
Why We Make Things and Why It Matters: The Education of a Craftsman
Audible Audiobook
– Unabridged
Amazon Price | New from | Used from |
Kindle Edition
"Please retry" | — | — |
Audible Audiobook, Unabridged
"Please retry" |
$0.00
| Free with your Audible trial |
In this moving account, Peter Korn explores the nature and rewards of creative practice. We follow his search for meaning as an Ivy-educated child of the middle class who finds employment as a novice carpenter on Nantucket, transitions to self-employment as a designer and maker of fine furniture, takes a turn at teaching and administration at Colorado's Anderson Ranch Arts Center, and then founds a school in Maine: the Center for Furniture Craftsmanship, an internationally respected nonprofit institution.
Furniture making practiced as a craft in the 21st century is a decidedly marginal occupation. Yet the view from the periphery can be illuminating. For Korn the challenging work of bringing something new and meaningful into the world through one's own volition - whether in the arts, the kitchen, or the marketplace - is what generates the meaning and fulfillment that so many of us seek.
This is not a how-to book in any sense. Korn wants to get at the why of craft in particular and the satisfactions of creative work in general to understand their essential nature. How does the making of objects shape our identities? How do the products of creative work inform society? In short, what does the process of making things reveal to us about ourselves? Korn draws on four decades of hands-on experience to answer these questions eloquently, and often poignantly, in this personal, introspective, and revealing book.
- Listening Length5 hours and 37 minutes
- Audible release dateMarch 28 2014
- LanguageEnglish
- ASINB072815F68
- VersionUnabridged
- Program TypeAudiobook
Free with an Audible trial
$0.00$0.00
- 1 credit a month good for any title of your choice, yours to keep.
- The Plus Catalogue—listen all you want to thousands of Audible Originals, podcasts, and audiobooks.
- Access to exclusive member-only sales, as well as 30% off your purchases of any additional titles.
- After 30 days Audible is $14.95/month + applicable taxes. Renews automatically.
Sold and delivered by Audible, an Amazon company
- 1 credit a month good for any title of your choice, yours to keep.
- The Plus Catalogue—listen all you want to thousands of Audible Originals, podcasts, and audiobooks.
- Access to exclusive member-only sales, as well as 30% off your purchases of any additional titles.
- After 30 days Audible is $14.95/month + applicable taxes. Renews automatically.
Buy with 1-Click
$20.23$20.23
List Price: $23.12$23.12 You Save: $2.89$2.89 (13%)
By completing your purchase, you agree to Audible's Conditions Of Use and Amazon's Privacy Notice. Tax where applicable. Sold and delivered by Audible, an Amazon company
People who bought this also bought
- Audible Audiobook
- Audible Audiobook
- Hear and Be Heard: Enhance Your Active Listening Skills. Express Your Emotions with Intention. Create Loving and Safe Relationships. (Emotional Regulation, Book 1)Audible Audiobook
- Audible Audiobook
- Necessary Endings: The Employees, Businesses, and Relationships That All of Us Have to Give Up in Order to Move ForwardAudible Audiobook
Related to this topic
- Audible Audiobook
- Audible Audiobook
- Audible Audiobook
- Audible Audiobook
- Audible Audiobook
Product details
Listening Length | 5 hours and 37 minutes |
---|---|
Author | Peter Korn |
Narrator | Traber Burns |
Audible.ca Release Date | March 28 2014 |
Publisher | Blackstone Audio, Inc. |
Program Type | Audiobook |
Version | Unabridged |
Language | English |
ASIN | B072815F68 |
Best Sellers Rank | #97,135 in Audible Books & Originals (See Top 100 in Audible Books & Originals) #85 in Crafts & Hobbies (Audible Books & Originals) #380 in Aesthetics Textbooks #427 in Aesthetics (Books) |
Customer reviews
-
Top reviews
Top reviews from Canada
There was a problem filtering reviews right now. Please try again later.
His readers tag along with him from Nantucket Island to Frederick (Maryland) to New York City and then Philadelphia before relocating (again) to the Anderson Ranch Arts Center in Snowmass Village (Colorado) for which he served for the six years as Program Director before finally founding (in 1992) the Center for Furniture Craftsmanship in Rockport (Maine). Along the way, he published Woodworking Basics: Mastering the Essentials of Craftsmanship (Taunton Press, 2003) and The Woodworker's Guide to Hand Tools (Taunton Press, 1998). Why We Make Things and Why it Matters is his third book. And along the way, he was stricken by cancer and struggled with personal losses best described by him,
