Print List Price: | CDN$ 24.99 |
Kindle Price: | CDN$ 13.99 Save CDN$ 11.00 (44%) |
includes free international wireless delivery via Amazon Whispernet | |
Sold by: | Random House Canada, Incorp. This price was set by the publisher. |

Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet or computer – no Kindle device required. Learn more
Read instantly on your browser with Kindle for Web.
Using your mobile phone camera, scan the code below and download the Kindle app.

![Wanderers: A Novel by [Chuck Wendig]](https://m.media-amazon.com/images/I/5186LxXRpDL._SY346_.jpg)
Wanderers: A Novel Kindle Edition
Amazon Price | New from | Used from |
Audible Audiobook, Unabridged
"Please retry" |
$0.00
| Free with your Audible trial |
NOMINATED FOR THE BRAM STOKER AWARD • ONE OF THE BEST BOOKS OF THE YEAR: The Washington Post, NPR, The Guardian, Kirkus Reviews, Publishers Weekly, Library Journal, Polygon
Shana wakes up one morning to discover her little sister in the grip of a strange malady. She appears to be sleepwalking. She cannot talk and cannot be woken up. And she is heading with inexorable determination to a destination that only she knows. But Shana and her sister are not alone. Soon they are joined by a flock of sleepwalkers from across America, on the same mysterious journey. And like Shana, there are other “shepherds” who follow the flock to protect their friends and family on the long dark road ahead.
For as the sleepwalking phenomenon awakens terror and violence in America, the real danger may not be the epidemic but the fear of it. With society collapsing all around them—and an ultraviolent militia threatening to exterminate them—the fate of the sleepwalkers depends on unraveling the mystery behind the epidemic. The terrifying secret will either tear the nation apart—or bring the survivors together to remake a shattered world.
In development for TV by Glen Mazzara, executive producer of The Walking Dead • Look for the sequel, Wayward, now available!
“This career-defining epic deserves its inevitable comparisons to Stephen King’s The Stand.”—Publishers Weekly (starred review)
“A suspenseful, twisty, satisfying, surprising, thought-provoking epic.”—Harlan Coben,#1 New York Times bestselling author of Run Away
“A true tour de force.”—Erin Morgenstern, New York Times bestselling author of The Night Circus
“A masterpiece with prose as sharp and heartbreaking as Station Eleven.”—Peng Shepherd, author of The Book of M
“A magnum opus . . . It reminded me of Stephen King’s The Stand—but dare I say, this story is even better.”—James Rollins, #1 New York Times bestselling author of Crucible
“An inventive, fierce, uncompromising, stay-up-way-past-bedtime masterwork.”—Paul Tremblay, author of A Head Full of Ghosts and The Cabin at the End of the World
“An American epic for these times.”—Charles Soule, author of The Oracle Year
- LanguageEnglish
- PublisherDel Rey
- Publication dateJuly 2 2019
- File size7200 KB
From the Publisher
Wanderers by Chuck Wendig
|
|
|
---|---|---|
|
|
|
![]() |
![]() |
|
---|---|---|
The Book of Accidents | Aftermath: Star Wars | |
More from Chuck Wendig | A family returns to their hometown—and to the dark past that haunts them still—in this masterpiece of literary horror by Chuck Wendig. | The Emperor may be defeated, but the war isn't over as the fledgling New Republic hunts the remnants of the Empire. |
Product description
Excerpt. © Reprinted by permission. All rights reserved.
THE FIRST SLEEPWALKER
JUNE 3
Maker’s Bell, Pennsylvania
Shana stood there looking at her little sister’s empty bed, and her first thought was: Nessie ran away again.
She called to her a few times. Honestly, after Nessie had stayed up late last night to watch the comet through Dad’s shitty telescope, Shana figured the younger girl would still be in bed, snoring up little earthquakes. She wasn’t sure where the hell else Nessie could be—Shana had been up for an hour already, making their lunches, finishing the laundry, putting the trash and recycling together so she could haul it up the long driveway for tomorrow’s pickup. So she knew Nessie wasn’t in the kitchen. Maybe she was in the upstairs bathroom.
“Nessie?” She paused. Listened. “Nessie, c’mon.”
But nothing.
Again the thought: Nessie ran away again.
It didn’t make much sense. First time Nessie ran away, that made sense.
They’d just lost their mother—lost her in a very literal way. The four of them went to the grocery store, and only three of them came back. They feared Mom had been taken and hurt, but eventually security cameras from the Giant Eagle showed that nobody kidnapped her; she strolled out the automatic doors like nothing was wrong and then walked out of their lives for good. Mom became a big question mark stuck in their cheeks like a fish-hook.
