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![If You Come Softly by [Jacqueline Woodson]](https://m.media-amazon.com/images/I/414hXXkjLPL._SY346_.jpg)
If You Come Softly Kindle Edition
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Jeremiah feels good inside his own skin. That is, when he's in his own Brooklyn neighborhood. But now he's going to be attending a fancy prep school in Manhattan, and black teenage boys don't exactly fit in there. So it's a surprise when he meets Ellie the first week of school. In one frozen moment their eyes lock, and after that they know they fit together--even though she's Jewish and he's black. Their worlds are so different, but to them that's not what matters. Too bad the rest of the world has to get in their way.
Jacqueline Woodson's work has been called “moving and resonant” (Wall Street Journal) and “gorgeous” (Vanity Fair). If You Come Softly is a powerful story of interracial love that leaves readers wondering "why" and "if only . . ."
- Reading age12 years and up
- LanguageEnglish
- Grade level7 - 9
- PublisherNancy Paulsen Books
- Publication dateJune 22 2006
- ISBN-13978-0142406014
Product description
Review
"Woodson infuses their romance with the emotional urgency that defines her work and a prescient sense of social justice."--TIME MAGAZINE
* "Once again, Woodson handles delicate, even explosive subject matter with exceptional clarity, surety and depth. In this contemporary story about an interracial romance, she seems to slip effortlessly into the skins of both her main characters. . . . Both voices convincingly describe the couple's love-at-first-sight meeting and the gradual building of their trust. The intensity of their emotions will make hearts flutter, then ache as evidence mounts that Ellie's and Jeremiah's 'perfect' love exists in a deeply flawed society. Even as Woodson's lyrical prose draws the audience into the tenderness of young love, her perceptive comments about race and racism will strike a chord with black readers and open the eyes of white readers."--Publishers Weekly, starred review
"Woodson offers readers a poetically conceived novel of young love, permeated with complications of family dynamics, racism, and violence. . . . Woodson unerringly limns the delicate intensity and passionate innocence of first love. . . . The two points of view effectively communicate the loneliness of the two sensitive teenagers and their breathless delight in discovering one another. Characterization is solid and well-developed as both parents and frirends focus into reality through the eyes of Miah and Ellie. Their conversations ever so gently open up issues of racism, self-awareness, and moral consciousness."--The Bulletin of the Center for Children's Books
"Woodson perceptively explores varieties of love, trust, and friendship, as she develops well-articulated histories for both families. . . . A tale as rich in social and personal insight as any of Woodson's previous books."--Kirkus Reviews
"Lyrical narrative. . . . This fine author once again shows her gift for penning a novel that will ring true with young adults as it makes subtle comments on social situations."--School Library Journal
"As in all her fiction, Woodson confronts prejudice head-on."--Booklist
"Gracefully told."--KLIATT --This text refers to the paperback edition.
From Booklist
From Publishers Weekly
Copyright 1998 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Excerpt. © Reprinted by permission. All rights reserved.
I couldn’t stop looking at him, at his smile and his hair. I had never seen locks up close. His were thick and black and spiraling down over his shoulders. I wanted to touch them, to touch his face. I wanted to hear him say his name again. For a moment we stared at each other, neither of us saying anything. There was something familiar about him, something I had seen before. I blinked, embarrassed suddenly, and turned away from him.
Then Jeremiah rose and I rose.
“Well . . . good-bye. I guess . . . I guess I’ll see you around,” he said softly, looking at me a moment longer before turning away and heading down the hall, his locks bouncing gently against his shoulders.
“Jeremiah,” I whispered to myself as I walked away from him. I could feel his name, settling around me, as though I was walking in a mist of it, of him, of Jeremiah.
ALSO BY JACQUELINE WOODSON
After Tupac and D Foster
Behind You
Beneath a Meth Moon
Between Madison and Palmetto
Brown Girl Dreaming
The Dear One
Feathers
From the Notebooks of Melanin Sun
The House You Pass on the Way
Hush
I Hadn’t Meant to Tell You This
Last Summer with Maizon
Lena
Locomotion
Maizon at Blue Hill
Miracle’s Boys
Peace, Locomotion
Table of Contents
At first sight
Also by Jacqueline Woodson
Title Page
Dedication
Copyright Page
Part One
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Part Two
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Questions for Discussion
An Excerpt from Brown Girl Dreaming
An Excerpt from Behind You
The tide and the poem “If You Come Softly” by Audre Lorde are from
The Collected Poems of Audre Lorde published by W. W. Norton and
reprinted by permission of the Charlotte Sheedy Literary Agency.
