Drew Hayden Taylor
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About Drew Hayden Taylor
"I've spent too many years explaining who and what I am repeatedly, so as of this moment I officially secede from both races. I plan to start my own separate nation. Because I am half Ojibway and half Caucasian, we will be called the Occasions. And of course, since I'm founding the new nation, I will be a Special Occasion." - Drew Hayden Taylor
Ojibway writer Drew Hayden Taylor is from the Curve Lake Reserve in Ontario. Hailed by the Montreal Gazette as one of Canada's leading Native dramatists, he writes for the screen as well as the stage and contributes regularly to North American Native periodicals and national newspapers. His plays have garnered many prestigious awards, and his beguiling and perceptive storytelling style has enthralled audiences in Canada, the United States and Germany. His 1998 play Only Drunks and Children Tell the Truth has been anthologized in Seventh Generation: An Anthology of Native American Plays, published by the Theatre Communications Group. Although based in Toronto, Taylor has travelled extensively throughout North America, honouring requests to read from his work and to attend arts festivals, workshops and productions of his plays. He was also invited to Robert Redford's Sundance Institute in California, where he taught a series of seminars on the depiction of Native characters in fiction, drama and film. One of his most established bodies of work includes what he calls the Blues Quartet, an ongoing, outrageous and often farcical examination of Native and non-Native stereotypes.
Among Taylor's many awards are: the Canada Council Victor Martyn Lynch-Staunton Award for Theatre (2009); the Governor General's Award for Drama, Nominee (2006) In a World Created by a Drunken God; the Siminovitch Prize in Theatre, Nominee (2005); James Buller Aboriginal Theatre Award for Playwright of the Year (1997) Only Drunks and Children Tell the Truth; and the Dora Mavor Moore Award for Outstanding New Play, Small Theatre Division (1996) Only Drunks and Children Tell the Truth.
Video Credit to CBC Books
You can find another video interview with Drew Hayden Taylor Here "http://hidvl.nyu.edu/video/003335539.html"
Credit to the HIDVL
Drew Hayden Taylor 1962-; Kennetch Charlette; Hemispheric Institute of Performance and Politics; Hemispheric Institute Digital Video Library. 2007 Dec. 7
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Books By Drew Hayden Taylor
Otter Lake is a sleepy Anishnawbe community where little happens. Until the day a handsome stranger pulls up astride a 1953 Indian Chief motorcycle – and turns Otter Lake completely upside down. Maggie, the Reserve’s chief, is swept off her feet, but Virgil, her teenage son, is less than enchanted. Suspicious of the stranger’s intentions, he teams up with his uncle Wayne – a master of aboriginal martial arts – to drive the stranger from the Reserve. And it turns out that the raccoons are willing to lend a hand.
Anne Wabung's daughter was taken away by children's aid workers when the girl was only a toddler. It is Christmastime 35 years later, and Anne's yearning to see her now-grown daughter is stronger than ever.
When the family is finally reunited, however, the dreams of neither women are fulfilled.
The setting for the play is a fictional Ojibway community, but could be any reserve in Canada, where thousands of Native children were removed from their families in what is known among Native people as the "scoop-up" of the 1950s and 1960s. Somedayis an entertaining, humourous, and spirited play that packs an intense emotional wallop.
Little do Tiffany, her father, or even her astute Granny Ruth suspect the truth. The mysterious Pierre L’Errant is actually a vampire, returning to his tribal home after centuries spent in Europe. But Tiffany has other things on her mind: her new boyfriend is acting weird, disputes with her father are escalating, and her estranged mother is starting a new life with somebody else. Fed up and heartsick, Tiffany threatens drastic measures and flees into the bush. There, in the midnight woods, a chilling encounter with L’Errant changes everything ... for both of them.
A mesmerizing blend of Gothic thriller and modern coming-of-age novel, THE NIGHT WANDERER is unlike any other vampire story.
Imagine their surprise when they reappear in the same locked room in Act Two as Mike, Jim, Bill, John, Sally and Fredattending an A.A. meeting and bickering among themselves about reserve politics, unmanageable family relationships and whether Bingo has a place in their new air-conditioned casinoand realize the white writer must still be very much alive in their community; his body in the closet is still warm!
First Nations, Métis and Inuit artists, activists, educators and writers, youth and elders come together to envision Indigenous futures in Canada and around the world.
Discussing everything from language renewal to sci-fi, this collection is a powerful and important expression of imagination rooted in social critique, cultural experience, traditional knowledge, activism and the multifaceted experiences of Indigenous people on Turtle Island.
In Me Tomorrow…
- Darrel J. McLeod, Cree author from Treaty-8 territory in Northern Alberta, blends the four elements of the Indigenous cosmovision with the four directions of the medicine wheel to create a prayer for the power, strength and resilience of Indigenous peoples.
- Autumn Peltier, Anishinaabe water-rights activist, tells the origin story of her present and future career in advocacy—and how the nine months she spent in her mother’s womb formed her first water teaching. When the water breaks, like snow melting in the spring, new life comes.
- Lee Maracle, acclaimed Stó:lō Nation author and educator, reflects on cultural revival—imagining a future a century from now in which Indigenous people are more united than ever before.
Other essayists include Cyndy and Makwa Baskin, Norma Dunning, Shalan Joudry, Shelley Knott-Fife, Tracie Léost, Stephanie Peltier, Romeo Saganash, Drew Hayden Taylor and Raymond Yakeleya.
For readers who want to imagine the future, and to cultivate a better one, Me Tomorrow is a journey through the visions generously offered by a diverse group of Indigenous thinkers.
Newcomers to the Otter Lake native reserve don't go unnoticed for long. So it's no surprise that 16-year-old Tiffany's curiosity is piqued when her father rents out her room to a complete stranger.
But little do Tiffany, her father, or even her insightful Granny Ruth suspect the truth about their guest. The mysterious Pierre L'Errant has a dreadful secret. After centuries roaming Europe as a brooding vampire, he has returned home to reclaim his Native roots before facing the rising sun and certain death. Meanwhile, Tiffany is deeply troubled -- she doubts her boyfriend is being faithful, has escalating disputes with her father, and her estranged mother is starting a new life with somebody else.
Fed up and heartsick, Tiffany threatens drastic measures and flees into the bush. There, in the midnight woods, a chilling encounter with L'Errant changes everything as Pierre introduces Tiffany to her proud Native heritage. For Pierre, though, destiny is fixed at sunrise.
In this stunning graphic version of the award-winning novel, artist Mike Wyatt brings a brilliant story to visual life.
Bobby Rabbit, the play’s Anishnawbe main character, convinces his friend Hugh to accompany him on a “sojourn of justice” to dig up the bones of Canada’s infamous first prime minister and hold them for ransom. Decades before, a medicine pouch belonging to Bobby’s grandfather was taken away by the staff of the residential school where he was detained. The precious object was sent to a British Museum exhibition room for conservation – and now Bobby wants it repatriated. Along the way the pair pick up Anya, a bright, opinionated young woman who is fleeing a bad breakup and holds conflicting ideas about Sir John A.’s place in Canadian history. Not to be left out of the argument, Sir John A. himself, broadcasting live from nineteenth-century Ottawa and full of patriarchal contempt for those “strange and perplexing Indians,” shows up with opinions of his own.
Taylor’s twenty-seventh play, Sir John A: Acts of a Gentrified Ojibway Rebellion explores the possibility of reconciliation and urgently questions past and contemporary forms of Canadian colonialism. A contemporary classic!