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Kindred Paperback – Feb. 1 2004
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The visionary time-travel classic whose Black female hero is pulled through time to face the horrors of American slavery and explores the impacts of racism, sexism, and white supremacy then and now.
“I lost an arm on my last trip home. My left arm.”
Dana’s torment begins when she suddenly vanishes on her 26th birthday from California, 1976, and is dragged through time to antebellum Maryland to rescue a boy named Rufus, heir to a slaveowner’s plantation. She soon realizes the purpose of her summons to the past: protect Rufus to ensure his assault of her Black ancestor so that she may one day be born. As she endures the traumas of slavery and the soul-crushing normalization of savagery, Dana fights to keep her autonomy and return to the present.
Blazing the trail for neo-slavery narratives like Colson Whitehead’s The Underground Railroad and Ta-Nehisi Coates’s The Water Dancer, Butler takes one of speculative fiction’s oldest tropes and infuses it with lasting depth and power. Dana not only experiences the cruelties of slavery on her skin but also grimly learns to accept it as a condition of her own existence in the present. “Where stories about American slavery are often gratuitous, reducing its horror to explicit violence and brutality, Kindred is controlled and precise” (New York Times).
“Reading Octavia Butler taught me to dream big, and I think it’s absolutely necessary that everybody have that freedom and that willingness to dream.”
—N. K. Jemisin
Developed for television by writer/executive producer Branden Jacobs-Jenkins (Watchmen), executive producers also include Joe Weisberg and Joel Fields (The Americans, The Patient), and Darren Aronofsky (The Whale). Janicza Bravo (Zola) is director and an executive producer of the pilot. Kindred stars Mallori Johnson, Micah Stock, Ryan Kwanten, and Gayle Rankin.
- ISBN-100807083690
- ISBN-13978-0807083697
- Edition25th Anniversary Edition
- PublisherBeacon Press
- Publication dateFeb. 1 2004
- LanguageEnglish
- Dimensions13.72 x 2.11 x 20.22 cm
- Print length288 pages
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Product description
Review
—N. K. Jemisin
“In Kindred, Octavia Butler creates a road for the impossible and a balm for the unbearable. It is everything the literature of science fiction can be.”
—Walter Mosley
“A marvel of imagination, empathy and detail.”
—Stephen Kearse, New York Times
"Truly terrifying . . . A book you'll find hard to put down."—Essence
“This powerful novel about a modern black woman transported back in time to a slave plantation in the antebellum South is the perfect introduction to Butler’s work and perspectives for those not usually enamored of science fiction. . . . A harrowing, haunting story.”
—John Marshall, Seattle Post-Intelligencer
“Sixteen years after Butler’s death, her legacy of fierce imagination feels more relevant than ever. With Kindred illuminating so much of the most compelling speculative fiction, the book stands as an icon for recasting today’s challenges—envisioning new role models and possibilities in the process.”
—Sheree Renée Thomas, Scientific American
“Octavia Butler is a writer who will be with us for a long, long time, and Kindred is that rare magical artifact . . . the novel one returns to, again and again.”
—Harlan Ellison
“One of the most original, thought-provoking works examining race and identity.”
—Lynell George, Los Angeles Times
“A startling and engrossing commentary on the complex actuality and continuing heritage of American slavery.”
—Sherley Anne Williams, Ms.
"One cannot finish Kindred without feeling changed. It is a shattering work of art with much to say about love, hate, slavery, and racial dilemmas, then and now." —Sam Frank, Los Angeles Herald-Examiner
"Butler's books are exceptional . . . She is a realist, writing the most detailed social criticism and creating some of the most fascinating female characters in the genre . . . real women caught in impossible situations."—Dorothy Allison, Village Voice
"Butler's literary craftsmanship is superb."—Washington Post Book World
"No other work of fantasy or science fiction writings brings the intimate environment of the antebellum South to life better than Octavia E. Butler's Kindred." —Kevin Weston, San Francisco Chronicle
"A celebrated mainstay of college courses in women's studies and black literature and culture; some colleges require it as mandatory freshman reading." —Linell Smith, The Baltimore Sun
"Kindred is as much a novel of psychological horror as it is a novel of science fiction. . .a work of art whose individual accomplishment defies categorization." —Barbara Strickland, The Austin Chronicle
"Her books are disturbing, unsettling… In a field dominated by white male authors, Butler's African-American feminist perspective is unique, and uniquely suited to reshape the boundaries of the sci-fi genre." —Bill Glass, L. A. Style
About the Author
Product details
- Publisher : Beacon Press; 25th Anniversary Edition (Feb. 1 2004)
- Language : English
- Paperback : 288 pages
- ISBN-10 : 0807083690
- ISBN-13 : 978-0807083697
- Item weight : 299 g
- Dimensions : 13.72 x 2.11 x 20.22 cm
- Best Sellers Rank: #3,827 in Books (See Top 100 in Books)
- Customer Reviews:
About the author

