a means of knowledge.”—Jeremy Axelrod, New York Sun
“I am confident that as Sennett continues his quest to make sense of life and work, those of us who study the digital age will find it worthwhile to pay more attention to his body of work.”—Siva Vaidhyanathan, Chronicle Review
“In this deeply thoughtful study, which resembles books by his teacher Hannah Arendt in combining sociological analysis and a supremely humane, ethical call to awareness, Sennett has cunningly widened the scope of what the words ‘craftsman’ and ‘craftsmanship’ traditionally denote. . . . [The Craftsman’s] questions couldn’t be more pertinent.”—Eric Banks, Barnes and Noble Review
“This book challenges our thinking and understanding concerning how we create work and workplaces, and how we make social and political choices about what we produce and consume. Sennett reaches out to the craftsman in all of us.”—James H. Dulebohn, People & Strategy
“Richard Sennett is one of the most eminent and prolific sociologists in the Western world. . . . [His readers] are led gradually and effortlessly into a special world, only to find themselves enthralled by an author who stimulates and fascinates at every turn.”—Daisaburo Hashizume, American Interest
“A far-roving intellectual adventure.”—Julian Bell, New York Review of Books
“This is a discursive, intellectually stimulating and often fascinating discussion that at times seems like an engaged, elevating conversation.”—William Kowinski, NorthCoast Journal
“The good news elevating The Craftsman from a delightful to an encouraging read is Sennett’s conviction that ‘nearly anyone can become a good craftsman.’”—Patrick McCormick, U.S. Catholic
“[Sennett] presents a wealth of material. . . . Interesting and true insights captivate the reader.”—Ralf Jeremias, Working USA
“Richard Sennett’s The Craftsman . . . [is] a work by a master writer which opens new ground and presents new possibilities in the understanding of craftsmanship, creation and work. . . . His analysis and insight into work, workers and craftsmanship is so evocative that it really requires a second or third reading.”—Brian Dijkema, cardus.ca
A 2008 Top Seller in Philosophy as compiled by YBP Library Services
Richard Sennett is the winner of the 2010 Spinoza Prize, sponsored by the International Spinoza Award Foundation
Selected as one of the best books of 2008 by Scott McLemee of Barnes & Noble Review
“A powerful meditation on the ‘skill of making things well.’”—New Yorker
“Sennett’s ‘guiding intuition’ in The Craftsman is that ‘making is thinking.’ . . . [The] book gathers case after case in which we see how the work of the hand can inform the work of the mind.”—Lewis Hyde, New York Times Book Review
“Sennett looks at the evolution of craftsmanship and the historical forces which have stultified it, how it’s learned in the areas it still thrives, and issues of quality and ability. Sennett’s learned but inclusive prose proves entirely readable, and the breadth of his curiosity . . . take him in a number of fascinating directions.”—Publishers Weekly
“The Craftsman is [an] ambitious, thought-provoking look at how we humans connect with, relate to, and understand the world around us. . . . Sennett examines the making of things through the lenses of three different focal lengths—craftsmen, craft, and craftsmanship—each of which merits its own section. Within these overlapping perspectives, the view of the landscape slides from hand to human to humankind.”—Wayne Curtis, American Scholar
“Eloquent and persuasive.”—Scott Nesbit, Culture
“Craftsman is a fairly concrete, unvarnished word that Mr. Sennett gilds and bejewels with virtue and history. For Mr. Sennett, craftsmanship ‘represents the special human condition of being engaged,’ and ideal marriage of ‘hand to head’ that crowns technical mastery with a person’s sincerest efforts to make something well for its own sake. This would be dizzily heady stuff if Mr. Sennett’s book weren’t so prodigiously grounded in stuff itself as a means of knowledge.”—Jeremy Axelrod, New York Sun
“I am confident that as Sennett continues his quest to make sense of life and work, those of us who study the digital age will find it worthwhile to pay more attention to his body of work.”—Siva Vaidhyanathan, Chronicle Review
“In this deeply thoughtful study, which resembles books by his teacher Hannah Arendt in combining sociological analysis and a supremely humane, ethical call to awareness, Sennett has cunningly widened the scope of what the words ‘craftsman’ and ‘craftsmanship’ traditionally denote. . . . [The Craftsman’s] questions couldn’t be more pertinent.”—Eric Banks, Barnes and Noble Review
“This book challenges our thinking and understanding concerning how we create work and workplaces, and how we make social and political choices about what we produce and consume. Sennett reaches out to the craftsman in all of us.”—James H. Dulebohn, People & Strategy