With regard to the aforementioned epiphanies, the first occurred in November (1984) when he had been hard at work on a cradle: "After three days of intense focus, cold, and solitude, the cradle is complete -- a miraculous birth in its own right. I have somehow transform benign intent into a beautiful functional object. This is my moment on the road to Demascus. I am overtaken by the most unexpected passion." (Page 28).
The second epiphany occurred in 1991 during his sixth year at Anderson Ranch. By way of background, he explains that he had previously composed an artist's statement, one that included a sentence that brought his emerging ideas into focus. It read: My own values became clear when I eventually realized that the words I used to describe my aesthetic goals as a furniture maker -- integrity, simplicity, and grace -- also described the person I sought to grow into through the practice of craftsmanship." (Page 102) That sentence was his second epiphany.
While re-reading the book in preparation to compose this brief commentary, I was again reminded of similar experiences that James Joyce describes in several of his letters and short stories as well as in Portrait of the Artist as a Young m Man. Of course, I have no idea whether or not Korn had Joyce and his work in mind when sharing this especially significant moment during his own development. Be that as it may, his transition from carpenter to craftsman is near complete, with details best revealed within the narrative, in context.
What's my take? Of greatest interest and value to me is what Peter Korn has to say about how he "found his way in the world" by committing himself to (as Richard Sennett expressed it) "doing something well, for its own sake." Consider this brief excerpt from Creativity in which Mihaly Csikszentmihalyi observes: "To achieve the kind of world we consider human, some people had to dare to break the thrall of tradition, Next, they had to find ways of recording those new ideas or procedures that improved on what went on before. Finally, they had to find ways of transmitting the new knowledge to generations to come. Those who were involved in this process we call creative. What we call culture, or those parts of ourselves that we internalized from the social environment, is their creation."
For Korn, these "essential" observations by Sennett and Csikszentmihalyi ring true: "There is great satisfaction to be found in work that engages one as an end in itself." His experiences can be described in many different ways. He found his calling, he found himself, he found his True North...all quite correct.
For me, the key to understanding the experiences that Korn discusses, many of which resemble our own, is to think of how he created a good life as well as a successful career. He and countless others have learned through their own experiences that what they love to do, what they most enjoy, is probably what they do best, despite challenges and setbacks along the way. "And so it is. As a maker you put one foot in front of the other and you own the journey. Finding creative passion that governs your life may be a curse as well as a blessing, but I would not trade it for anything else I know."
One final point: It will come as no surprise to those who are already familiar with Peter Korn’s art and craftsmanship that he complements his lean and effective prose with preliminary sketches and then photographs of some of his creations, illustrations that are of superior quality. They bring his story to life in ways and to an extent words alone cannot. Bravo!
Top reviews from other countries


I would recommend that all educationalists and those academics in Westminster read this book then perhaps we might readdress the lack of practical subjects being taught in our schools these days.
Trevor Hosken
Fleet Hants UK

Although the author specialises in the art of furniture-making, the principles and the thought processes he attempted to convey, based on his personal views/experiences, seem to be universal.
My only qualm would be his overuse of the word "narrative." After seeing it for the tenth time I started wondering when I was going to see it again, thus distracting me from the main task.
Other than that the book was a pleasure to read.


![]() |