Emmanuel Carrere

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Books By Emmanuel Carrere
Un relato escalofriante, una historia real que nos sume en el estupor, que es un viaje al corazón del horror, un libro excepcional que ha sido comparado con A sangre fría de Truman Capote.
El 9 de enero de 1993, Jean-Claude Romand mató a su mujer, sus hijos, sus padres e intentó, sin éxito, darse muerte. La investigación reveló que no era médico, tal como pretendía y, cosa aún más difícil de creer, tampoco era otra cosa. Mentía desde los dieciocho años. A punto de verse descubierto, prefirió suprimir a aquellos cuya mirada no hubiera podido soportar. Fue condenado a cadena perpetua.
Yo entré en relación con él, asistí a su proceso, dice el autor. He intentado relatar con precisión, día tras día, esta vida de soledad, de impostura y de ausencia. Imaginar lo que bullía en su mente a lo largo de las horas vacías, sin proyecto ni testigos, cuando se suponía que estaba trabajando y en realidad pasaba el tiempo en parkings de autopistas o en los bosques del Jura. Comprender, en fin, lo que en una experiencia humana tan extrema me ha tocado tan de cerca y que nos afecta, creo, a cada uno de nosotros.
A sweeping fictional account of the early Christians, whose unlikely beliefs conquered the world
Gripped by the tale of a Messiah whose blood we drink and body we eat, the genre-defying author Emmanuel Carrère revisits the story of the early Church in his latest work. With an idiosyncratic and at times iconoclastic take on the charms and foibles of the Church fathers, Carrère ferries readers through his “doors” into the biblical narrative. Once inside, he follows the ragtag group of early Christians through the tumultuous days of the faith’s founding.
Shouldering biblical scholarship like a camcorder, Carrère re-creates the climate of the New Testament with the acumen of a seasoned storyteller, intertwining his own account of reckoning with the central tenets of the faith with the lives of the first Christians. Carrère puts himself in the shoes of Saint Paul and above all Saint Luke, charting Luke’s encounter with the marginal Jewish sect that eventually became Christianity, and retracing his investigation of its founder, an obscure religious freak who died under notorious circumstances.
Boldly blending scholarship with speculation, memoir with journalistic muckraking, Carrère sets out on a headlong chase through the latter part of the Bible, drawing out protagonists who believed they were caught up in the most important events of their time. An expansive and clever meditation on belief, The Kingdom chronicles the advent of a religion, and the ongoing quest to find a place within it.
14 accusés, 1 800 parties civiles, 350 avocats, un dossier haut de 53 mètres : ce procès hors norme a duré neuf mois, de septembre 2021 à juin 2022. Je l’ai suivi, du premier au dernier jour, pour l’hebdomadaire L’Obs.
Expérience éprouvante, souvent bouleversante, fascinante même quand elle était ennuyeuse.
Une traversée.
Cette histoire, portée par Emmanuel Carrère, devient une fresque où se recrée le monde méditerranéen d’alors, agité de soubresauts politiques et religieux intenses sous le couvercle trompeur de la pax romana. C’est une évocation tumultueuse, pleine de rebondissements et de péripéties, de personnages hauts en couleur.
Mais Le Royaume c’est aussi, habilement tissée dans la trame historique, une méditation sur ce que c’est que le christianisme, en quoi il nous interroge encore aujourd’hui, en quoi il nous concerne, croyants ou incroyants, comment l’invraisemblable renversement des valeurs qu’il propose (les premiers seront les derniers, etc.) a pu connaître ce succès puis cette postérité. Ce qu’il faut savoir aussi, c’est que cette réflexion est constamment menée dans le respect et une certaine forme d’amitié pour les acteurs de cette étonnante histoire, acteurs passés, acteurs présents, et que cela lui donne une dimension profondément humaine.
Respect, amitié qu’Emmanuel Carrère dit aussi éprouver pour celui qu’il a été, lui, il y a quelque temps. Car, comme toujours dans chacun de ses livres, depuis L’Adversaire, l’engagement de l’auteur dans ce qu’il raconte est entier. Pendant trois ans, il y a 25 ans, Emmanuel Carrère a été un chrétien fervent, catholique pratiquant, on pourrait presque dire : avec excès. Il raconte aussi, en arrière-plan de la grande Histoire, son histoire à lui, les tourments qu’il traversait alors et comment la religion fut un temps un havre, ou une fuite. Et si, aujourd’hui, il n’est plus croyant, il garde la volonté d’interroger cette croyance, d’enquêter sur ce qu’il fut, ne s’épargnant pas, ne cachant rien de qui il est, avec cette brutale franchise, cette totale absence d’autocensure qu’on lui connaît.