But it was clear that their mother didn’t want to be a part of their lives anymore. That, Shana knew even then, had been a long time coming, but the realization did not hit Nessie—and still had not reached her, even now. Nessie believed then that it was Dad’s fault. And maybe Shana’s, too. So two years ago almost to the day, after school was done for the year, Nessie packed a backpack full of canned goods and bottled water (plus a couple of candy bars), and ran away.
They found Nessie four hours later at the wooden bus shelter on Granger, hiding from a sudden rain squall. Shivering like a stray puppy. When Dad picked her up she kicked and thrashed, and it was like watching a wrestler try to pin a tornado. But then he gave up, said to her, “You want to run away, you run away, but if you’re thinking of going after your mother, I don’t think she wants to be found.”
It was like watching a glass of water tip in slow motion. Nessie collapsed in his arms and wept so hard she could only catch her breath in these keening, air-sucking hitches. Her shoulders shook and she pressed both hands under her armpits as if hugging herself. They got her home. She slept for two days and then, slowly but surely, came back to life.
That was two years ago.
Today, though, Shana could not gure out why Nessie would want to run away again. Girl was fifteen now and hadn’t hit the wall like Shana had at that age—as Dad put it, Shana “went full teenager.” Mopey and mad and hormones like a kicking horse. Shana was almost eighteen, now. She was better these days. Mostly.
Nessie was still all right, hadn’t turned into a werewolf. Still happy. Still optimistic. Eyes bright like new nickels. She had a little notebook, in which she wrote all the things she wanted to do (scuba dive with sharks, study bats, knit her own slippers like Mom-Mom used to do), all the places she wanted to go (Edinburgh, Tibet, San Diego), all the people she wanted to meet (the president, an astronaut, her future husband). She said to Shana one day, “I heard that if you complain it reprograms your brain like a computer virus and it just makes you more and more unhappy, so I’m going to stay positive because I bet the opposite is true, too.”
That notebook sat there on her empty bed. Next to the bed was an open box—Nessie had gotten some package in the mail, some science thing she must’ve ordered. (Shana borrowed a part of it, a little test tube, to hold weed.) Her daffodil-yellow sheets looked rumpled and slept-in. Her pink pillow still showed her head-dent.
Shana peeked at the notebook. Nessie had started a new list: JOBS I MIGHT LIKE?? Included: zookeeper, beekeeper, alpaca farmer, photographer. Photographer? Shana thought. That’s my bag. A weird are of anger lanced through her. Nessie was good at everything. If she decided to do the thing that Shana wanted to do, she’d do it better and that would suck and they’d hate each other forever. (Well, no. Shana would hate Nessie. Nessie would love her unconditionally because that was Nessie.)
Shana called out for her again. “Ness? Nessie?” Her voice echoed and nothing but the echo answered. Shit.
Dad was probably already in the so-called milking parlor (he said if they’re going to be part of the artisanal cheese movement here in Pennsylvania they needed to start talking like it, damnit), and he would be expecting Ness and Shana to staff the little shop up by the road. Then eventually he’d come get one of them to head into the cheese barn to check the curds on that Gouda or get the blues draining—then mix the silage and feed the cows and ah, hell, the vet was coming today to look at poor Belinda’s red, crusty udders and—
Maybe that’s why Nessie ran away. School was out already and summer vacation wasn’t much of one: Everything was work, work, work. (Shana wondered if Nessie had the right idea. She could run away, too. Even for the day. Call up her buddy Zig in his Honda, smoke some weed, read comic books, talk shit about the seniors who just graduated . . .)
(God, she had to get out of here.)
(If she didn’t get out of here soon, she’d stay here forever. This place felt like quicksand.)
Of course, Nessie was too good a girl to have run away again, so maybe she got the jump on Shana and was already out in the shop. Little worker bee, that one. What was the song on Dad’s old REM album? “Shiny Happy People”? That was Nessie.
