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Why We Make Things and Why It Matters: The Education of a Craftsman Audio CD – April 15 2014
by
Peter Korn
(Author)
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An introspective and revealing look at the nature of the creative process. In this moving account, Peter Korn explores the nature and rewards of creative practice. We follow his search for meaning as an Ivyeducated child of the middle class who finds work as a novice carpenter, transitions to selfemployment as a designer and maker of fine furniture, takes a turn at teaching and administration at Colorado's Anderson Ranch Arts Center, and then founds a school in Maine: the Center for Furniture Craftsmanship, an internationally respected nonprofit institution. This is not a howto book in any sense; Korn wants to get at the why of craft in particular and the satisfactions of creative work in general to understand their essential nature.
An introspective and revealing look at the nature of the creative process. In this moving account, Peter Korn explores the nature and rewards of creative practice. We follow his search for meaning as an Ivyeducated child of the middle class who finds work as a novice carpenter, transitions to selfemployment as a designer and maker of fine furniture, takes a turn at teaching and administration at Colorado's Anderson Ranch Arts Center, and then founds a school in Maine: the Center for Furniture Craftsmanship, an internationally respected nonprofit institution. This is not a howto book in any sense; Korn wants to get at the why of craft in particular and the satisfactions of creative work in general to understand their essential nature.
- Print length1 pages
- LanguageEnglish
- PublisherBlackstone Audio
- Publication dateApril 15 2014
- Dimensions13.97 x 1.27 x 15.24 cm
- ISBN-10148301004X
- ISBN-13978-1483010045
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Product details
- Publisher : Blackstone Audio; Unabridged edition (April 15 2014)
- Language : English
- Audio CD : 1 pages
- ISBN-10 : 148301004X
- ISBN-13 : 978-1483010045
- Item weight : 159 g
- Dimensions : 13.97 x 1.27 x 15.24 cm
- Customer Reviews:
About the author
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PETER KORN is the founder and former Executive Director of the Center for Furniture Craftsmanship, a non-profit woodworking and design school in Rockport, Maine. A furniture maker since 1974, his work has been exhibited nationally in galleries and museums. Born in 1951, Korn grew up in Philadelphia, where he attended Germantown Friends School. He majored in history at the University of Pennsylvania. More information is available at www.peterkorn.com
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4.5 out of 5 stars
4.5 out of 5
256 global ratings
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Top reviews from Canada
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Reviewed in Canada 🇨🇦 on May 3, 2021
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This personal journey is a fabulous and enlightening exploration of craft and creative thought. Much more than a book about making furniture.
Helpful
Reviewed in Canada 🇨🇦 on October 26, 2018
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More biography of the author with some insight but not as much depth as expected after reading book description. Would not recommend.
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Reviewed in Canada 🇨🇦 on February 22, 2018
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Excellent livre
Reviewed in Canada 🇨🇦 on November 14, 2016
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Great book
5.0 out of 5 stars
How and why the creative effort "is a process of challenging embedded narratives in order to...."
Reviewed in Canada 🇨🇦 on August 18, 2014
Peter Korn poses an intriguing question: "Why do we choose the spiritually, emotionally, and physically demanding work of brining new objects into the world with creativity and skill?" This book is his extended response to that question. After completing his academic assignments for the University of Pennsylvania, he embarked on what became a journey of discovery during which two epiphanies occurred. (More about them later.) "My intuition from the first day I picked up a hammer was that making things with a commitment to quality would lead to a good life." In this book, he retraces the steps of his journey "with reference to larger frameworks - historical, sociological, psychological, and biological - to discover how and why that intuition turned out to be valid."
His readers tag along with him from Nantucket Island to Frederick (Maryland) to New York City and then Philadelphia before relocating (again) to the Anderson Ranch Arts Center in Snowmass Village (Colorado) for which he served for the six years as Program Director before finally founding (in 1992) the Center for Furniture Craftsmanship in Rockport (Maine). Along the way, he published Woodworking Basics: Mastering the Essentials of Craftsmanship (Taunton Press, 2003) and The Woodworker's Guide to Hand Tools (Taunton Press, 1998). Why We Make Things and Why it Matters is his third book. And along the way, he was stricken by cancer and struggled with personal losses best described by him,
With regard to the aforementioned epiphanies, the first occurred in November (1984) when he had been hard at work on a cradle: "After three days of intense focus, cold, and solitude, the cradle is complete -- a miraculous birth in its own right. I have somehow transform benign intent into a beautiful functional object. This is my moment on the road to Demascus. I am overtaken by the most unexpected passion." (Page 28).
