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When You Trap a Tiger: (Newbery Medal Winner) Hardcover – Jan. 28 2020
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Would you make a deal with a magical tiger? This uplifting story brings Korean folklore to life as a girl goes on a quest to unlock the power of stories and save her grandmother.
Some stories refuse to stay bottled up...
When Lily and her family move in with her sick grandmother, a magical tiger straight out of her halmoni's Korean folktales arrives, prompting Lily to unravel a secret family history. Long, long ago, Halmoni stole something from the tigers. Now they want it back. And when one of the tigers approaches Lily with a deal--return what her grandmother stole in exchange for Halmoni's health--Lily is tempted to agree. But deals with tigers are never what they seem! With the help of her sister and her new friend Ricky, Lily must find her voice...and the courage to face a tiger.
Tae Keller, the award-winning author of The Science of Breakable Things, shares a sparkling tale about the power of stories and the magic of family. Think Walk Two Moons meets Where the Mountain Meets the Moon!
"If stories were written in the stars ... this wondrous tale would be one of the brightest." --Booklist, Starred Review
- Reading age8 - 12 years
- Print length304 pages
- LanguageEnglish
- Grade level3 - 7
- Lexile measure590L
- Dimensions15.09 x 2.62 x 21.74 cm
- PublisherRandom House Books for Young Readers
- Publication dateJan. 28 2020
- ISBN-101524715700
- ISBN-13978-1524715700
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WHEN YOU TRAP A TIGER | THE SCIENCE OF BREAKABLE THINGS | JENNIFER CHAN IS NOT ALONE | |
Read all the books from Tae Keller! | A sparkling tale about the power of stories and the magic of family. | An uplifting story about science, family, and friendship. | A gripping story about a girl who is alienated by her friends . . . for believing in aliens. |
Product description
Review
"Roars to life with just a touch of magic.” —Kirkus Reviews, starred review
“A heartfelt reminder of the wonder and beauty in our everyday lives.” —Booklist, starred review
“Deeply moving... vulnerable and mythic storytelling in the vein of Erin Entrada Kelly and Kacen Callender.” —School Library Journal, starred review
“Keller’s (The Science of Breakable Things) #OwnVoices journey through Korean mythology begins with a fantastical quest and slowly transforms into a tale about letting go and the immortality that story can allow.” —Publishers Weekly, starred review
“It’s a complex, satisfying story, one that foregrounds family and healing alongside a love for Korean folklore.” —The Bulletin, starred review
"This beautiful book reminds us that, even in a world filled with stolen stars, crafty tigers, and family secrets that spring from folklore, the most powerful magic of storytelling is the story we decide to tell about ourselves." —Kat Yeh, author of The Truth About Twinkie Pie
"An intoxicating mix of folktale, fantasy, friendship and love (and tigers!). Through a series of challenges--and also a lot of laughter--Lily (a.k.a. Lily Bean, Eggi, Little Egg) finds out what she is made of. She is a character who'll stay with me--and whom I already miss!" —Marie Myung-Ok Lee, author of Finding My Voice and Somebody's Daughter
"An ambitious and bewitching brew of Korean folklore, magical realism, and classic coming-of-age story, When You Trap a Tiger is a tender tale as unique as it is universal. Keller's writing shimmers with magic, heart, and hope." —Ali Standish, author of Before I Was Ethan
Praise for Tae Keller'sThe Science of Breakable Things:
Named one of the Best Books of the Year by NPR, Kirkus Reviews, and the Chicago Public Library!
"A compassionate glimpse of mental illness accessible to a broad audience." —Kirkus Reviews, starred review
"A winning story full of heart and action." —Booklist, starred review
"Holy moly!!! This book made me feel." —Colby Sharp, editor of The Creativity Project
"Natalie is an engaging narrator whose struggles at home and with her peers ring true." —Deborah Hopkinson, award-winning author
"Inspiring, emotional, and heartwarming." —Melissa Savage, author of Lemons
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
1
I can turn invisible.
It’s a superpower, or at least a secret power. But it’s not like in the movies, and I’m not a superhero, so don’t start thinking that. Heroes are the stars who save the day. I just—disappear.
