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![Nothing But Blackened Teeth by [Cassandra Khaw]](https://m.media-amazon.com/images/W/IMAGERENDERING_521856-T1/images/I/41cwfXA-+BL._SY346_.jpg)
Nothing But Blackened Teeth Kindle Edition
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A USA TODAY BESTSELLER!
A Bram Stoker, Shirley Jackson, and World Fantasy Award Finalist!
A British Fantasy Award Nominee!
An Indie Next and October LibraryReads Pick!
2022 RUSA Reading List: Horror Winner!
A Most Anticipated Read on Goodreads, Tor.com, Crime Reads, BookRiot, The Nerd Daily, and more.
Cassandra Khaw's Nothing But Blackened Teeth is a gorgeously creepy haunted house tale, steeped in Japanese folklore and full of devastating twists.
A Heian-era mansion stands abandoned, its foundations resting on the bones of a bride and its walls packed with the remains of the girls sacrificed to keep her company.
It’s the perfect venue for a group of thrill-seeking friends, brought back together to celebrate a wedding.
A night of food, drinks, and games quickly spirals into a nightmare as secrets get dragged out and relationships are tested.
But the house has secrets too. Lurking in the shadows is the ghost bride with a black smile and a hungry heart.
And she gets lonely down there in the dirt.
Effortlessly turning the classic haunted house story on its head, Nothing but Blackened Teeth is a sharp and devastating exploration of grief, the parasitic nature of relationships, and the consequences of our actions.
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
- LanguageEnglish
- PublisherTor Nightfire
- Publication dateOct. 19 2021
- File size3333 KB
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Product description
Review
A USA TODAY BESTSELLER
A Bram Stoker Award Nominee and World Fantasy Award Finalist!
A British Fantasy Award Nominee!
An Indie Next and October LibraryReads Pick!
2022 RUSA Reading List: Horror Winner!
A Most Anticipated Read on Goodreads, Tor.com, Crime Reads, BookRiot, and The Nerd Daily
“Brutally delicious! Khaw is a master of teasing your senses, and then terrorizing them!” ―N.K. Jemisin, New York Times bestselling author of The Fifth Season
“A creepy, meticulously-crafted tragedy and frankly, one of the most beautifully written haunted stories I've ever read. As in the best ghost stories, the house is full of ghosts, but it's the people who are the houses….Nothing But Blackened Teeth will linger with you.” ―NPR
“This is a glorious poem, a slow-motion collapse leading to the inevitable haunting. It is beautiful and it is brutal and it is heartbroken. Absolutely recommended.” ―Seanan McGuire, New York Times bestselling author of Every Heart a Doorway
“Imagine chucking House on Haunted Hill, Japanese folklore, Clive Barker, and Kathy Acker into a literary blender. Nothing But Blackened Teeth reads like the ghost-punk noir you never knew you needed. It's sharp, playful, and nasty as hell.” ―Paul Tremblay, author of A Head Full of Ghosts and Survivor Song
“Khaw’s prose oozes dread....Horror readers and folklore fans will find this tale of terror to be brutally satisfying.” ―Publishers Weekly
“Khaw’s tale seems to come at you straight, setting up your story expectations, but then twists the knife at the last minute, leaving you reeling, but wanting more.” ―Richard Kadrey, New York Times bestselling author of the Sandman Slim series