The second epiphany occurred in 1991 during his sixth year at Anderson Ranch. By way of background, he explains that he had previously composed an artist's statement, one that included a sentence that brought his emerging ideas into focus. It read: My own values became clear when I eventually realized that the words I used to describe my aesthetic goals as a furniture maker -- integrity, simplicity, and grace -- also described the person I sought to grow into through the practice of craftsmanship." (Page 102) That sentence was his second epiphany.
While re-reading the book in preparation to compose this brief commentary, I was again reminded of similar experiences that James Joyce describes in several of his letters and short stories as well as in Portrait of the Artist as a Young m Man. Of course, I have no idea whether or not Korn had Joyce and his work in mind when sharing this especially significant moment during his own development. Be that as it may, his transition from carpenter to craftsman is near complete, with details best revealed within the narrative, in context.
What's my take? Of greatest interest and value to me is what Peter Korn has to say about how he "found his way in the world" by committing himself to (as Richard Sennett expressed it) "doing something well, for its own sake." Consider this brief excerpt from Creativity in which Mihaly Csikszentmihalyi observes: "To achieve the kind of world we consider human, some people had to dare to break the thrall of tradition, Next, they had to find ways of recording those new ideas or procedures that improved on what went on before. Finally, they had to find ways of transmitting the new knowledge to generations to come. Those who were involved in this process we call creative. What we call culture, or those parts of ourselves that we internalized from the social environment, is their creation."
For Korn, these "essential" observations by Sennett and Csikszentmihalyi ring true: "There is great satisfaction to be found in work that engages one as an end in itself." His experiences can be described in many different ways. He found his calling, he found himself, he found his True North...all quite correct.
For me, the key to understanding the experiences that Korn discusses, many of which resemble our own, is to think of how he created a good life as well as a successful career. He and countless others have learned through their own experiences that what they love to do, what they most enjoy, is probably what they do best, despite challenges and setbacks along the way. "And so it is. As a maker you put one foot in front of the other and you own the journey. Finding creative passion that governs your life may be a curse as well as a blessing, but I would not trade it for anything else I know."
One final point: It will come as no surprise to those who are already familiar with Peter Korn’s art and craftsmanship that he complements his lean and effective prose with preliminary sketches and then photographs of some of his creations, illustrations that are of superior quality. They bring his story to life in ways and to an extent words alone cannot. Bravo!
His readers tag along with him from Nantucket Island to Frederick (Maryland) to New York City and then Philadelphia before relocating (again) to the Anderson Ranch Arts Center in Snowmass Village (Colorado) for which he served for the six years as Program Director before finally founding (in 1992) the Center for Furniture Craftsmanship in Rockport (Maine). Along the way, he published Woodworking Basics: Mastering the Essentials of Craftsmanship (Taunton Press, 2003) and The Woodworker's Guide to Hand Tools (Taunton Press, 1998). Why We Make Things and Why it Matters is his third book. And along the way, he was stricken by cancer and struggled with personal losses best described by him,
With regard to the aforementioned epiphanies, the first occurred in November (1984) when he had been hard at work on a cradle: "After three days of intense focus, cold, and solitude, the cradle is complete -- a miraculous birth in its own right. I have somehow transform benign intent into a beautiful functional object. This is my moment on the road to Demascus. I am overtaken by the most unexpected passion." (Page 28).
The second epiphany occurred in 1991 during his sixth year at Anderson Ranch. By way of background, he explains that he had previously composed an artist's statement, one that included a sentence that brought his emerging ideas into focus. It read: My own values became clear when I eventually realized that the words I used to describe my aesthetic goals as a furniture maker -- integrity, simplicity, and grace -- also described the person I sought to grow into through the practice of craftsmanship." (Page 102) That sentence was his second epiphany.
While re-reading the book in preparation to compose this brief commentary, I was again reminded of similar experiences that James Joyce describes in several of his letters and short stories as well as in Portrait of the Artist as a Young m Man. Of course, I have no idea whether or not Korn had Joyce and his work in mind when sharing this especially significant moment during his own development. Be that as it may, his transition from carpenter to craftsman is near complete, with details best revealed within the narrative, in context.
