Michelle Tea

OK
About Michelle Tea
MICHELLE TEA is the author of ten books, the founder of literary non-profit RADAR Productions, the co-creator of Sister Spit, and the curator of Amethyst Editions, a collaboration with the Feminist Press.
Customers Also Bought Items By
Books By Michelle Tea
The beloved literary iconoclast delivers a fresh twenty-first century primer on tarot that can be used with any deck.
While tarot has gone mainstream with a diverse range of tarot decks widely available, there has been no equally mainstream guide to the tarot—one that can be applied to any deck—until now. Infused with beloved iconoclastic author Michelle Tea’s unique insight, inviting pop sensibility, and wicked humor, Modern Tarot is a fascinating journey through the cards that teaches how to use this tradition to connect with our higher selves.
Whether you’re a committed seeker or a digital-age skeptic—or perhaps a little of both—Tea’s essential guide opens the power of tarot to you. Modern Tarot doesn’t require you to believe in the supernatural or narrowly focus on the tarot as a divination tool. Tea instead provides incisive descriptions of each of the 78 cards in the tarot system—each illustrated in the charmingly offbeat style of cartoonist Amanda Verwey—and introduces specially designed card-based rituals that can be used with any deck to guide you on a path toward radical growth and self-improvement.
Tea reveals how tarot offers moments of deep, transformative connection—an affirming, spiritual experience that is gentle, individual, and aspirational. Grounded in Tea’s twenty-five years of tarot wisdom and her abiding love of the cards, and featuring 78 black and white illustrations throughout, Modern Tarot is the ultimate introduction to the tradition of the tarot for millennial readers.
Desperate to quell her addiction to drugs and alcohol, disastrous romance, and nineties San Francisco, Michelle heads south to LA But soon it’s officially announced that the world will end in one year, and life in the sprawling metropolis becomes increasingly weird.
While living in an abandoned bookstore, dating Matt Dillon, and keeping an eye on the encroaching apocalypse, Michelle begins a new novel, a meta-textual exploration to complement her vows to embrace maturity and responsibility. But as she tries to make queer love and art without succumbing to self-destructive impulses, the boundaries between storytelling and everyday living begin to blur, and Michelle wonders how much she’ll have to compromise her artistic process if she’s going to properly ride out doomsday.
Indie icon Michelle Tea -- whose memoir The Chelsea Whistle details her own working-class roots in gritty Chelsea, Massachusetts -- shares these fierce, honest, tender essays written by women who can't go home to the suburbs when ends don't meet. When jobs are scarce and the money has dwindled, these writers have nowhere to go but below the poverty line. The writers offer their different stories not for sympathy or sadness, but an unvarnished portrait of how it was, is, and will be for generations of women growing up working class in America. These wide-ranging essays cover everything from selling blood for grocery money to the culture shock of "jumping" class. Contributors include Dorothy Allison, Bee Lavender, Eileen Myles, and Daisy Hernáez.
Sophie Swankowski is the hero from the stories she's been hearing all her life: she's the girl who will save the world. Or so she's been told. Now she and her unlikely guardian—the gruff, filthy mermaid Syrena—must travel the pitch-black seas from broken-down Chelsea, Massachusetts, to Syrena's homeland in Poland. Along the way, Syrena will reveal the terrible truth about her past, and teach Sophie about the ages-old source of her newly discovered power. But left behind in Chelsea, without Sophie to protect them from the dark magic she's awakened, what will become of Sophie's friends and family?
Girl at the Bottom of the Sea is the follow-up to Michelle Tea's beloved Mermaid in Chelsea Creek, "a refreshing breath of air in the world of YA, equal parts eerie, heartbreaking, and fantastical." (ZYZZYVA).
The razor-sharp but damaged Valerie Solanas; a doomed lesbian biker gang; recovering alcoholics; and teenagers barely surviving at an ice creamery: these are some of the larger-than-life, yet all-too-human figures populating America’s fringes. Rife with never-ending fights and failures, theirs are the stories we too often try to forget. But in the process of excavating and documenting these queer lives, Michelle Tea also reveals herself in unexpected and heartbreaking ways.
Delivered with her signature honesty and dark humor, this is the first-ever collection of journalistic writing by the author of How to Grow Up and Valencia. As she blurs the line between telling other people’s stories and her own, she turns an investigative eye to the genre that’s nurtured her entire career—memoir—and considers the price that art demands be paid from life.
“Eclectic and wide-ranging…A palpable pain animates many of these essays, as well as a raucous joy and bright curiosity.” —The New York Times
“Queer counterculture beats loud and proud in Tea’s stellar collection.” —Publishers Weekly (starred)
“The best essay collection I've read in years.”—The New Republic
Winner of the PEN/Diamonstein-Spielvogel Award for the Art of the Essay
From PEN/America Award winner, 2021 Guggenheim fellow, and beloved literary and tarot icon Michelle Tea, the hilarious, powerfully written, taboo-breaking story of her journey to pregnancy and motherhood as a 40 year-old, queer, uninsured woman
Written in intimate, gleefully TMI prose, Knocking Myself Up is the irreverent account of Tea’s route to parenthood—with a group of ride-or-die friends, a generous drag queen, and a whole lot of can-do pluck. Along the way she falls in love with a wholesome genderqueer a decade her junior, attempts biohacking herself a baby with black market fertility meds (and magicking herself an offspring with witch-enchanted honey), learns her eggs are busted, and enters the Fertility Industrial Complex in order to carry her younger lover’s baby.
