
Rhythm of War: Book Four of The Stormlight Archive
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"Powerhouse narrating duo Michael Kramer and Kate Reading bring their outstanding skills to this stunning continuation of the Stormlight Archive series... This audiobook is truly a masterpiece of story and performance." (AudioFile Magazine, Earphones Award winner)
An instant number-one New York Times best seller and a USA Today and Indie best seller!
The Stormlight Archive saga continues in Rhythm of War, the eagerly awaited sequel to Brandon Sanderson's number-one New York Times best-selling Oathbringer, from an epic fantasy writer at the top of his game.
After forming a coalition of human resistance against the enemy invasion, Dalinar Kholin and his Knights Radiant have spent a year fighting a protracted, brutal war. Neither side has gained an advantage, and the threat of a betrayal by Dalinar’s crafty ally Taravangian looms over every strategic move.
Now, as new technological discoveries by Navani Kholin’s scholars begin to change the face of the war, the enemy prepares a bold and dangerous operation. The arms race that follows will challenge the very core of the Radiant ideals, and potentially reveal the secrets of the ancient tower that was once the heart of their strength.
At the same time that Kaladin Stormblessed must come to grips with his changing role within the Knights Radiant, his Windrunners face their own problem: As more and more deadly enemy Fused awaken to wage war, no more honorspren are willing to bond with humans to increase the number of Radiants. Adolin and Shallan must lead the coalition’s envoy to the honorspren stronghold of Lasting Integrity and either convince the spren to join the cause against the evil god Odium, or personally face the storm of failure.
A Macmillan Audio production from Tor Books
- Listening Length57 hours and 26 minutes
- Audible release dateNov. 17 2020
- LanguageEnglish
- ASINB082FN97JY
- VersionUnabridged
- Program TypeAudiobook
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Product details
Listening Length | 57 hours and 26 minutes |
---|---|
Author | Brandon Sanderson |
Narrator | Kate Reading, Michael Kramer |
Audible.ca Release Date | November 17 2020 |
Publisher | Macmillan Audio |
Program Type | Audiobook |
Version | Unabridged |
Language | English |
ASIN | B082FN97JY |
Best Sellers Rank | #344 in Audible Books & Originals (See Top 100 in Audible Books & Originals) #5 in Military Fantasy #25 in Action & Adventure Fantasy #44 in Fantasy Action & Adventure |
Customer reviews

Reviewed in Canada on September 25, 2021
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Nothing really happens through 80% of the book, literally everyone is the in the same location they were after the intro. The start was exciting and engaging, the end was predictable and almost flat as it was set up to be a cliff hanger, again... but it wasn't that shocking. I guess the main theme is that as far as everyone has come, almost every character STILL isn't sure where they fit in the world since becoming radiants. Also they focused on Venli so much and I really don't care about her. The back story of her felt redundant and really didn't explain much except justify her behaviour. She also complains all book too, no surprise there.
This book just fell flat. As others have mentioned; book 1 and 2 were impossible to put down and raced ahead with story, action conflict and character development. Book 3 was starting to show fatigue and book 4 has flagged and given up the race completely.
Brandon Sanderson, please look at the negative comments of this book and get back to that engaging story writing you had before so book 5 can be epic again.
Make the Stormlight series great again.
ps. Huge fan, have read 90% of your works, would love to stay interested in this series.
With that said, the Sanderlanche at the climax was totally worth it, and I'll continue to give perfect ratings to all books in this series as long as Sanderson keeps making them. I do think Sanderson could stand to make the 90% a bit less of a chore, but I'm not sure how. I wonder if he knows for sure that the tedious majority of the book is needed to make those endings really hit home?
Top reviews from other countries

I won't say much about the plot except that it's set around a year after book three and mainly follows Kaladin, Navani and Venli. Shallan has a fair few POV's as well though not as many as the others and the rest of the main characters just have a few bits here and there.
Unusually, so far anyway, the flashbacks weren't as prominent as they have been in other books and only started in part three. That meant that the vast majority of the book was set in the present day timeline. You would expect that meant the plot moved forwards loads but it didn't really. This was very much an introspective book and so though we had a lot of character development, the plot didn't move forward all that much.
So the heart of this book is about self realisation. Kaladin is severely traumatised and needs to learn to take a step back. Shallan is even more messed up and has to come to an understanding with herself. Venli is trying to live with what she's done while moving on to what she is to become and Navani is trying to balance her responsibilities as a ruler with her desire and skill as a scholar. It's an unusual book in that respect and fair play to Sanderson for tackling such issues in a truly epic fantasy setting.
Saying that parts of it I felt dragged a bit. The parts with Navani and Raboniel were some of my favourite bits but it got very technical in places and I found myself glazing over it. Some people are probably going to love it though. This book also got very cosmere heavy which is both a good and a bad thing. Myself twenty years ago would have absolutely loved it, I had the time to constantly re-read my favourite books and I'm sure I would have read all three again in preparation for this. However me nowadays still loves it but since I've only read most of his books once, I was constantly wondering what bits of the cosmere he was talking about and if I should know certain names etc. I know the most obvious ones but I'm sure I missed loads and the significance of some stuff we found out. It is still pretty great and again this will be an added bonus for others.
As you will expect if you've read any of his other books, Sanderson has ended it with a bang (which I'm still thinking about) and now must wait patiently for another three years until the next one. This time I will re-read them as it will be the final part of this arc.