What's my take? Of greatest interest and value to me is what Peter Korn has to say about how he "found his way in the world" by committing himself to (as Richard Sennett expressed it) "doing something well, for its own sake." Consider this brief excerpt from Creativity in which Mihaly Csikszentmihalyi observes: "To achieve the kind of world we consider human, some people had to dare to break the thrall of tradition, Next, they had to find ways of recording those new ideas or procedures that improved on what went on before. Finally, they had to find ways of transmitting the new knowledge to generations to come. Those who were involved in this process we call creative. What we call culture, or those parts of ourselves that we internalized from the social environment, is their creation."
For Korn, these "essential" observations by Sennett and Csikszentmihalyi ring true: "There is great satisfaction to be found in work that engages one as an end in itself." His experiences can be described in many different ways. He found his calling, he found himself, he found his True North...all quite correct.
For me, the key to understanding the experiences that Korn discusses, many of which resemble our own, is to think of how he created a good life as well as a successful career. He and countless others have learned through their own experiences that what they love to do, what they most enjoy, is probably what they do best, despite challenges and setbacks along the way. "And so it is. As a maker you put one foot in front of the other and you own the journey. Finding creative passion that governs your life may be a curse as well as a blessing, but I would not trade it for anything else I know."
One final point: It will come as no surprise to those who are already familiar with Peter Korn’s art and craftsmanship that he complements his lean and effective prose with preliminary sketches and then photographs of some of his creations, illustrations that are of superior quality. They bring his story to life in ways and to an extent words alone cannot. Bravo!
2 people found this helpful
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Top reviews from other countries

Nick Henley
5.0 out of 5 stars
A wonderful book
Reviewed in the United Kingdom 🇬🇧 on January 18, 2023Verified Purchase
This little book is for anyone who has made things or wants to make things. The author is a furniture maker, but that is not important, as it's about the compulsion to make the world and what it takes to produce things of quality. The most interesting, and perhaps unexpected part , is that it highlights the importance of making things to the maker. In that, it is more about a way or living - something very relevant to today. The sort of book you want to give to all of your friends - so that they can share the joy and wisdom.

TVR
5.0 out of 5 stars
Inspirational
Reviewed in the United Kingdom 🇬🇧 on May 23, 2014Verified Purchase
What a great book. Peter says all those things I've had bottled up in my brain for a long time but was not good enough with words to convey. Having been a teacher of Craft design and Technology for many years and then owning my own carpentry business and making some bespoke furniture I really understand Peter's feelings and thoughts. I now work with young offenders helping them to enjoy the wonder of making things in wood.
I would recommend that all educationalists and those academics in Westminster read this book then perhaps we might readdress the lack of practical subjects being taught in our schools these days.
Trevor Hosken
Fleet Hants UK
I would recommend that all educationalists and those academics in Westminster read this book then perhaps we might readdress the lack of practical subjects being taught in our schools these days.
Trevor Hosken
Fleet Hants UK
13 people found this helpful
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Dr Ting-Yu Lin
5.0 out of 5 stars
This book takes an intimate look at what craftsmanship is ...
Reviewed in the United Kingdom 🇬🇧 on April 19, 2017Verified Purchase
This book takes an intimate look at what craftsmanship is all about.
Although the author specialises in the art of furniture-making, the principles and the thought processes he attempted to convey, based on his personal views/experiences, seem to be universal.
My only qualm would be his overuse of the word "narrative." After seeing it for the tenth time I started wondering when I was going to see it again, thus distracting me from the main task.
Other than that the book was a pleasure to read.
Although the author specialises in the art of furniture-making, the principles and the thought processes he attempted to convey, based on his personal views/experiences, seem to be universal.
My only qualm would be his overuse of the word "narrative." After seeing it for the tenth time I started wondering when I was going to see it again, thus distracting me from the main task.
Other than that the book was a pleasure to read.
3 people found this helpful
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Hyaku
4.0 out of 5 stars
An interesting biography.
Reviewed in the United Kingdom 🇬🇧 on November 20, 2017Verified Purchase
An interesting life story, but the title doesn't really indicate the exact contents of the text! You'll have a good idea at the end, but you'll need to read it all before you see why it matters!

David Lutkin
2.0 out of 5 stars
Two Stars
Reviewed in the United Kingdom 🇬🇧 on January 4, 2017Verified Purchase
It turned out to be more of an autobiography with some personal philosophies rather anything really interesting.
4 people found this helpful
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