“Richard Sennett is one of the most eminent and prolific sociologists in the Western world. . . . [His readers] are led gradually and effortlessly into a special world, only to find themselves enthralled by an author who stimulates and fascinates at every turn.”—Daisaburo Hashizume, American Interest
“A far-roving intellectual adventure.”—Julian Bell, New York Review of Books
“This is a discursive, intellectually stimulating and often fascinating discussion that at times seems like an engaged, elevating conversation.”—William Kowinski, NorthCoast Journal
“The good news elevating The Craftsman from a delightful to an encouraging read is Sennett’s conviction that ‘nearly anyone can become a good craftsman.’”—Patrick McCormick, U.S. Catholic
“[Sennett] presents a wealth of material. . . . Interesting and true insights captivate the reader.”—Ralf Jeremias, Working USA
“Richard Sennett’s The Craftsman . . . [is] a work by a master writer which opens new ground and presents new possibilities in the understanding of craftsmanship, creation and work. . . . His analysis and insight into work, workers and craftsmanship is so evocative that it really requires a second or third reading.”—Brian Dijkema, cardus.ca
A 2008 Top Seller in Philosophy as compiled by YBP Library Services
Richard Sennett is the winner of the 2010 Spinoza Prize, sponsored by the International Spinoza Award Foundation
Selected as one of the best books of 2008 by Scott McLemee of Barnes & Noble Review
About the Author
Richard Sennett is professor of sociology at New York University and at the London School of Economics. Before becoming a sociologist, he studied music. He has received many awards and honors, including the Hegel Prize for lifetime achievement in the humanities and social sciences.
Product details
- Publisher : Yale University Press (March 31 2009)
- Language : English
- Paperback : 326 pages
- ISBN-10 : 0300151195
- ISBN-13 : 978-0300151190
- Item weight : 476 g
- Dimensions : 23.22 x 15.7 x 2.18 cm
- Best Sellers Rank: #272,424 in Books (See Top 100 in Books)
- #141 in Labour Policy (Books)
- #200 in Ethics Textbooks
- #211 in Economics of Labour & Industrial Relations
- Customer Reviews:
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4.4 out of 5 stars
4.4 out of 5
263 global ratings
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Top reviews from Canada
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Reviewed in Canada 🇨🇦 on February 28, 2021
Verified Purchase
This book is truly inspirational. I think this question of people connecting to their work and finding the truth from working in with their hands represents an important message for our times. These days with all of the technology we have at our disposal, we can feel disconnected from the simple truths of the world around us. This book by Sennett reconnects us. Cannot recommend the book more highly.
Reviewed in Canada 🇨🇦 on September 10, 2016
Verified Purchase
I loved this book!
Reviewed in Canada 🇨🇦 on March 14, 2015
Verified Purchase
Beautiful.
Reviewed in Canada 🇨🇦 on August 5, 2021
I like the narrator and I enjoy the content, it is not specific to my field but made so many great analogies that anyone could relate with it
Top reviews from other countries

Aidan Walker
3.0 out of 5 stars
Thought provoking, but doubts about reliability
Reviewed in the United Kingdom 🇬🇧 on December 27, 2018Verified Purchase
A cabinetmaker plus design journalist plus author myself, I am writing a book about Arts & Crafts in the Digital Age. You can't avoid Sennett if you're in this space, but I confess I take issue with Fiona McCarthy (for whom I have the absolute highest respect and admiration) in her review for The Guardian when the book came out in 2008, which basically applauds the work to high heaven. In her eyes, Sennett can do no wrong.
She must not have read all the book carefully. Little inaccuracies and failures of logic, rather than undermine his whole proposition, leave the reader with unease about exactly what he is getting right and wrong. Neither Sennett nor his editor saw fit to get the name of The Great Exhibition 1851 right, calling it the Great Exposition. He claims Count Dunin's 'Man of Steel', an ingenious but static robot that could change size through a complex system of sliding plates, was for nothing more than show: "The ethos of the overpowered automobile was embodied in this Victorian robot: big, but for no purpose." A glance at the facsimile exhibition catalogue confirms that the automaton was in fact devised as a multifarious tailor's dummy, adjustable in all dimensions so that military outfitters, for instance, would not have to measure every man jack of Her Majesty's Armed Forces for their uniforms.
