
Villa in Italy
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– Unabridged
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Marvellously atmospheric tale of strangers summoned to a grand but neglected villa on the Italian coast. Each of them has been named in a will, but nobody knows their benefactress....
Four very different people are named in a will. Delia, an opera singer robbed of her voice by illness; George, an idealistic scientist who cannot face what his skills have created; Marjorie, desperately poor and unable to dislodge her writer’s block; and Lucius, ostensibly in control but whose personal life is in chaos. All are summoned to the Villa Dante, home of the late Beatrice Malaspina. But who was she?
While they wait to find out, the villa begins to work its seductive magic. With its faded frescoes, overgrown garden, and magnificent mediaeval tower, it is unlike anywhere they have been before.
Slowly four characters who have gone to great lengths to hide their troubles find that change - and even hope - is possible after all. But the mysterious Beatrice has a devastating secret to reveal that will affect them all....
A beautiful evocation of Italy in the aftermath of World War Two and the personal consequences of living through such a time and a celebration of humankind’s ability to heal and learn to love again, this most absorbing novel will win Elizabeth Edmondson a host of new fans.
- Listening Length13 hours and 16 minutes
- Audible release dateMay 19 2015
- LanguageEnglish
- ASINB071ZQ2W9S
- VersionUnabridged
- Program TypeAudiobook
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Product details
Listening Length | 13 hours and 16 minutes |
---|---|
Author | Elizabeth Edmondson |
Narrator | Nicolette McKenzie |
Audible.ca Release Date | May 19 2015 |
Publisher | Audible Studios |
Program Type | Audiobook |
Version | Unabridged |
Language | English |
ASIN | B071ZQ2W9S |
Best Sellers Rank | #43,816 in Audible Books & Originals (See Top 100 in Audible Books & Originals) #732 in Historical Romance (Audible Books & Originals) #1,112 in Romantic Suspense (Audible Books & Originals) #1,116 in 20th Century Historical Romance (Books) |
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Edmondson created fascinating characters plucked out of the past connections of Beatrice Malespine
whose last will summons a former writer, a former artist, an opera singer and a scientist to the Dante Villa. All four are challenged by their past as well as their present close proximity to each other's in the stylish and artistic Dante Villa.
I like the glorious setting. Who wouldn't like to be in Italy? I like the way art, music and writing are fused to produce a smorgasbord of sensuous experiences and that is before synchronicity starts to play havoc with the slightest of plans.
We wait with bated breath for all the mystery to unravel in an impressive climax at the end.
I recommend this very skilfully crafted novel.
I have now bought another of Edmondson's novels and will bury myself in South France for a change.


On the whole 'The Villa in Italy' is a pleasant and rather compelling light read. It's set in the 1950s, when Delia (an opera singer suffering from chronic bronchitis), George (a scientist who's not recovered from his guilt at helping to create the atom bomb, and who feels a longing for his former Catholic faith), Marjorie (a detective writer with writer's block and an unhappy secret) and Lucius (an American banker who longs to become an artist) all receive a mysterious bequest from an Anglo-Italian woman called Beatrice Malaspina. Beatrice left instructions that the four of them go to her villa in Italy (Tuscany, I believe, but it's already gone hazy in my mind) and there search for a codicil to her will, which will answer all their questions about why she has left them a bequest, and also benefit them greatly. And so, for the bulk of the book the four guests (plus Delia's friend Jessica) enjoy life at the Villa Dante (well, it would be called that, wouldn't it?), eating wonderful food, drinking wine, swimming, making music and slowly searching for the codicil. There's also several revelations, a romance and a dramatic finale when various other people converge on the Villa Dante.
There's some good writing - particularly about George's religious/scientific dilemmas and about Marjorie's troubled past - and some lovely scene-setting, and Edmondson is both more knowledgeable historically and more accomplished as a stylist than most writers in this genre. And the characters are pretty likeable. But it's somehow all a bit... well, prone to fluffiness. There are too many scenes that merely involve characters lounging around and re-hashing problems from the past (usually rich parents trying to force them to do things they don't want or cut them off). For four very intelligent people, the friends seem remarkably unintelligent about finding the codicil. Beatrice Malaspina never really comes to life (other than in the blandest terms of being a rich, beautiful woman who liked art and was kind to people). And at times the book can collapse into mere silliness, such as during the scene with the friends trying to dynamite a well (or something like that) or Delia's claims that opera was terrible because all the women die, but musicals were wonderfully life-enhancing (actually, tragedy doesn't have to be depressing, a lot of women survive in opera, and musicals, which usually expect women to be sweet little airheads, are, I would say, far more degrading to women!). The end - with its numerous revelations of affairs and illegitimate babies - was a bit unbelievable too, particularly the final, filmic embrace.
It's a shame, because there's a good book in here - and ideas that would be better in literary fiction. The under-developed Marjorie could have been a terrific character, like one of Sarah Waters's heroines, and the story of George and his tragic past (he lost his wife during World War II), scientific work and religious struggles is worth a novel in itself. But Edmondson always holds herself back from being too serious, as though she's mindful that she needs to appeal to a popular market.
A pleasant read, that passed the time on Christmas Eve and Christmas Day (when I was too tired to concentrate on anything serious) rather agreeably. But I did feel it could have been so much better! I'm going to be interested to see if the other two Edmondson novels I own (both of which I think deal with the 1930s) have any more depth.

An easy and pleasant story with some interesting characters and some interesting dilemmas for them to solve, but I have to say that although there were some darker aspects to this story, I didn't feel the author looked at these deeply enough; I also felt that parts of the story - especially towards the end where a surprising number of unexpected characters arrive at the villa and reveal all sorts of secrets and previously unknown information - rather unconvincing and almost comically overdone in places. That said, if not taken too seriously, there is quite a lot to enjoy here - especially the author’s descriptions of the villa with its medieval tower and its fountains and frescoes, and for an undemanding summertime read this worked rather well; I read it during the current heatwave in the garden under an umbrella - which, apart from being in Italy itself, was just the place to read it.
3 Stars.

For what it is its not a bad book its just not my usual thing. Having said that I always enjoy this authors writing. She can evoke the period settings VERY well. The characters are light and this particular story has a bit of a morality tale in it. The bringing of life back to the house giving some life back to the local community ie working together to bring water to the fountains and to the fields below the villa. I found it interesting that the only bit of high drama was provided by the life of the one person who was brought into the story as an extra, It was a clever touch.
This would be a light read on holiday and will appeal to those with a liking for travel, romance and happy ever afters.