“Khaw's got a sterling premise, enduring lore, and the fresh talent to voice it.” ―Josh Malerman, New York Times bestselling author of Bird Box
“Delicate and disgusting...Each page holds an image more finely drawn and disturbing than the last.” ―T. Kingfisher, author of The Twisted Ones
“This book burns and crackles and slithers, its prose as beautiful and deadly as its horror. Cassandra Khaw is a master of the terrifying tale.” ―Sam J. Miller, Nebula-Award-winning author of Blackfish City
“Reading Cassandra Khaw is akin to watching a nightmare ballet, full of beauty and elegance, pain and fragility, and breathless terror. Nothing but Blackened Teeth is mesmerizing. Don’t miss it!” ―Christopher Golden, New York Times bestselling author of Ararat and Red Hands
“Intensely atmospheric and unsettling.” ―The Toronto Star
“Khaw is a prose wizard who has quickly become an auto-buy for me. This story of a wedding at a malevolent manor is as unexpected and delightful as their poetic approach to horror, and I loved every sharp, delicious twist of it.” ―Kevin Hearne, New York Times bestselling author of the Iron Druid Chronicles
“This is Hill House for this century, this is Belasco House with people we’ve known since third grade, and it’s got a smile so wicked you might just have to grin along with it. I know I did.” ―Stephen Graham Jones, New York Times bestselling author of The Only Good Indians
“Khaw is always compulsively readable. This was a wonderful haunted-house story, modern characterizations in compelling tension with a lyrically beautiful ancient Japanese residence." ―Kij Johnson, winner of the Hugo, Nebula, and World Fantasy Awards
“Readers looking for bite-size horror on a stormy night will appreciate Khaw’s twisted tale.” ―BookPage
“What with poisonous relationships, parasite houses, and ghost brides, Nothing But Blackened Teeth is a really bad idea for a wedding, and a really great idea for a nightmare-on-the-page. This book is so magnificently rotten it writhes with literary maggots, and deserves a place of honor among its peers in horror.” ―C. S. E. Cooney, World Fantasy Award-winning author of Bone Swans: Stories
“A deft and creepy haunted house story, written in a lyrical style that heightens the disorienting, phantasmagoric nature of the tale. Nothing But Blackened Teeth is the kind of story you lose sleep over." ―Brian Evenson, author of Song for the Unraveling of the World
“If Guillermo del Toro directed The Ring, it might play out something like this engaging thriller. Japanese mythological creatures come to life in this dynamic, unique tale that will satisfy horror readers eager for fresh blood.” ―Booklist
“A feast for the senses. Deeply enriching, twisted, and deliciously dark, the upcoming novella is a definite must-read.” ―The Nerd Daily
“Engrossing and methodically paced….Recommend to those who love tales of haunted houses with menacing and dangerous histories that reach out from beyond the grave to entrap the living, such as Silvia Moreno-Garcia’s Mexican Gothic or David Mitchell’s Slade House.” ―Library Journal
About the Author
Product details
- ASIN : B08QGL3FK7
- Publisher : Tor Nightfire (Oct. 19 2021)
- Language : English
- File size : 3333 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 130 pages
- Best Sellers Rank: #103,448 in Kindle Store (See Top 100 in Kindle Store)
- #196 in Asian Myth & Legend eBooks
- #508 in LGBTQ2S+ Fantasy
- #2,077 in Horror Fiction (Kindle Store)
- Customer Reviews:
About the author

