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The Godfather: 50th Anniversary Edition Audio CD – Audiobook, May 12 2015
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50th ANNIVERSARY EDITION—WITH A NEW INTRODUCTION BY FRANCIS FORD COPPOLA
Mario Puzo’s classic saga of an American crime family that became a global phenomenon—nominated as one of America’s best-loved novels by PBS’s The Great American Read.
With its brilliant and brutal portrayal of the Corleone family, The Godfather burned its way into our national consciousness. This unforgettable saga of crime and corruption, passion and loyalty continues to stand the test of time, as the definitive novel of the Mafia underworld.
A #1 New York Times bestseller in 1969, Mario Puzo’s epic was turned into the incomparable film of the same name, directed by Francis Ford Coppola, which won the Academy Award for Best Picture. It is the original classic that has been often imitated, but never matched. A tale of family and society, law and order, obedience and rebellion, it reveals the dark passions of human nature played out against a backdrop of the American dream.
With a Note from Anthony Puzo and an Afterword by Robert J. Thompson
- LanguageEnglish
- PublisherBrilliance Audio
- Publication dateMay 12 2015
- Dimensions16.51 x 4.45 x 13.97 cm
- ISBN-109781501236563
- ISBN-13978-1501236563
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Product description
About the Author
Francis Ford Coppola is a five-time Academy Award–winning writer and director, most noted for The Godfather trilogy and Apocalypse Now. His remarkable film career has spanned five decades and he is considered one of the most influential modern American filmmakers.
Joe Mantegna is an American actor who has made over 200 film and TV appearances. He is also a producer, writer, and director, and is probably best known for his role as Joey Zasa in the Francis Ford Coppola epic The Godfather: Part III (1990), in which he stars alongside Al Pacino and Andy Garcia.
Joseph Anthony Mantegna, Jr. was born in Chicago, Illinois, to Mary Anne (Novelli), a shipping clerk, and Joseph Anthony Mantegna, Sr., an insurance salesman. He is of Italian descent. Having obtained a degree in acting from the Goodman School of Drama and taken to the stage early on in life, it is no surprise that Joe has maintained a strong relationship with the playwright-turned-screenwriter-director David Mamet. They have collaborated on several projects. He also stars as SSA David Rossi on the long running TV drama Criminal Minds. (2005-)
Product details
- ASIN : 1501236563
- Publisher : Brilliance Audio; Unabridged edition (May 12 2015)
- Language : English
- ISBN-10 : 9781501236563
- ISBN-13 : 978-1501236563
- Item weight : 318 g
- Dimensions : 16.51 x 4.45 x 13.97 cm
- Customer Reviews:
About the authors
Mario Gianluigi Puzo (/ˈpuːzoʊ/; Italian: [ˈmaːrjo ˈpuddzo]; October 15, 1920 – July 2, 1999) was an American author, screenwriter and journalist. He is known for his crime novels about the Mafia, most notably The Godfather (1969), which he later co-adapted into a three-part film saga directed by Francis Ford Coppola. He received the Academy Award for Best Adapted Screenplay for the first film in 1972 and Part II in 1974. Puzo also wrote the original screenplay for the 1978 Superman film. His last novel, The Family, was released posthumously in 2001.
Bio from Wikipedia, the free encyclopedia.
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I enjoyed reading about how the Godfather (Don Corleone) runs an empire that’s so powerful and self sustaining. He will help almost anyone who comes to him, no matter how difficult the task. The only thing he asks for in return, is their friendship, where he can call upon their help in the future. Truly I was so fascinated by such a high-level, grand-scale social maneuvering. Yet, I find myself liking the Godfather as a person too, despite everything he did. This is a story that talks about a mafia empire in a sympathetic light, that you can’t even bring yourself to hate the Don, even though he is technically a formidable, unscrupulous crime lord.
However, Don Corleone isn’t completely without scruple. He does have some personal moral values; for instance, he disapproves of promiscuity and adultery. He also disapproves of the drug trade and prostitution. Interestingly, he’s okay with gambling. It’s also intriguing and counter-intuitive that he has a pretty good relationship with his wife. Some may even see Don Corleone as a family man…He certainly values family (and friendship) more than the average person does, all of which go against your expectations of a mafia crime lord. I love seeing unconventional characters!
Some of the character names really evoke a strong, apt feeling. “Corleone” sounds momentous and sombre, something you have to take seriously, even if you dislike Don Corleone and his family. In addition, the name “Tattaglia,” which is one of the New York rival families, sounds memorable, foreboding, yet somehow flippant and childish at the same time.
The characters were all very complex, where no one was totally admirable or despicable. Mario Puzo uses multiple POVs to tell the backstory of each main and secondary character, so there is no lack of depth. I especially like how he uses these POVs and character histories to reveal each person’s beliefs, attitudes, and worldviews. However, I have to admit that some of the backstories (Vito Corleone’s in particular), were so long that I grew impatient and went to read another book instead. The backstories were all engaging and relevant, but they were still a travel back to the past, and I was eager to get back to the present.
Also, although I enjoyed the complexity of the story, with its multiple points-of-view, tunnelling deep into every character’s backstory, I sometimes thought that the complexity was too much, and I was losing interest, especially as I’m not equally interested in all of the characters. I used to be a more patient reader, but I find that the older I get, the less patient I become. Nevertheless, I appreciated that we got to know many characters in depth. In fact, there was a particular character I found very intriguing, and I felt that we didn’t get enough backstory on him.
It was fascinating as well to read about the Sicilian mafia logic. The police and the law fail to support the common people, especially the poor, and so the people go to the mafia for justice. We got to read from some of the police officers’ points of view too, which made you empathize with them; the justice system failed them too. It makes you wonder how anyone in that society could avoid breaking the law.
I found the betrayals and the motives behind them intriguing too.
It was also more interesting than I thought to read about Johnny Fontaine and Virginia. Hmmm…
Even though Freddie Corleone isn’t much talked about, I felt bad for him. Nobody respects him, so what could you even expect from him? As for Sonny Corleone…sorry, I didn’t like him that much.
Tom Hagen was an interesting character as well. It struck me that he actually has a happy marriage. I had held the stereotypical belief that powerful men, especially powerful men who are lawyers, are doomed to have miserable marriages. I’m sincerely very glad for Tom. He’s an underrated ally for sure.
All in all, this was a lovely book! No wonder it’s so popular. I’m happy that I finally got to read it.
I was raised on these movies. I've probalby seen them dozens of times at least, and used to "do the marathon" every December with my Dad before he died.
Reading this book brought back some great memories of the movie (and I can see now that the movie is very true to the book), and it brings back some great memories of those you've shared the movie with.
It's nothing like the movie, which is also in my top 5 of best movies of all time. It tells a larger story than the movie and it made me finally understand why everyone was supposed to be so afraid of Luca Brasi! I'm going to read it again when my son is finished. It's a timeless classic.
It's like reading an EXTENDED VERSION of the movie!
You get to know the character's more intimately, it's incredibly well written, you can get a real feel for time period, & the situation's that are unfolding.
Just.. INCREDIBLE!!
6/5 STAR'S!!!
Top reviews from other countries