Shana’d already eaten, so she went in search of the little clip-on macro lens she used over her phone’s camera to let her take photos of things real close-up, magnified. Little worlds revealed, the micro made macro. She didn’t have a proper camera, but she was saving up to get a DSLR one day. In the meantime, that meant using the phone. Maybe she’d nd something in the stable or in the cheesemaking room that would look cool up close: flaking rust, the red needle in the thermometer, the bubbles or crystals in the cheese itself.
It hit her where she’d left the lens last time—she was taking pictures of a house spider hanging in her window, and she left the lens on the sill. So she went there to grab it—
Something outside caught her eye. Movement up the driveway. One of the cows loose was her first thought.
Shana headed to the window.
Someone was out there, walking.
No. Not someone.
Little dum-dum was halfway up the driveway in her PJ pants and pink
T-shirt. Barefoot, too, by the look of it. Oh, what the hell, Nessie?
Shana ran to the kitchen, forgetting her lens. She hurriedly popped on her sneakers and ran out the door to the back porch, nearly tripping on the one sneaker that wasn’t all the way on yet, but she quick smashed her heel down into the shoe and kept on running.
She thought to yell to her little sister, but decided against it. No need to draw Dad’s attention. He’d see they weren’t out in the shop yet and give them a ration of hot shit about it, and Shana didn’t want to hear it. This was not a morning for nonsense, and already the nonsense was mounting.
Instead she ran up along the driveway, the red gravel crunching underneath her sneaks. The Holsteins on the left bleated and mooed. A young calf—she thought it was Moo Radley—stood there on knock-knees watching her hurry to catch up to her tweedledum sister. “Nessie,” she hissed. “Nessie, hey!”
But Nessie didn’t turn around. She just kept on walking. What a little asshole.
Shana jogged up ahead of her and planted her feet like roots. “God, Nessie, what the hell are you—”
It was then she saw the girl’s eyes. They were open. Her sister’s gaze stood fixed at nothing, like she was looking through Shana or staring around her.
Dead eyes, dead like the at tops of fat nails. Gone was the luster of wonder, that spark.
Barefoot, Nessie continued on. Shana didn’t know what to do—move out of her way? Stand planted like a telephone pole? Her indecision forced her to do a little of both—she shifted left just a little, but still in her sister’s inevitable path.
The girl’s shoulder clipped her hard. Shana staggered left, taking the hit. The laugh that came up out of her was one of surprise. It was a pissed-off laugh, a bark of incredulity.
“That hurt, dummy,” she said, and then grabbed for the girl’s shoulder and shook her.
Nothing. Nessie just pulled away and kept going. --This text refers to the hardcover edition.
Review
“A riveting examination of America.”—Scott Sigler, #1 New York Times bestselling author of the Generations Trilogy
“If you ever wanted to know what America's soul might look like, here’s its biography.”—Rin Chupeco, author of The Bone Witch
“A tsunami of a novel.”—Meg Gardiner, Edgar Award-winning author of Into the Black Nowhere
“A defining moment in speculative fiction.”—Adam Christopher, author of Empire State and Made to Kill
“Trust me: You're not ready for this book.”—Delilah S. Dawson, New York Times bestselling author of Star Wars: Phasma
“An astounding adventure.”—Fran Wilde, Hugo-, Nebula-, and World Fantasy finalist and award-winning author of the Bone Universe trilogy
“Utterly brilliant and frighteningly plausible.”—Kat Howard, Alex Award-winning author of An Unkindness of Magicians
“Beautiful and harrowing—and timely as hell.”—Richard Kadrey, New York Times bestselling author of The Grand Dark
“A harrowing portrait of an unraveling America . . . terrifyingly prophetic.”—Christopher Golden, New York Times bestselling author of Ararat and The Pandora Room
“A brilliant, Hollywood-blockbuster of a novel.”—Peter Clines, author of Dead Moon and Paradox Bound
“Approach Wanderers like it’s a primetime television series, along the lines of The Passage [or] Lost. . . . Make Wanderers a summer reading priority; you won’t regret it.”—Book Riot
--This text refers to the hardcover edition.
About the Author
Product details
- ASIN : B07JD1CH2H
- Publisher : Del Rey (July 2 2019)
- Language : English
- File size : 7200 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 775 pages
- Best Sellers Rank: #45,089 in Kindle Store (See Top 100 in Kindle Store)
- Customer Reviews:
About the author

