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Thirst for Love Hardcover – June 1 1970
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“One of the outstanding writers of the world.”—The New York Times
“Like his Western counterparts—Mann, Joyce, Pound, Elliot, and Yeats—Mishima manages in his art to attain the laughter of the gods.”—San Francisco Examiner
- Print length187 pages
- PublisherSecker & Warburg
- Publication dateJune 1 1970
- ISBN-100436281546
- ISBN-13978-0436281549
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Product description
From Library Journal
Copyright 1999 Reed Business Information, Inc. --This text refers to the paperback edition.
About the Author
Product details
- Publisher : Secker & Warburg (June 1 1970)
- Hardcover : 187 pages
- ISBN-10 : 0436281546
- ISBN-13 : 978-0436281549
- Item weight : 322 g
- Customer Reviews:
About the author

Yukio Mishima (三島 由紀夫 Mishima Yukio?) is the pen name of Kimitake Hiraoka (平岡 公威 Hiraoka Kimitake?, January 14, 1925 – November 25, 1970), a Japanese author, poet, playwright, actor, and film director. Mishima is considered one of the most important Japanese authors of the 20th century. He was considered for the Nobel Prize in Literature in 1968 but the award went to his fellow countryman Yasunari Kawabata. His works include the novels Confessions of a Mask and The Temple of the Golden Pavilion, and the autobiographical essay Sun and Steel. His avant-garde work displayed a blending of modern and traditional aesthetics that broke cultural boundaries, with a focus on sexuality, death, and political change. Mishima was active as a nationalist and founded his own right-wing militia. He is remembered for his ritual suicide by seppuku after a failed coup d'état attempt, known as the "Mishima Incident".
The Mishima Prize was established in 1988 to honor his life and works.
Bio from Wikipedia, the free encyclopedia. Photo by Shirou Aoyama (http://www.bungakukan.or.jp/) [Public domain], via Wikimedia Commons.
Customer reviews
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Admittedly, the bit about the festival conveys the appropriate feeling of frenzy. Also, Mishima does a fine job of showing the dichotomy between the overly sensitive, wounded Etsuko and the utterly uncaring, "light man" Saburo. But these are small parts; the whole just isn't all that good. And let's not even get started on the deliberately "shocking" ending, which goes completely against what little character development Mishima bothered to put in. I got the feeling that he simply didn't know how to end the story, and so took the first way out that occurred to him; it would have been better if he had given it a little more thought. In fact, that can be said of just about everything in this book apart from the title. Feel free to skip it and go straight to the masterpiece The Sound Of Waves.
Top reviews from other countries

Etsuko, a widowed and cheated on middle aged woman, has had her desire frustrated by circumstances throughout her life. Mishima charts her attempts to negotiate an actual unfulfilling love and an imagined seemingly unobtainable one. This book is the antithesis of The Sound Of Waves and forms a shocking contrast to it. Yet Mishima writes with such genius evoking humans feelings and manipulations with searing honesty. His description of the minutia of desire is remarkable.
He gives us no truly sympathetic or unsympathetic characters - even the object of Etsuko's desire, the 'innocent' Saburo could be seen as thoughtless. The narrative's compelling force comes from the dragging into the light the shadowy feelings and actions we all know and would probably rather forget. For that reason many may find this book a painful experience. For me though the brave light it shines in the dark corners of the human psyche is worth it.

I would not like to add much more comments, because books are also about feelings and personal taste.
Let's say that I've read Murakami (both the Murakami...) and they are - to my personal view - into another level of reader's involvement, since the firs lines.
I hope my comment could be of any help.