CASSANDRA KHAW (they/them) is an award-winning game writer and former scriptwriter at Ubisoft Montreal. Khaw's work can be found in places like The Magazine of Fantasy & Science Fiction, Lightspeed, and Tor.com. Khaw’s first original novella, Hammers on Bone, was a British Fantasy Award and Locus Award finalist, and their recent novella Nothing But Blackened Teeth was a USA Today bestseller, Bram Stoker Award nominee, and Indie Next Pick.
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Customer reviews

Reviewed in Canada on February 7, 2023
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Top reviews from Canada
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It's a short read, being a novella - took me only a few hours to get through, including interruptions - and the prose itself was strong and visceral. I loved the setting, the concept, the cheeky use of tropes and inversions thereof. The only reason this isn't a four-star review (or even a five-star) is because of the way it ended.
I'm all for leaving things to the imagination, but the ending did feel abrupt and poorly explained. As in... not really explained at all, actually. I won't spoil it, but I was left wishing for more.
I think this book would have done a much better job stretched out into a novel. Give us more of the terror, the madness, the doubt. Give us more of an explanation, even if it's the wrong one. Just, 'more', overall.
3/5 stars.

Reviewed in Canada 🇨🇦 on February 7, 2023
It's a short read, being a novella - took me only a few hours to get through, including interruptions - and the prose itself was strong and visceral. I loved the setting, the concept, the cheeky use of tropes and inversions thereof. The only reason this isn't a four-star review (or even a five-star) is because of the way it ended.
I'm all for leaving things to the imagination, but the ending did feel abrupt and poorly explained. As in... not really explained at all, actually. I won't spoil it, but I was left wishing for more.
I think this book would have done a much better job stretched out into a novel. Give us more of the terror, the madness, the doubt. Give us more of an explanation, even if it's the wrong one. Just, 'more', overall.
3/5 stars.

Cassandra Khaw hooked me from the start with the legend of the abandoned mansion, built with the bones of young women buried alive, one layered upon one another, all to feed the ghost of a sorrowful bride waiting for her groom to arrive. Populate it with a feuding company of friends, there to celebrate a wedding of their own, and you've got one hell of a haunted house horror story.
Of course, a concept can only carry a story so far, but Khaw uses those feuding friends to create an atmosphere of unease and discomfort, and then weaves such beautifully morbid language and imagery into the telling that you're compelled to keep reading. I wanted to know more about this mansion, I wanted to explore it, to tear down those walls, to discover where legend ends and truth begins. I wanted to know more about the characters, their backstories, their relationships, and why there was such tension between them. Most of all, though, I wanted more of that writing, more of the language that made me catch my breath and suppress a shudder.
While there were a few predictable moments to the story, they were still interesting because of how Khaw acknowledged the tropes she was playing with, adding an element of doubt and suspicion to the story. I was impressed with how far she took things, how dark she allowed the story to become, and even more appreciative of how she refused to le it end on shock and horror, lingering just long enough to leave us with sorrow instead.
Nothing But Blackened Teeth is a story to be read slowly and carefully, preferably on a dark night with the wind howling outside the window. Exquisite.
I would have rated this book a little higher based on the writing style and unique setting alone, but I did find I was confused by the amount of Japanese words used, where context didn’t really hint at their meaning. I think the book would have benefited from a glossary. I read a Japanese translated ebook that had a glossary last year, and it greatly improved the reading experience, without having to define words or change the content to provide explicit context cues.
Also props to Khaw for spotlight a lesser-known yokai, the ohaguro-bettari.
Definitely check this one out if you want a quick read around Halloween, or any time of year, that will leave you shuddering.
Top reviews from other countries

"Nothing but Blackened teeth" tells the story of a couple of flat characters who, despite apparently hating each other, decide to get together to get married in an old Japanese manor house with some spooky stories told about it. They go, they spend half the book doing very little, and then some very rushed spookyness happens.
The book can't even make it to 150 pages long, and reads more like a first draft that the intern put in the "Publish with hardback pile" instead of the "Send back to author" pile. For me anyway, I would say there are three major things that are important in a horror story. Characterisation, so we care and feel invested about what happens, or at the very least some satisfaction when someone meats their fate. Atmosphere, to make one feel immersed, and Description, to allow us to visualise and soak in the awfulness, or to be sparse enough that our mind fills in the gaps. Sadly, the book fails in all three of these.
The characters, as said before, are incredibly flat. We have a narrator who has had some vague psychological issues, their friend who is getting married, their fiance who hates everything that breathes, narrators' friend who apparently everyone hates but was still invited, and friend who is seemingly a sound guy who is willing to spend a fair amount of money to give some friends their dream wedding, but deserves to die because he's a rich white male. The idea at the heart here is good, that we have a couple of characters who have somewhat strained relationships and we can watch them crack under pressure and turn on each other, but the characterisation is so scant and the pace so rushed we get very little of it. It also doesn't help matters that once the spooky does start, they react incredibly strangely. You can probably get a lot of mileage out of someone suddenly finding out that the supernatural is real, shock, vilification if you were looking for it, utter terror and pending existential crisis when you realise the world is a much stranger place than you have believed all of your life. Sadly the character's main reaction here is to talk about horror films and what order they are going to die in. Ideally, if the author wanted to flip the familiar slasher formula on its head, they would make the parallels obvious without having to spell it out for the reader. The characters talking about their possible impending demise in such a nonchalant manner really serves to seriously undermine any immersion in the story. Ultimately why should the reader care about the situation if the characters don't?
Atmosphere and description I will loop into one, as each is so scant there's little to talk about. I really want to get into this environment, but at the end, I could barely tell you what the manor is supposed to look like beyond the fact it has screen doors and lots of Yōkai (otherworldly creatures from Japanese folklore) painted around the place. These in particular I will draw attention to, as the author's description is simply to list them off. No explanation or description required, simply a list of names which will be utterly meaningless to anyone who doesn't have some knowledge in the field. The ghost is also a particular type of Yōkai, which is name dropped in lieu of any description besides what it looks like. I initially thought this was to reveal what it was and does throughout the course of the story, but the author's attitude instead seems to have been "eh, they'll google it." To top it all off there are quite a few sections of the prose that feel fragmented and barely coherent, which also does wonders for keeping the reader immersed and invested.
It galls me, as I think there is a strong idea for a story here, and if it was given a bit more development and depth to its writing could be a real treat. Sadly, the only thing separating it from a first draft is frequent spelling mistakes. I really wanted to like it, but it felt so rushed and shallow I had lost any investment by about page 80, and despite being so short it really dragged. The author's writing is not without merit, and maybe some of their other stuff is better, but I'm not going to be in a rush to check.