Il faut aussi évoquer la manière si particulière qu’a Emmanuel Carrère d’écrire cette histoire. D’abord l’abondance et la qualité de la documentation qui en font un livre où on apprend des choses, beaucoup de choses. Ensuite, cette tonalité si particulière qui, s’appuyant sur la fluidité d’une écriture certaine, passe dans un même mouvement de la familiarité à la gravité, ne se prive d’aucun ressort ni d’aucun registre, pouvant ainsi mêler la réflexion sur le point de vue de Luc au souvenir d’une vidéo porno, l’évocation de la crise mystique qu’a connu l’auteur et les problèmes de gardes de ses enfants (avec, il faut dire, une baby-sitter américaine familière de Philip K. Dick…).
Le Royaume est un livre ample, drôle et grave, mouvementé et intérieur, érudit et trivial, total.
Prix LiRE : Meilleur livre de l'année 2014
Ce roman impitoyablement écrit raconte l’un des pires malheur qui puisse arriver à un enfant, un malheur, né autant de son imagination que du monde qui l'entoure, et contre lequel il sera totalement démuni car il touche le cœur de ce qui fait sa faiblesse, sa vulnérabilité et le prive de toute issue, de tout recours.
Prix Femina 1995
Named a Best Book of 2022 by The Guardian
This is a book about yoga. Or at least, it was.
Emmanuel Carrère is a renowned writer. After decades of emotional upheaval, he has begun to live successfully—he is healthy; he works; he loves. He practices meditation, striving to observe the world without evaluating it. In this state of heightened awareness, he sets out for a ten-day silent retreat in the French heartland, leaving his phone, his books, and his daily life behind. But he’s also gathering material for his next book, which he thinks will be a pleasant, useful introduction to yoga.
Four days later, there’s a tap on the window: something has happened. Forced to leave the retreat early, he returns to a Paris in crisis. Life is derailed. His city is in turmoil. His work-in-progress falters. His marriage begins to unravel, as does his entanglement with another woman. He wavers between opposites—between self-destruction and self-control; sanity and madness; elation and despair. The story he has told about himself falls away. And still, he continues to live.
This is a book about one man’s desire to get better, and to be better. It is laced with doubt, animated by the dangerous interplay between what is fiction and what is real. Loving, humorous, harrowing and profound, Yoga hurls us towards the outer edges of consciousness, where, finally, we can see things as they really are.
From the acclaimed award-winning author Emmanuel Carrère, Lives Other Than My Own: A Memoir is an act of generous imagination that unflinchingly records devastating loss and, equally vividly, the wealth of human solace that follows in its wake.
Selected by the New York Times as one of the 50 Best Memoirs of the Past 50 Years
In Sri Lanka, a tsunami sweeps a child out to sea, her grand-father helpless against the onrushing water. In France, a young woman succumbs to illness, leaving her husband and small children bereft. Present at both events, Emmanuel Carrère sets out to tell the story of two families—shattered and ultimately restored. What he accomplishes is nothing short of a literary miracle: a heartrending narrative of endless love, a meditation on courage and decency in the face of adversity, an intimate and reverent look at the extraordinary beauty and nobility of ordinary lives.
Precise, sober, and suspenseful, as full of twists and turns as any novel, Lives Other Than My Own confronts terrifying catastrophes to illuminate the astonishing richness of human connection: a grandfather who thought he had found paradise—too soon—and now devotes himself to helping his neighbors rebuild their village; a husband so in love with his ailing wife that he carries her in his arms like a knight does his princess; and finally, Carrère himself, longtime chronicler of the tormented self, who unexpectedly finds consolation and even joy as he immerses himself in the lives of others.
“Moving…Carrère’s prose is precise and measured…Through interviews with friends and relatives of both families, he creates powerful portraits that celebrate ordinary lives.”—The New Yorker
“You begin this memoir thinking it will be about one thing, and it turns into something else altogether—a book at once more ordinary and more extraordinary than any first impressions might allow.”—The New York Times
An unsparingly truthful account of love, betrayal, and the traps we set for ourselves, by France's master of psychological suspense
In work after work, the critically acclaimed author Emmanuel Carrère has trained his unblinking gaze on the lives of others as they fight a losing battle with that most fearsome of adversaries—the self. Now, determined to escape the bleak visions of his narratives, he takes on a film project in the heart of Russia while also embarking on a new love affair back home in Paris. But soon enough, the diversion he seeks eludes him, intimacy proves too arduous, and Carrv®re is left peering into the dark mirror of his own life.
Set in Paris and Kotelnich, a small post-Soviet town, My Life as a Russian Novel traces Carrère's pursuit of two obsessions—the disappearance of his Russian grandfather and his erotic fascination with a woman he loves but cannot keep from destroying. In prose that is elegant and passionate, Carrère weaves the strands of his story into a travelogue of a journey inward. Road trip, confession, erotic tour de force—this fearless reckoning illuminates the schemes we devise to evade ourselves and the inevitable payment they exact.
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