SPEAK
Published by the Penguin Group
Penguin Group (USA) Inc.,
345 Hudson Street, New York, New York 10014, U.S.A.
Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700,
Toronto, Ontario, Canada M4P 2Y3
(a division of Pearson Penguin Canada Inc.)
Registered Offices: Penguin Books Ltd, 80 Strand, London WC2R 0RL, England
First published in the United States of America by G. P. Putnam’s Sons,
a division of Penguin Putnam Books for Young Readers, 1998
Published by Speak, an imprint of Penguin Group (USA) Inc., 2003
Reissued by Speak, an imprint of Penguin Group (USA) Inc., 2006
All rights reserved
THE LIBRARY OF CONGRESS HAS CATALOGED THE G. P. PUTNAM’S SONS EDITION AS
FOLLOWS:
Woodson, Jacqueline.
If you come softly / Jacqueline Woodson.
p. cm.
Summary: After meeting at their private school in New York,
fifteen-year-old Jeremiah, who is black and whose parents are separated,
and Ellie, who is white and whose mother has twice abandoned her,
fall in love and then try to cope with people’s reactions.
ISBN: 9781101076972
For the ones like Jeremiah
If you come as softly
as the wind within the trees
You may hear what I hear
See what sorrow sees.
MY MOTHER CALLS TO ME FROM THE BOTTOM OF THE stairs, and I pull myself slowly from a deep sleep. It is June. Outside the sky is bright blue and clear. In the distance I can see Central Park, the trees brilliant green against the sky. I was dreaming of Miah.
“Elisha,” Marion calls again. She sounds worried and I know she is standing at the bottom of the stairs, her hand moving slowly up and down the banister, waiting for me to answer. But I can’t answer yet. Not now.
Is there a boy? Marion asked me that fall, when Miah was new. And I lied and told her there wasn’t one.
She is standing at the door now, her arms folded in front of her. “Time to get up, sweetie. Are you all right?”
I nod and continue to stare out the window, my hair falling down around my eyes, my pajamas hot and sticky against my skin.
No, Marion, there isn’t a boy. Not now. Not anymore.
She comes to the bed and sits beside me. I feel the bed sink down with the weight of her, smell her perfume.
“I dreamed about Miah last night,” I say softly, leaning my head against her shoulder. Outside, there are taxicabs blowing their horns. In the seconds of quiet between the noise, I can hear birds. And my own breathing.
Marion moves her hand over my head. Slowly. Softly. “Was it a good dream?”
I frown. “Yes ... I think so. But I don’t remember it all.”
“Remember what you can, Elisha,” Marion whispers, kissing me on the forehead. “Remember what you can.”
I close my eyes again.
And remember what I can.
Part One
The Ending
Jeremiah
YOU DO NOT DIE. YOUR SOUL STEPS OUT OF YOUR BODY, shakes itself hard because it’s been carrying the weight of your heavy skin for fifteen years. Then your soul lifts up and looks down on your body lying there—looks down on the blood running onto concrete, your eyes snapped open like the pages in some kid’s forgotten picture book, your chest not moving. Your soul sees this and feels something beyond sadness—feels its whole self whispering further away. Shhhh. Shhhh. Shhhh—past the trees in Central Park, past the statues and runners and children playing on swings. Shhhh. Shhhh. Shhhh. Over yellow taxicabs and late-afternoon flickering streetlights. Shhhh away from the dusting of snow, the white tips of trees, the darkening sky. Already you hear your mother screaming. Already you see your father dropping his head into his hands. Helpless. Already you see your friends—walking through the halls of Percy Academy. Stunned. But you do not die. Each breath your soul takes is cool and reminds you of a taste you loved a long time ago. Licorice. Peppermint. Rain. Then your soul is you all over again, only lighter and freer and able to be a thousand and one places at once. Your new soul eyes look around. See two cops standing there with their mouths hanging open. One cop curses and kicks a tree. Slowly your soul realizes it’s in a park. There are trees all around you. And both cops look scared.