But when it wasn't moving forward, when it was stuck like a stalled car in the same moment with the things happening disjointed and for no reason at all, I hated it. They talk about telling ghost stories and extinguishing a candle at the end of each one, for which a room is already set up with lit candles. But this isn't the room they use!! No, they wonder the house and pick another for some strange reason I couldn't work out. This being the biggest example of what I mean, but there are smaller ones. Their conversations, the way the characters move in each chapter, it's all so disjointed, nothing links together. Maybe it's an attempt to make the reader feel as disoriented as the characters, in which case it definitely works... But a little to well. I found myself scrambling to figure out what the hell was happening, who was addressing who and what the hell they were talking about.
The story falls short and its not scary or atmospheric. It had so much potential to be amazing, I'm really disappointed.


Reviewed in the United Kingdom 🇬🇧 on November 1, 2021
But when it wasn't moving forward, when it was stuck like a stalled car in the same moment with the things happening disjointed and for no reason at all, I hated it. They talk about telling ghost stories and extinguishing a candle at the end of each one, for which a room is already set up with lit candles. But this isn't the room they use!! No, they wonder the house and pick another for some strange reason I couldn't work out. This being the biggest example of what I mean, but there are smaller ones. Their conversations, the way the characters move in each chapter, it's all so disjointed, nothing links together. Maybe it's an attempt to make the reader feel as disoriented as the characters, in which case it definitely works... But a little to well. I found myself scrambling to figure out what the hell was happening, who was addressing who and what the hell they were talking about.
The story falls short and its not scary or atmospheric. It had so much potential to be amazing, I'm really disappointed.



From the very beginning, with the introductions of the friends, it became very obvious that they had some serious issues and were clearly not that great of friends at all. There was a lot of tension between them all, particularly between Cat and Talia. There was also clearly something more to Phillip and Thalia’s relationship too. There was a lot of drama between them, and I love a bit of friendship drama. The whole group seems to be one big confused love triangle, well more like a love pentagon than a triangle! Although I did enjoy reading this, it wasn’t what I wanted from this book. The focus of the story seemed to be more on who was arguing, who was jealous of who, and who was sleeping with who, rather than the actual horror elements of the story.
Of course there were creepy moments along the way, but I just wanted more of them. The imagery of the bride was so well written that I could visualise her so clearly, and the author was brilliant at creating an eerie, tense atmosphere in the lead up to her appearances. I think that this book could have actually benefitted from being a little longer, so that there was more explanation and context to some of the things going on, but also more time for action. It did ramp up a little towards the end of the book, and there were some very unexpected moments that I thought were great. If there had been more of this throughout the story, I definitely would have enjoyed it a lot more.
If you’re looking for a proper horror, that’s really going to get under your skin, then this isn’t it. However, if you have been wanting to read it, I would still say to give it a try, because it’s not a bad book, and lots of people loved it, maybe the problem was that I had just set my expectations way too high.
I give Nothing But Blackened Teeth a 3 star rating.
