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Why We Make Things and Why It Matters: The Education of a Craftsman Kindle Edition
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A furniture maker and author offers a mix of personal memoir and personal philosophy in a book perfect for craftspersons, artisans, and artists.
Woodworking, handicrafts—the rewards of creative practice, bringing something new and meaningful into the world through one’s own vision, make us fully alive. Peter Korn explains his search for meaning as an Ivy League-educated child of the middle class who finds employment as a novice carpenter on Nantucket, transitions to self-employment as a designer/maker of fine furniture, takes a turn at teaching at Colorado’s Anderson Ranch Arts Center, and finally founds a school in Maine: the Center for Furniture Craftsmanship, an internationally respected, non-profit institution.
This is not a “how-to” book in any sense. Korn wants to get at the why of craft and the satisfactions of creative work to understand their essential nature. How does the making of objects shape our identities? How does creative work enrich our communities and society? What does the process of making things reveal to us about ourselves? Korn poignantly provides answers in this book that is for the artist, artisan, crafter, do-it-yourselfer inside us all.
“In his beautiful book, Peter Korn invites us to understand craftsmanship as an activity that connects us to others, and affirms what is best in ourselves.” —Matthew Crawford, New York Times–bestselling author of Shop Class as Soulcraft
“What is the point of craft in a completely mass-produced world?... This fascinating account offers insights into the significance of the handmade object for the maker as well as for society as a whole.” —Martin Puryear, artist, recipient of the Guggenheim and MacArthur Foundation Fellowships
From the Publisher
New England made from Godine Publisher
Why We Make Things and Why It Matters: The Education of a Craftsman
by Peter Korn
The Hand of the Small Town Builder: Vernacular Summer Architecture in New England, 1870-1935
by W. Tad Pfeffer
Monadnock Summer: The Architectural Legacy of Dublin, New Hampshire
by Wiliam Morgan
About the Author
- ASIN : B085H6PMPC
- Publisher : David R. Godine, Publisher; Reprint edition (March 31 2015)
- Language : English
- File size : 8369 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 211 pages
- Best Sellers Rank: #117,296 in Kindle Store (See Top 100 in Kindle Store)
- Customer Reviews:
About the author
Top reviews from Canada
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His readers tag along with him from Nantucket Island to Frederick (Maryland) to New York City and then Philadelphia before relocating (again) to the Anderson Ranch Arts Center in Snowmass Village (Colorado) for which he served for the six years as Program Director before finally founding (in 1992) the Center for Furniture Craftsmanship in Rockport (Maine). Along the way, he published Woodworking Basics: Mastering the Essentials of Craftsmanship (Taunton Press, 2003) and The Woodworker's Guide to Hand Tools (Taunton Press, 1998). Why We Make Things and Why it Matters is his third book. And along the way, he was stricken by cancer and struggled with personal losses best described by him,
With regard to the aforementioned epiphanies, the first occurred in November (1984) when he had been hard at work on a cradle: "After three days of intense focus, cold, and solitude, the cradle is complete -- a miraculous birth in its own right. I have somehow transform benign intent into a beautiful functional object. This is my moment on the road to Demascus. I am overtaken by the most unexpected passion." (Page 28).
The second epiphany occurred in 1991 during his sixth year at Anderson Ranch. By way of background, he explains that he had previously composed an artist's statement, one that included a sentence that brought his emerging ideas into focus. It read: My own values became clear when I eventually realized that the words I used to describe my aesthetic goals as a furniture maker -- integrity, simplicity, and grace -- also described the person I sought to grow into through the practice of craftsmanship." (Page 102) That sentence was his second epiphany.
While re-reading the book in preparation to compose this brief commentary, I was again reminded of similar experiences that James Joyce describes in several of his letters and short stories as well as in Portrait of the Artist as a Young m Man. Of course, I have no idea whether or not Korn had Joyce and his work in mind when sharing this especially significant moment during his own development. Be that as it may, his transition from carpenter to craftsman is near complete, with details best revealed within the narrative, in context.
What's my take? Of greatest interest and value to me is what Peter Korn has to say about how he "found his way in the world" by committing himself to (as Richard Sennett expressed it) "doing something well, for its own sake." Consider this brief excerpt from Creativity in which Mihaly Csikszentmihalyi observes: "To achieve the kind of world we consider human, some people had to dare to break the thrall of tradition, Next, they had to find ways of recording those new ideas or procedures that improved on what went on before. Finally, they had to find ways of transmitting the new knowledge to generations to come. Those who were involved in this process we call creative. What we call culture, or those parts of ourselves that we internalized from the social environment, is their creation."
For Korn, these "essential" observations by Sennett and Csikszentmihalyi ring true: "There is great satisfaction to be found in work that engages one as an end in itself." His experiences can be described in many different ways. He found his calling, he found himself, he found his True North...all quite correct.
For me, the key to understanding the experiences that Korn discusses, many of which resemble our own, is to think of how he created a good life as well as a successful career. He and countless others have learned through their own experiences that what they love to do, what they most enjoy, is probably what they do best, despite challenges and setbacks along the way. "And so it is. As a maker you put one foot in front of the other and you own the journey. Finding creative passion that governs your life may be a curse as well as a blessing, but I would not trade it for anything else I know."
One final point: It will come as no surprise to those who are already familiar with Peter Korn’s art and craftsmanship that he complements his lean and effective prose with preliminary sketches and then photographs of some of his creations, illustrations that are of superior quality. They bring his story to life in ways and to an extent words alone cannot. Bravo!
Top reviews from other countries
I would recommend that all educationalists and those academics in Westminster read this book then perhaps we might readdress the lack of practical subjects being taught in our schools these days.
Fleet Hants UK
Although the author specialises in the art of furniture-making, the principles and the thought processes he attempted to convey, based on his personal views/experiences, seem to be universal.
My only qualm would be his overuse of the word "narrative." After seeing it for the tenth time I started wondering when I was going to see it again, thus distracting me from the main task.
Other than that the book was a pleasure to read.