ABOUT THE AUTHOR
Chuck Wendig is the New York Times bestselling author of Star Wars: Aftermath, as well as the Miriam Black thrillers, the Atlanta Burns books, and the Heartland YA series, alongside other works across comics, games, film, and more. A finalist for the John W. Campbell Award for Best New Writer and the cowriter of the Emmy-nominated digital narrative Collapsus, he is also known for his popular blog, terribleminds.com, and his books about writing. He lives in Pennsylvania with his family. (photo by Edwin Tse)
Customers who viewed this item also viewed
Customer reviews

Reviewed in Canada on August 31, 2019
-
Top reviews
Top reviews from Canada
There was a problem filtering reviews right now. Please try again later.
Strongly recommend for anyone who wants to feel our current real-world viral apocalypse might actually be the better option!
Top reviews from other countries

One of the main characters Shana is an annoying teen with attitude who , because of plot, is somehow important to things.
The copy and paste of the Crichtonesque science he bases his story on is painfully obvious. Some things defy all logic as well such as the ceaseless energy of the sleep walking flock.
Some characters are ridiculous in their actions and motivations, the dad, the pastor and the Big Bad militia-criminal- racist-rapist.
After many twists and turns we finally get the truth of what’s going on....you’ll have guessed it around page 100. One big “wait..what?” aspect of this truth is the question as to what the hell was the point of having the “sleep-walkers” walk across America...it made no sense at all.
All in all this is a mix of poor story, poor pacing and self righteous preaching...not for me.

Wanderers is what happened if the strategy for winning Plague Inc. got into the wrong hands - yes, that strategy that even gets Madagascar. Except it also has the ability to plunge its fist into your chest and yank out your still beating heart, because Chuck is as vicious with his cast as George R.R. Martin, except he's only got one book to do it in. This book has given me nightmares, got under my skin, infected my brain for days (ha ha ha), and I'm mad at Chuck (in the best way) for what happens to a few of the shepherds.
Now, why would a bunch of people downvote this book? Well, the main one is this; Chuck isn't quiet about social issues, and this book is a shocking reflection of that. Maybe you see similarities in Creel and Hunt to people in real life - I sure did. One of the villains of the book - there are a couple and I'd say this is a bit of a twist so I won't name them - is eerily similar to people I've known in real life, right down to the rhetoric they use about what they feel needs to be done to save their country from the Walkers. It's an extremely contemporary book - one that, I hope, one day I can being of its time.
It's a terrifying book. But it's also very, very good. And if you want to know how good, I have a disability that makes reading very hard, a sort of dyslexia cousin. I managed to consume the whole thing in maybe three days.

There's plenty to like about the tale, but it is heavy handed. The political commentary often usurps the narrative, characters and events too often exist to make a statement at the cost of believability and consistency. The book is at its best when it focusses on the fiction and lets the politics develop in the background, at its worst when it is the other way around.
I doubt many readers will find much to challenge their world view - those on the political left will find plenty of affirmation, those on the political right who inadvertently end up reading it will probably toss it in the bin within 100 pages. Those in the centre will probably still be in the centre when the last chapter closes. Those of us outside the USA will probably shake our heads and shrug our shoulders and wonder why the country seems so hell-bent on self-destruction, as we do most days anyway.

The final confrontation between 'good and evil' is predictable and short and the ending has to leave things open.
Rarely do I leave a book unfinished but I came close here. Perhaps shorn of its incredible weight of 800 pages there might be a good story here.

The main characters are complex and 3D, including the AI, which slowly becomes a personality in its own right; and I'm sure I once encountered that rock star! The scenes of the world (or at least America) descending step by step into madness and chaos is horribly believable.
The story takes its time to get going but this is needed for setting up everything; the action, when it came, really glued me to my Kindle.
I see some reviewers are unhappy that Wendig includes some dialogues between two of the characters about faith and science, but I liked that touch. Very little SF - especially this kind of hard-science SF - ever explores that particular area and Wendig keeps it very even-handed. For me, these dialogues were interesting and thought-provoking. For anybody who isn't interested, they don't affect the plot and are short enough to skip over.
The one and only conplaint that I have is that the ending feels very rushed and could have done with a little rewriting.