With the signature sharp wit and wild heart that have made her a favorite to so many readers, Tea guides us through the maze of medical procedures, frustrations and astonishments on the path to getting pregnant, wryly critiquing some of the systems that facilitate that choice (“a great, punk, daredevil thing to do”). In Knocking Myself Up, Tea has crafted a deeply entertaining and profound memoir, a testament to the power of love and family-making, however complex our lives may be, to transform and enrich us.
Notable literary figures pay tribute to poet/writer Justin Chin with personal commentaries on works selected from his seven books.
Justin Chin's fearless and fierce voice was resolute in relating his worldview, whether directly or through metaphorical language. As a queer Asian American, born and raised in Southeast Asia within a devoutly Christian, ethnically Chinese family of medical professionals, Chin's early life experience informed his writing and framed his point of view. In his literary works, the seemingly conflicted duality of existence is paramount: sacred and profane, saints and sinners, health and illness, hope and despair, life and death. His works also explore his experience of living with HIV, which progressed into AIDS in his final years.
This unique collection of Chin's literary legacy will serve as both a primer for those new to his works, as well as a loving tribute by those writers who knew him and his work best.
Among many others, contributing writers include R. Zamora Linmark (Rolling the R's), Michelle Tea (How To Grow Up), Timothy Liu (Don't Go Back To Sleep), and Lois-Ann Yamanaka (Night at the Pahala Theatre).
Justin Chin (19692015) was the award-winning author of four poetry books, two essay collections, one book each of short fiction, and text-based performance art works. His writing appeared in literary magazines, including Beloit Poetry Journal, and anthologies, including American Poetry: The Next Generation (Carnegie Mellon). He taught at UC Santa Cruz and at San Francisco State University. He was a recipient of fellowships and grants from the California Arts Council, Djerassi Foundation, Franklin Furnace Fund, PEN American Center, and PEN Center USA West, among others.
After being hired and abruptly fired from the most popular shop at the absurd and kaleidoscopic Square One Mall, Trisha finds herself linked up with a chain-smoking, physically stunted mall rat named Rose, and her life shifts into manic overdrive.
A whirlwind exploration of drugs, sex, poverty and tattoos, Rose of No Man’s Land is the world according to Trisha – a furious love story between two weirdo girls, brimming with snarky observations and soulful wonderings on the dazzle-flash emptiness of contemporary culture.
Tabitha and Magoo love to play dress up in their room. Tabitha uses her brother’s shirts to make superhero capes, and Magoo uses his sister’s frilly skirts to fashion a gown. They’re disappointed they can’t go outside in their new outfits, but then the drag queen Morgana magically appears! With the help of their new friend, they learn to defy restrictive gender roles and celebrate being themselves. The trio, dressed in colorful costumes and riding in a flying car, then heads to a local library for a diverse and fun-filled story time.
In the spring of 2020, a rapidly spreading global pandemic changed the contemporary world. For industrialized countries like the United States and the United Kingdom, which had long enjoyed the illusion that they were capable of handling large-scale crises, COVID-19 exposed dangerous fault lines. It brought to the fore institutional failures concerning public health, unemployment, and government stability, and exacerbated conditions for vulnerable and marginalized groups. Racial disparity, domestic abuse, food insecurity, and social welfare had to be reconsidered in the wake of a startling new reality: lockdown and severe economic precarity.
In essays, short fiction, poetry, and more, writers respond to the personal and the political in the time of pandemic. This Is How We Come Back Stronger provides an essential feminist perspective on how we might move forward—and reminds us that, despite it all, we are not alone.
Featuring brand new contributions from:
Akasha Hull, Amelia Abraham, Catherine Cho, Dorothy Koomson, Fatima Bhutto, Fox Fisher, Francesca Martinez, Gina Miller, Helen Lederer, Jenny Sealey, Jess Phillips MP, Jessica Moor, Jude Kelly, Juli Delgado Lopera, Juliet Jacques, Kate Mosse, Kerry Hudson, Kuchenga, Laura Bates, Lauren Bravo, Layla Saad, Lindsey Dryden, Lisa Taddeo, Melissa Cummings-Quarry and Natalie Carter, Michelle Tea, Mireille Harper, Molly Case, Radhika Sanghani, Rosanna Amaka, Sara Collins, Sarah Eagle Heart, Shaz Awan, Shirley Geok-lin Lim, Sophie Williams, Stella Duffy, Virgie Tovar, Yomi Adegoke
10% of every book sold will be donated to the Third Wave Foundation to support youth-led gender justice activism.
- ←Previous Page
- 1
- 2
- Next Page→