He’s dead, one cop says.
And the other curses again. Your soul doesn’t like the way the curse word sounds. Too hard. Too heavy in the new soul-light air.
The cops can’t see you. They see a dead body on the ground—a young boy. A black boy. They know this is not the man they’d been looking for. They know they’ve made a mistake. Your soul looks at the boy and knows his friends called him Miah but his full name was Jeremiah Roselind. Tall. Dark. He has locks and the locks are spread over the ground. His eyes are opened wide. Greenish gray lifeless eyes. Your soul thinks—somebody loved that boy once. Thinks—once that boy was me. The wind blows the snow left, right and up. You are so light, you move with the wind and the snow. Let the weather take you. And it lifts you up—over a world of sadness and anger and fear. Over a world of first kisses and hands touching and someone you’re falling in love with. She’s there now. Right there. Look closely. Yeah. That’s her. That’s my Ellie.
The Hurting
Ellie
FOR A LONG TIME AFTER MIAH DIED, SO MANY PEOPLE DIDN’T sleep. At night, we lay in bed with our eyes wide open and watched the way night settled down over wherever we were. I was in a room on the Upper West Side, in a house my parents moved to a long time ago. Not a house—a duplex apartment in a fancy building with a doorman. My dad’s a doctor. My mother stays at home. I go to Percy Academy. Some people look at me and see a white girl in a uniform—burgundy jacket and gray skirt—and think, She has all the privilege in the world. I look back at them, thinking, If only you knew.
If only they knew how we were sprinkled all over the city—me in my big room, Nelia in her Fort Greene brownstone, Norman in his girlfriend’s apartment, aunts and uncles and cousins, even strangers—all over New York City—none of us slept. We lay there staring up at our ceilings or out into the darkness. Or some days we stopped in the middle of doing something and forgot what it was we were doing. We thought, Jeremiah’s dead. We whispered, Jeremiah’s dead. As if the whispering and the thinking could help us to understand. We didn’t eat enough. We peed only when the need to pee got so big, we thought we’d wet our pants. We pulled the covers off ourselves in the mornings then sat on the edge of our beds, not knowing what to do next. If those strangers looked, really looked into my privileged white girl face, they would have seen the place where I wasn’t even there. Where a part of me died too.
Miah died on a Saturday afternoon. That evening, the calls started coming. First his mom, Nelia, asking if Miah was still with me. Then his dad, Norman. Then the cops. Then silence. Silence that lasted into the night and into the next dawn. Then the phone ringing one more time and Nelia saying, Ellie, Miah’s been shot. . . .
I don’t remember much more than that. There was a funeral. There were tears. There were days and days spent in my bed. A fever maybe.
There was no more Miah.
No more Miah.
No more Miah and me.
Chapter 3
HE LOVED THE LIGHT IN HIS MAMA’S KITCHEN. THE yellow stained-glass panes across the top of the windows buttered the room a soft gold-even now, in the early evening with the rain coming down hard outside.
“Your daddy left a message,” his mama said. “Said he had to go out to L.A. Be back Sunday night. Left a number.”
“Guess I’m spending the week here then.” Jeremiah glanced out the kitchen window. There was no light on in his father’s apartment. He was glad he didn’t have to make a decision. Every night it was the same thing. You gonna stay here? You gonna stay here? His mama and daddy’s voices beating against the side of his head, begging him as if they were really saying, Choose me. No, choose me. For the hundredth time, no, maybe the thousandth time, he wished he had a brother or sister—somebody to go up against them with. Someone to help relieve some of the stuff they put him through. How long would it have to be like this anyway? Two addresses. Two phone numbers. Two bedrooms.