See, I didn’t know, at first, that I had this magic. I just knew that teachers forgot my name, and kids didn’t ask me to play, and one time, at the end of fourth grade, a boy in my class frowned at me and said, Where did you come from? I don’t think I’ve ever seen you before.
I used to hate being invisible. But now I understand: it’s because I’m magic.
My older sister, Sam, says it’s not a real supersecret power—it’s just called being shy. But Sam can be rude.
And the truth is, my power can come in handy. Like when Mom and Sam fight. Like right now.
I wrap myself in invisibility and rest my forehead against the back-seat window, watching raindrops slide down the side of our old station wagon.
“You should stop the car,” Sam says to Mom.
Except Sam actually says this to her phone, because she doesn’t look up. She’s sitting in the passenger seat with her feet slammed against the glove compartment, knees smashed into her chest, her whole body curled around her glowing screen.
Mom sighs. “Oh, please, we don’t need to stop. It’s just a little rain.” But she ticks the windshield wipers up a notch and taps the brakes until we’re going slug-slow.
The rain started as soon as we entered Washington State, and it only gets worse as our car inches past the hand-painted welcome to sunbeam! sign.
Welcome to Halmoni’s town, a town of nonstop rain, its name like an inside joke.
Sam smacks her black-painted lips. “K.”
That’s all. Just one letter.
She tap-taps her screen, sending bubbles of words and emojis to all her friends back home.
I wonder what she’s saying in those messages. Sometimes, when I let myself, I imagine she’s writing to me.
“Sam, can you at least try to have a good attitude about this?” Mom shoves her glasses up on her nose with too much force, like her glasses just insulted her and it’s personal.
“How can you even ask me that?” Sam looks up from her phone—finally—so she can glare at Mom.
This is how it always starts. Their fights are loud and explosive. They burn each other up.
It’s safer to keep quiet. I press my fingertip against the rain-splattered window and draw a line between the drops, like I’m connecting the dots. My eyelids go heavy. I’m so used to the fighting that it’s practically a lullaby.
“But, like, you realize that you’re basically the worst, right? Like, this is actually not okay—”
“Sam.” Mom is all edges—shoulders stiff, every muscle tensed.
I hold my breath and think invisibleinvisibleinvisible.
“No, seriously,” Sam continues. “Just because you randomly decided that you want to see Halmoni more, that doesn’t mean we want to uproot our entire lives. I had plans this summer—not that you care. You didn’t even give us fair warning.”
Sam’s not wrong. Mom told us only two weeks ago that we were leaving California for good. And I’ll miss it, too. I’m going to miss my school, and the sunshine, and the sandy beach—so different from the rocky coast at Sunbeam.
I’m just trying not to think about that.
“I thought you should spend more time with your grandmother. I thought you enjoyed that.” Mom’s tone is clipped. The rain has gotten heavier, and it sucks up her focus. Her fingers white-knuckle the steering wheel. None of us like the idea of driving in this weather, not after Dad died.
I concentrate on the steering wheel and squint a little, sending safety vibes with my mind, like Halmoni taught me.
“Way to deflect,” Sam says, tugging at the single streak of white in her black hair. She’s still angry, but deflated a little. “I do enjoy spending time with Halmoni. Just not here. I don’t want to be here.”
Halmoni’s always visited us in California. We haven’t been in Sunbeam since I was seven.
I gaze out the windshield. The landscape that slips by is peaceful. Gray stone houses, green grass, gray restaurants, green forest. The colors of Sunbeam blur together: gray, green, gray, green—and then orange, black.
I sit up, trying to make sense of the new colors.
There’s a creature lying on the road ahead.
It’s a giant cat, with its head resting on its paws.
No. Not just a giant cat. A tiger.
The tiger lifts its head as we approach. It must have escaped from a circus or a zoo or something. And it must be hurt. Why else would it be lying out here in the rain?
An instinctive kind of fear twists in my stomach, making me carsick. But it doesn’t matter. If an animal’s hurt, we have to do something.
“Mom.” I interrupt their fight, scooting forward. “I think . . . um . . . there’s . . .”
Now, a little closer, the tiger doesn’t look hurt. It yawns, revealing sharp, too-white teeth. And then it stands, one claw, one paw, one leg at a time.