Such inaccuracies or minor lazinesses undermine confidence. When Sennett starts ennumerating what John Ruskin was trying to do with The Seven Lamps of Architecture and The Stones of Venice, one feels one has to check a more reliable source for confirmation of the analysis - a book, for instance, like McCarthy's superb life of William Morris, painstakingly researched and written with grace, a charmingly rhythmic style and a deeply held compassion for her subject and passion for her topic.
I'm getting something out of him - he is good, for example, on the physical and neurological processes that underpin the activity of 'the intelligent hand' - and doing a book like mine one cannot possibly overlook him. But like many other writer and critics on craft and craftsmanship, Sennett is not himself a craftsman. He was indeed a musician - a cellist - and there is no doubt that many of the cognitive and technical skills employed in musicianship are the same or similar to those of craft. But it's not quite enough. If you're looking for a really penetrating, beautifully written and enjoyable, stimulating and challenging exploration of the true nature of the combined intellectual and manual processes at work in craft and craftmanship, you can do no better than 'The Case for Working with Your Hands' by Matthew Crawford - a political philosopher every bit as erudite as Sennett, but also a motorcycle mechanic and restorer. His account of what you need to think - and do - to make a 1963 VW Beetle go faster is joy itself.
She must not have read all the book carefully. Little inaccuracies and failures of logic, rather than undermine his whole proposition, leave the reader with unease about exactly what he is getting right and wrong. Neither Sennett nor his editor saw fit to get the name of The Great Exhibition 1851 right, calling it the Great Exposition. He claims Count Dunin's 'Man of Steel', an ingenious but static robot that could change size through a complex system of sliding plates, was for nothing more than show: "The ethos of the overpowered automobile was embodied in this Victorian robot: big, but for no purpose." A glance at the facsimile exhibition catalogue confirms that the automaton was in fact devised as a multifarious tailor's dummy, adjustable in all dimensions so that military outfitters, for instance, would not have to measure every man jack of Her Majesty's Armed Forces for their uniforms.
Such inaccuracies or minor lazinesses undermine confidence. When Sennett starts ennumerating what John Ruskin was trying to do with The Seven Lamps of Architecture and The Stones of Venice, one feels one has to check a more reliable source for confirmation of the analysis - a book, for instance, like McCarthy's superb life of William Morris, painstakingly researched and written with grace, a charmingly rhythmic style and a deeply held compassion for her subject and passion for her topic.
I'm getting something out of him - he is good, for example, on the physical and neurological processes that underpin the activity of 'the intelligent hand' - and doing a book like mine one cannot possibly overlook him. But like many other writer and critics on craft and craftsmanship, Sennett is not himself a craftsman. He was indeed a musician - a cellist - and there is no doubt that many of the cognitive and technical skills employed in musicianship are the same or similar to those of craft. But it's not quite enough. If you're looking for a really penetrating, beautifully written and enjoyable, stimulating and challenging exploration of the true nature of the combined intellectual and manual processes at work in craft and craftmanship, you can do no better than 'The Case for Working with Your Hands' by Matthew Crawford - a political philosopher every bit as erudite as Sennett, but also a motorcycle mechanic and restorer. His account of what you need to think - and do - to make a 1963 VW Beetle go faster is joy itself.
27 people found this helpful
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Begum
5.0 out of 5 stars
Interesting read. Opened my mind up to aspects I ...
Reviewed in the United Kingdom 🇬🇧 on January 15, 2016Verified Purchase
Interesting read. Opened my mind up to aspects I didn't think about in making, memorising, materials etc it's worth trying to read.
packaged arrived on time and securely.
packaged arrived on time and securely.
One person found this helpful
Report

Pablo Fernandez
4.0 out of 5 stars
Really thought provoking
Reviewed in the United Kingdom 🇬🇧 on May 1, 2019Verified Purchase
I am rethinking my values at work as a doer adapting to manager, as a hobbyist and perfectionist and this book feels the right vehicle to enrich that reflection. Worth the read.