--This text refers to an out of print or unavailable edition of this title.About the Author
From School Library Journal
Tom S. Hurlburt, La Crosse Public Library, WI
Copyright 1998 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Product details
- ASIN : B002CIY8RO
- Publisher : Nancy Paulsen Books (June 22 2006)
- Language : English
- File size : 850 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Not Enabled
- Print length : 200 pages
- Best Sellers Rank: #680,183 in Kindle Store (See Top 100 in Kindle Store)
- Customer Reviews:
About the author

Jacqueline Woodson's memoir BROWN GIRL DREAMING won the 2014 National Book Award and was a NY Times Bestseller. Her novel, ANOTHER BROOKLYN, was a National Book Award finalist and an Indie Pick in 2016. Among her many awards, she the recipient of the Kurt Vonnegut Award, four Newbery Honors, two Coretta Scott King Award, and the Langston Hughes Medal. Jacqueline is the author of nearly thirty books for young people and adults including EACH KINDNESS, IF YOU COME SOFTLY, LOCOMOTION and I HADN'T MEANT TO TELL YOU THIS. She served as Young People's Poet Laureate from 2014-2016, was a fellow at The American Library in Paris, occasionally writes for the New York Times, is currently working on more books and like so many writers - lives with her family in Brooklyn, New York.
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Customer reviews
Top reviews from Canada
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I picked up If You Come Softly after one of my 6th grade students recommended it to me. I read the first few chapters effortlessly, and when someone asked me what it was about, I simply said, "Not much." You see--it's not an in your face narrative. It's simple and soft, and the alternating perspectives are hardly noticed--all signs of outstanding writing. I was halfway through the book before I realized the gentle power of the story.
Ellie and Miah attend the same school and have similar views of the world, but they are so different that their sudden love for each other seems impossible. Ellie is the white daughter of a distantly married couple; her numerous brothers and sisters are older and have moved throughout the country. Miah is the black son of celebrities who have recently separated. Both teenagers attend the exclusive Percy School, which is where they meet by chance and fall in love. Despite the stares and whispers, they choose to stay together and learn more about each other. Their love is mature and real (and the author spares us from unnecessary sex scenes). We know from page one that tragedy awaits this relationship, but it doesn't damper the unfolding of their relationship and our interest in the potential of their lives. They love each other innocently and completely, and they tip-toe cautiously into the world of each other's families.
Woodson demonstrates a world view through the voices of these two high school characters--they understand more about race relations than most adults do. There are times, however, when their views of races seems too simplistic--perhaps this was intentional, or perhaps this is Woodson's own view. It's too easy to group together all "whites" or all "blacks" and to create stereotypes of old ladies who stare. But the overall message is appreciated.
I can't say enough about the gentle nature of this story. How an author can provoke so much emotion in such a delicately written story is truly amazing. Woodson is a masterful writer, and this story is perfectly told.
I really would have liked to see how Ellie's parents would have reacted to seeing Jeremiah but, the book ends with a twist which in my eyes, was not very well done. I had to read the last 4 chapters again to get what actually happened and when I finally found it out, I was shocked and saddened with a lot of questions in my head... "Why did it happen?" "Who did it?"
The big problem is there's a lot of "flowery" writing in the book that I feel dosen't get to the point.
It's a good reader for teen girls but, I would'nt recommend it for teen males.
It would be a great to teach this work at the 7-9th grade level, for often students will miss the subtle points the author is making about race and racism.
I look forward to more books like this being written.
Top reviews from other countries




Honestly, I have no words, other than to say, after I closed the book, I sat and I cried, and I cried. I can't even tell you how long I cried.
This is a relatively short story, focusing on the relationship between Ellie and Micah, which occurs over a few short months. It is also the story of each teen's relationship with their parents and family.
This book is fillled with some heavy, and thought-provoking issues centered around race, family, love, and what it means to truly see another person for what is inside their heart and soul.
It is beautifully written and heartbreaking, and I strongly urge all of you to read it.

Now that I've read it for pleasure instead of analysis I love it even more! I love how mature Ellie and Miah seem. The reader has to keep reminding themselves (as does Jacqueline Woodson throughout other character's dialogue and their inner thoughts) they are only 15. I like that the thoughts on interracial relationships are viewed through the minds of young people and that the reader can see how Ellie grows from being naive to aware of the problems non-white people face.
Beyond the race factor, the love between Miah and Ellie is so real, true, genuine, and easy. They came together because they were meant to. I love that they are essentially the same person in their feelings and loneliness which in turn bonds them in a way no one can understand.
The tragic ending upset me but also really humbled the situation. It brought life back in the mix, showed reality, ripping the reader out of the dream escape previously created.
Besides the grammar issues, this book is amazing, very fast and emotionally moving. Go read it now. Everyone should be able to relate to at least one character or situation.