“Girls,” Mom says, voice tense, tired. Her annoyance with Sam rarely bleeds onto me, but after driving for eight hours, Mom can’t contain it. “Both of you. Please. I need to focus on driving for a moment.”
I bite the inside of my cheek. This doesn’t make sense. Mom must notice the giant cat. But maybe she’s too distracted by Sam.
“Mom,” I murmur, waiting for her to hit the brakes. She doesn’t.
Sometimes the problem with my invisibility is that it takes a little while to wear off. It takes a little while for people to see me and hear me and listen.
Listen: This isn’t like any tiger I’ve seen in a zoo. It’s huge, as big as our car. The orange in its coat glows, and the black is as dark as moonless night.
This tiger belongs in one of Halmoni’s stories.
I lean forward until the seat belt slices into my skin. Somehow, Sam and Mom continue to bicker. But their words become a low hum because I’m only focused on—
The tiger lifts its enormous head—and it looks at me. It sees me.
The big cat raises an eyebrow, like it’s daring me to do something.
My voice catches in my throat, and I stumble over my words. They come out choked. “Mom—stop.”
Mom’s busy talking to Sam, so I shout louder: “STOP.”
Finally, Mom acknowledges me. Eyebrows pinched, she glances at me in the rearview mirror. “Lily? What’s wrong?”
She doesn’t stop the car. We keep going.
Closer—
closer—
And I can’t breathe because we’re too close.
I hear a thud and I squeeze my eyes shut. The inside of my head pounds. My ears ring. We must have hit it.
But we keep going.
When I open my eyes, I see Sam, arms folded across her chest, phone resting by her feet. “It died,” she announces.
My pulse is a wild beast as I scan the road, searching for horrors I don’t want to see.
Product details
- Publisher : Random House Books for Young Readers (Jan. 28 2020)
- Language : English
- Hardcover : 304 pages
- ISBN-10 : 1524715700
- ISBN-13 : 978-1524715700
- Item weight : 399 g
- Dimensions : 15.09 x 2.62 x 21.74 cm
- Best Sellers Rank: #141,618 in Books (See Top 100 in Books)
- Customer Reviews:
About the author

TAE KELLER grew up in Honolulu, where she wrote stories, ate Spam musubis, and participated in her school’s egg drop competition. (She did not win.) After graduating from Bryn Mawr College, she moved to New York City to work in publishing, and she now has a very stubborn Yorkie and a multitude of books as roommates.
Subscribe to her newsletter for writing updates and exclusive content: bit.ly/taekellernews
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It didn't take me long to become engrossed in this book. The story and characters just grab you in a way that makes you want to keep going with it. Lily is someone who grabs your sympathy because she has to deal with a multitude of problems internal and external, and you do feel sorry for her. Her grandmother/halmoni is also a fun person to follow, with her knowledge on traditional Korean customs and eccentric habits. Everyone was well thought out and well written, so good job to Tae Keller.
I also love how the mystical elements are woven in to the narrative without overpowering Lily's struggles. It was fun to see tigers being represented as more supernatural entities instead of just mundane animals you'd see at the zoo. I also love the use of folk tales as an element of the story, connecting our heroes to their heritage as well as their present. I would recommend this book to people looking for a fun fantasy that also contains a passion for one's heritage.
There are some things to be aware of. One of the conditions of the characters reflects a real-world challenge that may be hard for some readers who have experienced it. There is a gay couple in the story for those who don't like such relationships. There is a use of some stereotypes (like a super-rich white kid), but it doesn't define who the character is.
Parents and teachers can use this story to illustrate to kids the magic of looking to the homelands of their ancestors and learning about their customs and traditions. This story can also be used as an object lesson to illustrate the importance of loving our family and helping them when they need our help. An activity that parents and teachers can also associate with this book is to inspire children to research some old folk tales from the lands of their ancestors, and try to write stories inspired by those tales.

I didn't like the imagined tiger scenes. I felt they created a promise they never delivered on.
All in all I didn't enjoy this read and didn't feel it was told in a way that will make it interesting or enjoyable for the targeted age group.
I'm afraid this book received an award mostly because of the Korean background of the characters, but that in itself wasn't enough to make it the great read I hoped for.