Rhythm of War is a lot. It's the latest in a lot of books: this is the fourth of ten planned books in the Stormlight Archive series and the twelfth of a planned thirty-odd books in the wider Cosmere universe. It's a lot of pages: at more than 1,200 pages this is the longest epic fantasy novel published since the previous volume in the series, Oathbringer, which in turn was possibly the longest fantasy novel published in over a decade. It's a lot of characters, with dozens of major and minor characters playing important roles in the story. It's also a lot of worldbuilding, with fabrials and Shardplate and voidlight and stormlight and half a dozen different magic system employing different principles being discussed at chapter-stretching length (not helped by the three-year gap since the last book in the series; keeping the Stormlight wiki on standby during reading may be advisable). This is not a series for the faint-hearted or the short of time.
Rhythm of War is also, it is pleasing to report, a stronger novel than its forebear, arresting a slight decline in quality that the series had been suffering since the start. The Way of Kings was a strong novel which set up an unusual, alien setting with an interesting story and worldbuilding and characters who were among Sanderson's best. Words of Radiance was almost as good, but suffered some pacing issues. These pacing issues became overwhelming in Oathbringer, a relatively simple and focused novel that was diffused and made more complicated than it needed to be by immense amounts of worldbuilding and backstory discussions that, strictly speaking, didn't really need to be in the book.
Rhythm of War shores up a building that was, if not in danger of collapse, starting to list under its own weight. The novel is helped by dropping the completely self-contained side-stories that appeared in previous novels and by setting up very clear stories around its four main characters: Venli, Shallan, Kaladin and Navani (with Dalinar, Wit, Adolin and Lift having reasonably important secondary roles). Each story is told clearly and intersects with the others in a well-laid out manner, with Sanderson expending a lot of energy on making these characters jump off the page more than previously.
It's also a heavy novel, in the sense that both Shallan and Kaladin's stories revolve around mental health, stress, PTSD and other issues revolving around personality disorders and the need for good mental health practice. It's a strong theme that was touched on in the previous books but becomes a major plot point in this novel. It's welcome to see a contemporary issue being fleshed out in a fantasy novel in a respectful and mostly well-handled way. However, given the novel has come out in the middle of a global pandemic and many readers will be suffering stress and pressure as a result, readers should be forewarned going into the book that it is tackling weightier-than-normal themes for the author.
The clear demarcation and semi-equal screen time between the four leads helps tremendously in overcoming the pacing issues from the previous novel (thinking of this more as four much more reasonably-sized 300-page novels, each focused on a strong lead character, helps).
That said, problems remain. There are immense stretches of time, especially in the Navani storyline, where characters sit around and discuss worldbuilding issues between them. The idea of characters in a epic fantasy novel acting like scientists and trying to work out how the magic of the world works in an experimental manner is really interesting, but the novel does feel it goes a bit overboard as we see people using magnets and beakers to try to catch stormlight and voidlight in bulbs and do weird things with them. It's a cool idea that is overindulged in.
In addition, the splitting of time between the characters feels a bit uneven at times, with the Shallan/Adolin/Shadesmar plot benched for the entire central third or so of the novel because the author ran out of things for them to do. That's a reasonable solution and better than giving them filler, but it's a bit odd that Shallan is a such a hugely important character at the start and end of the novel but then completely vanishes between.
There's also a perennial Sanderson problem that he's improved on a lot book-by-book but still pops up at odd moments, namely that Sanderson is traditionally a writer who works from the head rather than the heart. There are sections in this book that do feel more like they've come from the heart, excellent action sequences as characters confront old enemies or moments of major character revelation, but some of the book feels studied, analysed and written with something of an absence of passion. This is particularly notable whenever Odium appears live on-page. The Dark Lord showing up to confront the characters (even in a vision where they can't touch or fight one another) should be a major event, but pretty much every time this happens some kind of odd debate on rules of conduct unfolds; the last such major confrontation has all the tension of Odium and Dalinar debating the small print of a text like two opponents who've paused a board game to check the rules online to see if an odd move is allowed. There is a last-minute, genuinely impressive plot twist that might change this for future books, but that remains unproven for now.
Rhythm of War (****) is a stronger novel than the one that came before it and continues to display Sanderson's strengths to full effect: immensely detailed, convincing worldbuilding, solid action and a logical, considered development of the plot, as well as interesting characters. Some of his weaknesses remain, such as a tendency to overwrite, occasionally getting bogged down in the minutiae of the setting and a lack of writing flair in some scenes which doesn't sell big events as much as they should be sold. But it's hard not to remain impressed by the sheer size and scope of the story he is telling here.


'General but no specific spoilers'
deep depression and Schizophrenic split personality disorder, on a roller coaster ride of a story dealing with mental health issues, long extremely drawn out 'scientific experiments' and best of all, almost no actual movement of characters physical location or trails.
In this insanely detailed book of personal growth? Of three characters, watch out for the trap of believing three books were enough to understand the characters strengths and their very well detailed weaknesses, as this will take you down to the depths of how to write an extensive book detailing Internal issues.
So, what was good?.
The ending was split 50% between truly brilliant and 50% wtf.
I better understanding of the world building that is happening.
A Bond that is starting to be be reawakened.
And the bad.
Almost no movement of the storyline and I mean actual physical movement
A complete continuation of mental health issues to the point of almost not caring anymore.
Trying to make a specific character story line in any way have any importance or interest while not actually doing anything!.
A focus on the minutiae of stormlight and experiments to the detriment of the story
