Patty and Walter Berglund were the new pioneers of old St. Paul—the gentrifiers, the hands-on parents, the avant-garde of the Whole Foods generation. Patty was the ideal sort of neighbour who could tell you where to recycle your batteries and how to get the local cops to actually do their job. She was an enviably perfect mother and the wife of Walter’s dreams. Together with Walter—environmental lawyer, commuter cyclist, total family man—she was doing her small part to build a better world.

But now, in the new millennium, the Berglunds have become a mystery. Why has their teenage son moved in with the aggressively Republican family next door? Why has Walter taken a job working with Big Coal? What exactly is Richard Katz—outré rocker and Walter’s college best friend and rival—still doing in the picture? Most of all, what has happened to Patty? Why has the bright star of Barrier Street become “a very different kind of neighbour,” an implacable Fury coming unhinged before the street’s attentive eyes?

In this instant #1 bestselling novel, Jonathan Franzen charts the mistakes and joys of these intensely realized characters as they struggle to learn how to live in an ever more confusing world. An epic of contemporary love and marriage, Freedom is a deeply moving portrait of our time.

Enid, long-time matriarch of the Lambert family, sets her heart on an elusive goal: bringing her family together for one last Christmas at home.

Published to universal acclaim, Jonathan Franzen’s novel about a post-modern family breaking down in late twentieth-century America is a comic, tragic masterpiece. Richly realistic, darkly hilarious, and deeply human, The Corrections was a #1 bestseller across North America and the winner of the National Book Award.

From Jonathan Franzen, the National Book Award–winning author of The Corrections, come fourteen provocative and entertaining answers to the question of how to be alone in a noisy and distracting mass culture. Although Franzen’s subjects range from the sex-advice industry to the way a supermax prison works, each piece wrestles with essential themes of his writing: the erosion of civic life and private dignity, the dubious claims of technology and psychology, the tragic shape of the individual life. Recent pieces include a moving essay on his father’s struggle with Alzheimer’s disease and a rueful account of Franzen’s brief tenure as an Oprah Winfrey author.

This is a book that will further cement Franzen’s reputation as one of the sharpest, toughest, and liveliest writers at work today.

Louis Holland arrives in Boston in a spring of ecological upheaval (a rash of earthquakes on the North Shore) and odd luck: the first one kills his grandmother. Louis tries to maintain his independence, but falls in love with a Harvard seismologist whose discoveries about the earthquakes' cause complicate everything.

25th Anniversary Edition
Picador Modern Classics

Published in 1988, Jonathan Franzen's The Twenty-Seventh City is the debut novel of a writer who would come to define our times.

St. Louis, Missouri, is a quietly dying river city until it hires a new police chief: a charismatic young woman from Bombay, India, named S. Jammu. No sooner has Jammu been installed, though, than the city's leading citizens become embroiled in an all-pervasive political conspiracy. Set in mid-1980s, The Twenty-Seventh City predicts every unsettling shift in American life for the next two decades: suburban malaise, surveillance culture, domestic terrorism, paranoia. A classic of contemporary fiction, The Twenty-Seventh City shows us an ordinary metropolis turned inside out, and the American Dream unraveling into terror and dark comedy.

Et si les enfants ne naissaient que pour corriger les erreurs de leurs parents ? Nos vies familiales ressembleraient alors à des copies surchargées de ratures et de remarques – " faux ", " mal dit ", " à revoir " –, ponctuées de points d'exclamation ou d'interrogation.


Dans le livre de Jonathan Franzen, la famille s'appelle Lambert, mais c'est de l'Amérique qu'il s'agit, de sa manière de vivre, de ses idéaux : un continent entier en train de sombrer doucement dans la folie.


Alfred, Enid, et leur trois enfants – Gary, Chip et Denise – sont les cinq héros de ce roman-fleuve où défilent toutes nos contradictions : le besoin d'aimer et le la guerre conjugale, le sens de la justice et l'obsession des stock-options, le goût du bonheur et l'abus des médicaments, le patriarcat et la révolte des fils, la libération des femmes et la culpabilité de tous.


C'est cela, Les Corrections : une " tragédie américaine " dont la puissance balaye tout sur son passage. Mais aussi une comédie irrésistible, un humour qui s'autorise à rire de tout, une férocité sans limites.


Et le sens aigu de notre appartenance à la communauté humaine.


Dès sa parution aux États-Unis, en septembre 2001, Les Corrections est salué unanimement par la critique comme un des livres phares de ce début de siècle. Il s'est vendu à un million d'exemplaires, après avoir occupé pendant sept mois consécutifs la liste des meilleurs ventes du New York Times.


C'est la première fois qu'un écrivain qui se réclame d'auteurs " littéraires " comme Thomas Pynchon, William Gaddis ou Don DeLillo obtient un tel succès populaire.



Traduit de l'anglais (États-Unis) par Rémy Lambrechts.

Der größte Roman, den Jonathan Franzen seit den «Korrekturen» geschrieben hat. Sein Meisterwerk und sein Vermächtnis.
Es ist der 23. Dezember 1971, und die Familie Hildebrandt steht an einem Scheideweg. Russ, zweiter Pastor an einer Vorstadtkirche in Chicago, ist bereit, sich aus seiner Ehe zu lösen – vorausgesetzt, seine patente, aber labile Frau Marion löst sich zuerst. Ihr ältester Sohn Clem kommt über die Feiertage aus dem College nach Hause, nachdem er eine moralische Entscheidung gefällt hat, die seinen Vater erschüttern wird. Clems Schwester Becky, lange Zeit Beliebtheitskönigin ihres Highschool-Jahrgangs, ist in die Gegenkultur der Ära abgedriftet, während ihr jüngerer Bruder Perry, der es satthatte, mit Gras zu dealen, fest entschlossen ist, ein guter Mensch zu werden. Jeder der Hildebrandts sucht eine Freiheit, die jeder der anderen zu durchkreuzen droht.
«Crossroads», der erste Teil einer auf drei Teile hin angelegten Trilogie, ist ein Familienroman von beispielloser literarischer Kraft und psychologischer Tiefe, ein fulminantes Werk über die politischen, religiösen und sozialen Mythologien unserer Zeit.