OCTAVIA E. BUTLER (1947–2006) was the renowned author of numerous ground-breaking novels, including Kindred, Wild Seed, and Parable of the Sower. Recipient of the Locus, Hugo and Nebula awards, and a PEN Lifetime Achievement Award for her body of work, in 1995 she became the first science- fiction writer to receive the MacArthur Fellowship ‘Genius Grant’. A pioneer of her genre, Octavia’s dystopian novels explore myriad themes of Black injustice, women’s rights, global warming and political disparity, and her work is taught in over two hundred colleges and universities nationwide.
Customer reviews

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I will not give up on the author with this single reading but, rather, will purchase another one of her books with the hopes that this was not one of her finest and that 'the best is yet to come'.
This book was very well written and the characters seemed very real. The ugliness of American history is not sugar coated in any way. This book would be great to study for students in grades 9 and up.
Top reviews from other countries

I found the way the book was written was simple and easy to read. This created a distinct impression that this book was aimed at an audience which were still at school. The fact that the book covered the subject of slavery, a subject which should be explored by young students, added to the impression that this was a school text book.
The book breaks no new ground in terms of the way it handles time travel. I had worked out the connection between the first and last chapters very early in the book.
Kindred covers the subject of slavery as it should, with pain, hate and distaste. I think the problem I have is that this topic, due to my personal chronology, has been well covered by the likes of Roots by Alex Haley. If I had read Kindred in the late 70s, when it was written then perhaps the reverse would be true.
I enjoyed the book, don't misunderstand me, but Kindred did not generate the enthusiasm that I was expecting.


This book on my kindle is subtitled "the ground breaking masterpiece" and maybe it was ground breaking but it's not a masterpiece and that in my opinion is because the minor characters in this book don't take on enough personality until the final third and I didn't necessarily buy into some of the Sub plots. One of the major criticisms of this book on Goodreads has been the books inadequacies of the science fiction angles. I need to be clear here, this is not a science fiction book but a book about slavery using time travel as a literary device. Was that device successful? For me, just about but I occasionally worried it was all just a gimmick.
Overall though this is a good read and I enjoyed it. Masterpiece? Not for me.

Dana and Rufus are complicated, nuanced characters who find themselves tethered to each other by an inexplicable bond. I was surprised at how easily I could accept and believe in the time travel premise and think that this was achieved due to the authenticity of the main characters. I often felt that Dana could do more to help the slaves with whom she lived, but she isn't a 'superhero' movie character, rather a confused and frightened woman who struggles to adapt to the cold callousness of the Weylin family. To realise that she shares ancestry from both Rufus and Alice must have been so difficult to come to terms with, yet I loved seeing how Butler gives Dana hints of each of those characters within her own makeup.
Other than its scenes of extreme violence, Kindred was an easier read than I had expected. I think I was influenced by its reputation to expect a philosophical literary novel, but it is actually a compelling story that keeps up an exciting pace throughout. Butler was an accomplished storyteller who manages to impart what she wants to say without breaking the stride of her tale so, while I was left with plenty to think about after finishing Kindred, I never felt hectored or lectured whilst reading. A deserved classic.

The writing was simplistic and easily readable. It didn't require much concentration or dedication to get through and I wasn't expecting that. I don't know if I am disappointed because my expectations were too high, or because the author approached the important topics of race relations and slavery using such simplistic language and writing style.
I went into it with something more complex in mind, a deeper hard to read story and message, but I feel it was overly simplified and somewhat dumbed down in order to entertain or make it a lighter read. I highly doubt it was used as a plot device for entertainment purposes, but at times it felt that way. Perhaps it's a victim of its time, had it been written more recently this wouldn't have been the case as today's readers are more open to the truth of the brutality and realism of slavery.
The above makes it sound like I didn't enjoy it, I did and I'm keen to read more by Octavia Butler, but I'm left with questions. The time travel just happens, there's no explanation given for Dana being pulled back in time. How was Rufus able to pull Dana back to his time? What effect did her interactions with her past relatives have on her present timeline, family, and bloodline?