
The Windfall: A Novel
Audible Audiobook
– Unabridged
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“Charming...What Kevin Kwan did for rich people problems, Diksha Basu does for trying-to-be-rich-people problems.” (People)
Named One of the Best Books of the Year by Esquire A People Pick A Time PICK
The Jhas are moving up.
For the past 30 years, their lives have been defined by cramped spaces and gossipy neighbors. But when Mr. Jha comes into an enormous sum of money - the result of an unexpectedly successful internet venture - he moves his reluctant wife from their housing complex in East Delhi to the super-rich side of town, ultimately forcing them, and their son, to reckon with who they are and what really matters to them.
Hilarious and wise, The Windfall illuminates with warmth and heart the precariousness of social status, the fragility of pride, and, above all, the human drive to build and share a home. Even the rich, it turns out, need to belong somewhere.
Praise for The Windfall:
“A delightful comedy of errors.” (NPR, Weekend Edition)
“Ultra-charming.” (Vogue)
“I almost fell out of bed laughing.” (Kevin Kwan, author of Crazy Rich Asians)
“A fun and heartfelt comedy of manners.” (Rolling Stone)
"Though money doesn’t necessarily buy the Jhas happiness, it delivers readers plenty of laughs and more.” (Esquire)
“Endearing, astute.” (Christian Science Monitor)
- Listening Length10 hours and 16 minutes
- Audible release dateJune 27 2017
- LanguageEnglish
- ASINB072LXJL1J
- VersionUnabridged
- Program TypeAudiobook
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Product details
Listening Length | 10 hours and 16 minutes |
---|---|
Author | Diksha Basu |
Narrator | Soneela Nankani |
Audible.ca Release Date | June 27 2017 |
Publisher | Random House Audio |
Program Type | Audiobook |
Version | Unabridged |
Language | English |
ASIN | B072LXJL1J |
Best Sellers Rank | #37,870 in Audible Books & Originals (See Top 100 in Audible Books & Originals) #1,417 in Women's Fiction (Audible Books & Originals) #1,846 in Literary Fiction (Audible Books & Originals) #3,353 in Domestic Life in Women's Fiction |
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Mr & Mrs Jha have been content for decades living in their cramped flat in an East Delhi block that has seen better days. It’s the kind of place where people are in and out of each other’s front door and each other’s lives. When software engineer Mr Jha sells his start-up for an unexpectedly vast sum, he’s thrilled to bits to be going up in the world. But how’s he going to break it to the neighbours that they’re moving on?
Our Mr Jha is tickled pink with his new electronic shoe polishing machine until Mr Chopra - the flashy next-door neighbour in Gurgaon - spots it on the front seat of Mr Jha’s new Mercedes and pooh-poohs such a contraption. Mr Jha considers the idea of butlers: “a different sort of pleasure than having servants bringing you food and cleaning your home. Butlers showed that you had made the progression from servants to expensive appliances to uniformed men who ran the expensive appliances.”
Some interesting one-upmanship goes on between Mr Jha and Mr Chopra. They compete for the privilege of being the father of the most indolent son: in this way, they demonstrate to the neighbourhood that they are wealthy enough to support their grown-up offspring!
Mrs Jha is a different kettle of fish altogether. Recently retired from her worthwhile job, she’s uncomfortable with the move, worried about fitting in and concerned that their son Rupak (studying lackadaisically in the States) isn’t eating properly and also that he’ll fall for a pretty blonde American girl. (He isn’t and he does.) When they go to New York to visit, her husband takes her to Tiffany’s and this scene alone is worth the price of entry. How Mrs Jha longs to look like Audrey Hepburn!
This sharply observed ‘comedy of manners’ really is a delight. I believe it may be Diksha Basu’s first novel – if so, it’s a confident debut. She has produced a perfectly poised narrative where the humour is counter-balanced by the book’s serious social and cultural points, and she has peopled it with some appealing (and some not-so-appealing) characters. Admittedly, one or two may be a little broad stroke and one or two scenes a bit over the top but even so there was an underlying subtlety of purpose and development throughout. Don’t let the flippancy of the front cover typography put you off: this may be an easy read - but it's a good one.



