Richard Bausch

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About Richard Bausch
An acknowledged master of the short story, Richard Bausch has written 11 novels and eight collections of short fiction. He has won two National Magazine Awards, a Guggenheim Fellowship, a Lila-Wallace Reader's Digest Fund Writer's Award, the Award of the American Academy of Arts and Letters, and The 2004 PEN/Malamud Award for Excellence in the Short Story as well as the 2010 Dayton Peac Prize for his novel Peace. Before, During, After - a novel, is forthcoming.
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Books By Richard Bausch
As renovations begin at the Shakespeare Theater of Memphis, life for the core members of the company seems to be falling into disarray. Their trusted director has just retired, and theater manager Thaddeus Deerforth—staring down forty and sensing a rift growing slowly between himself and his wife, Gina—dreads the arrival of an imperious, inscrutable visiting director. Claudette, struggling to make ends meet as an actor and destabilized by family troubles, is getting frequent calls from her ex-boyfriend—and also the narcissistic, lecherous television actor who has been recruited to play King Lear in their fall production.
Also invited to the cast is Malcolm Ruark, a disgraced TV anchor muddling through the fallout of a scandal involving his underaged niece—and suddenly in an even more precarious situation when the same niece, now eighteen, is cast to play Cordelia. As tensions onstage and off build toward a breaking point, the bonds among the intimately drawn characters are put to extraordinary tests—and the fate of the theater itself may even be on the line.
Deftly weaving together the points of view of Thaddeus, Claudette, and Malcolm, and utterly original in its incorporation of Shakespeare’s timeless drama, Playhouse is an unforgettable story of men and women, human frailty, art, and redemption—a work of inimitable imaginative prowess by one of our most renowned storytellers.
Including these stories:
“The Man Who Knew Belle Starr”
“Police Dreams”
“What Feels Like the World”
“Design”
“The Eyes of Love”
“The Fireman’s Wife”
“Consolation”
“Letter to the Lady of the House”
“Aren’t You Happy for Me?”
“High-Heeled Shoe”
A 2004 PEN/Malamud Award winner, this collection celebrates the work of American artist Richard Bausch -- a writer the New York Times calls "a master of the short story." By turns tender, raw, heartbreaking, and riotously funny, the many voices of this definitive forty-two-story collection (seven of which appear here for the first time) defy expectation, attest to Bausch's remarkable range and versatility, and affirm his place alongside such acclaimed story writers as John Cheever, Flannery O'Connor, Raymond Carver, and Grace Paley.
Will Butterfield can't believe it. His 75–year–old mother, Holly, is drunk and threatening to jump off the roof. Again.
Holly and Fiona, another elderly relative, won't stop tormenting Will and his wife Elizabeth with their bizarre (though often amusing) antics. Between Will's worries about his bookstore, The Heart's Ease, and Elizabeth's troublesome high school students, dealing with "the crazies" has become just too much.
But then something unexpected happens –– Henry Ward, a neighborhood handyman, meets the two old women, and he, his daughter Alison, and grandchildren are drawn into the Butterfields' lives in surprising ways. Both a comedy and a love story –– a first for Bausch –– Thanksgiving Night is about the real meaning of family, and one particular clan that has many reasons to be thankful.
Originally published in Living in the Weather of the World, this poignant short story picks up the tale of American GI Robert Marson, who was improbably saved from death by a German solider, Eugene Schmidt. Seventy-two years later, the two men are poised to reunite in Washington, D.C. Although they kept in touch after the war, it has been decades since their last meeting, a meeting which reshaped their relationship, and not for the better. Now old men with children and grandchildren, Marson and Schmidt brace themselves to speak one last time, with their families—and the world—watching.
A story of nostalgia and regret, of memories forgotten and not, and of how the past never really leaves us, no matter what we may hope, Still Here, Still There is the dazzling final chapter to one of Richard Bausch’s most revered works, and a tribute to the enduring legacy of the bravery of the men who fought in the Second World War.
Quelques semaines avant leur mariage, Natasha part en Jamaïque avec une amie tandis que Michael se rend à New York. Surviennent alors les attentats du 11 septembre. Natasha croit avoir perdu Michael pour toujours et vit sur la plage un autre drame dont elle ne veut ni ne peut parler. Leur rêve de bonheur vacille ; de nouveau réunis, tous deux s’enferment dans un silence et une incompréhension de plus en plus profonds.
Richard Bausch décrit les ravages que produisent ces quelques jours — avant, pendant et après le 11 septembre — sur la destinée d’un couple rongé par les malentendus. Dans ce vaste roman où s’imbriquent l’intime et le collectif, il explore avec beaucoup de finesse les méandres du repli sur soi, les zones d’ombre de l’existence et les sentiments contradictoires qui nous animent.
Moraliste et humaniste, Bausch nous parle, avec Paix, de la guerre. De toutes les guerres. Et si ce cauchemar hivernal est ancré dans un contexte historique précis, sa puissance et son intensité lui donnent une portée universelle.
When Natasha, a talented young artist working as a congressional aide, meets Michael Faulk, an Episcopalian priest struggling with his faith, the stars seem to align. Although he is nearly two decades older, they discover in each other the happy yearning and exhilaration of lovers, and within months they are engaged. Shortly before their wedding, while Natasha is vacationing in Jamaica and Faulk is in New York attending the wedding of a family friend, the terrorist attacks of September 11 shatter the tranquillity of the nation’s summer. Alone in a state of abject terror, cut off from America and convinced that Faulk is dead, Natasha makes an error in judgment that leads to a private trauma of her own on the Caribbean shore. A few days later, she and Faulk are reunited, but the horror of that day and Natasha’s inability to speak of it inexorably divide their relationship into “before” and “after.” They move to Memphis and begin their new life together, but their marriage quickly descends into repression, anxiety, and suspicion.
In prose that is direct, exact, and lyrical, Richard Bausch plumbs the complexities of public and personal trauma, and the courage with which we learn to face them. Above all, Before, During, After is a love story, offering a penetrating and exquisite portrait of intimacy, of spiritual and physical longing, and of the secrets we convince ourselves to keep even as they threaten to destroy us. An unforgettable tour de force from one of America’s most distinguished storytellers.
Richard Bausch ne s'intéresse qu'aux moments déterminants de l'existence : une trahison, la mort d'un proche, la fin de l'amour. Avec assurance et subtilité, il décrit les tourments d’individus qui tentent pourtant d'échapper à leur destin, et les quitte souvent à l'orée d'une nouvelle étape. Qu'il fasse irruption dans l'univers d'un couple de musiciens ou d'une famille de Virginie faisant les frais des combines d'un père en pleine banqueroute, Bausch démontre une puissance d'évocation irrésistible et une perception des relations humaines d’une acuité peu commune. Son œuvre, plusieurs fois distinguée, s'inscrit dans la tradition des grands nouvellistes nord américains tels que Raymond Carver ou Alice Munro.
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