I would say that this is Mario Puzo's most significant and recognisable work - and with good reason. At its core are family values, respect for tradition, trust, honesty and misplaced loyalty. At its periphery are the impact of jealousy, competition in an ever-changing world, tragic circumstances and the inevitable downward spiral of revenge.
This book is nothing short of a masterpiece despite even Francis Ford Copolla, the celebrated genius director of the oft-quoted movie adaptation at one time dismissing parts of the novel saying that, "Much of the book — about a third — is about Lucy Mancini's anatomy!”
Though I personally think this is a perhaps a trifle unfair as the plot and characterisations are on the whole, detailed and masterfully executed and this, for me, makes the novel memorable and 'unputdownable'.
I actually recommend readers that are not familiar with the saga to watch the Godfather I and II films first - but be warned they are at times graphically violent. It is like a well-crafted Greek tragedy. In contrast, the beautiful cinematography will give you a real feel for the evocative backstory and then come back to the book, which ought to be read multiple times as on each reading you will note something new.
As a bonus, if you get a chance, have a listen to the unabridged audio version of the book. It is superbly voiced by Joe Mantegna and very professionally rendered.
A timeless classic indeed!


Reviewed in the United Kingdom 🇬🇧 on January 7, 2019
I would say that this is Mario Puzo's most significant and recognisable work - and with good reason. At its core are family values, respect for tradition, trust, honesty and misplaced loyalty. At its periphery are the impact of jealousy, competition in an ever-changing world, tragic circumstances and the inevitable downward spiral of revenge.
This book is nothing short of a masterpiece despite even Francis Ford Copolla, the celebrated genius director of the oft-quoted movie adaptation at one time dismissing parts of the novel saying that, "Much of the book — about a third — is about Lucy Mancini's anatomy!”
Though I personally think this is a perhaps a trifle unfair as the plot and characterisations are on the whole, detailed and masterfully executed and this, for me, makes the novel memorable and 'unputdownable'.
I actually recommend readers that are not familiar with the saga to watch the Godfather I and II films first - but be warned they are at times graphically violent. It is like a well-crafted Greek tragedy. In contrast, the beautiful cinematography will give you a real feel for the evocative backstory and then come back to the book, which ought to be read multiple times as on each reading you will note something new.
As a bonus, if you get a chance, have a listen to the unabridged audio version of the book. It is superbly voiced by Joe Mantegna and very professionally rendered.
A timeless classic indeed!



It seems that the author has got an issue with women. Either they are there as just sex objects or for the men to beat up.
There is a chapter which deals with an ex mistress of one of the sons. It goes into great detail about an operation she has to have so she can give her new boyfriend proper sexual gratification so he can marry her.
It adds nothing to the story.
Am I missing something?
I have never got around to seeing the film, which I realize is classed as a master piece by many critics.
And the parts dealing with the rise and reach of the don is very well written.
But overall I felt let down.


The first thing to say is, it is beautifully written and with affinity for each of the main characters and their point of view, as they enter the story. I cannot say how much of the three dimensionality - or sometimes four-dimensionality - of the characters I feel is due to the book itself, or my familiarity with the films; it can't be separated now.
That leads me on to the next thing I must mention, which is the first thing I noticed on reading this book. The first part of the book and the first part of the film are almost identical, so I was in familiar territory. We are at Connie's wedding party, in the grounds of the Corleone family estate and it is almost as if, like 2001, the two were written synonymously. I have to say that this makes the film enormously clever, I feel, to pull off such a thing - but then, Mario Puzo was heavily involved in the making of the film - and I might have felt very differently about it, if I had read the book first (I hated Disney's Winnie the Pooh!).
The book, however, contains a lot of detail that is not in the film - a whole different dimension to both Johnny Fontane, and Lucy Mancini (Sonny's Mistress) and, even having seen the films many times, I still thoroughly enjoyed it - in fact, it was comforting to have ready made images I could call up, for these characters, which did not clash with the book in any way.
All in all, a thoroughly enjoyable, well-written book, with few grammatical errors and I am on to the next one now, while my husband, who has been anxiously waiting in the wings, for me to finish this one, commences to devour it, probably in half the time it took me!